(Bossa Nova, Brazilian Jazz) Charlie Byrd - Travellin' Man (1965)/The Touch of Gold (1966) - 2007, FLAC (image+.cue), lossless

Exact Audio Copy V0.99 prebeta 4 from 23. January 2008
EAC extraction logfile from 7. September 2009, 23:36
Charlie Byrd / Travellin' Man-The Touch of Gold
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Overread into Lead-In and Lead-Out          : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks   : No
Null samples used in CRC calculations       : Yes
Used interface                              : Native Win32 interface for Win NT & 2000
Used output format : Internal WAV Routines
Sample format      : 44.100 Hz; 16 Bit; Stereo
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        9  | 30:52.65 |  3:04.45 |    138965    |   152809
       10  | 33:57.35 |  3:56.02 |    152810    |   170511
       11  | 37:53.37 |  3:15.32 |    170512    |   185168
       12  | 41:08.69 |  2:41.48 |    185169    |   197291
       13  | 43:50.42 |  2:48.20 |    197292    |   209911
       14  | 46:38.62 |  2:28.51 |    209912    |   221062
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       17  | 53:58.56 |  2:06.52 |    242906    |   252407
       18  | 56:05.33 |  2:41.68 |    252408    |   264550
       19  | 58:47.26 |  3:48.35 |    264551    |   281685
       20  | 62:35.61 |  2:11.64 |    281686    |   291574
       21  | 64:47.50 |  2:33.23 |    291575    |   303072
       22  | 67:20.73 |  2:21.27 |    303073    |   313674
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     Filename C:\_\EAC_Out\Out\Charlie Byrd - Travellin' Man-The Touch of Gold\Charlie Byrd - Travellin' Man-The Touch of Gold.wav
     Peak level 100.0 %
     Range quality 99.9 %
     Copy CRC D6509AA3
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REM GENRE Jazz
REM DATE 1965
REM DISCID 57105616
REM COMMENT "ExactAudioCopy v0.99pb4"
PERFORMER "Charlie Byrd"
TITLE "Travellin' Man/The Touch of Gold"
FILE "Charlie Byrd - Travellin' Man-The Touch of Gold.wav" WAVE
  TRACK 01 AUDIO
    TITLE "Mama I'll Be Home Someday"
    PERFORMER "Charlie Byrd"
    INDEX 01 00:00:00
  TRACK 02 AUDIO
    TITLE "The Folks Who Live on the Hill/Yesterdays"
    PERFORMER "Charlie Byrd"
    INDEX 01 04:16:42
  TRACK 03 AUDIO
    TITLE "Blues for Felix"
    PERFORMER "Charlie Byrd"
    INDEX 01 10:17:35
  TRACK 04 AUDIO
    TITLE "U.M.M.G."
    PERFORMER "Charlie Byrd"
    INDEX 01 14:14:67
  TRACK 05 AUDIO
    TITLE "I Hear a Rhapsody"
    PERFORMER "Charlie Byrd"
    INDEX 01 17:46:30
  TRACK 06 AUDIO
    TITLE "In the Name of Love"
    PERFORMER "Charlie Byrd"
    INDEX 00 22:31:47
    INDEX 01 22:33:46
  TRACK 07 AUDIO
    TITLE "I Will Wait for You"
    PERFORMER "Charlie Byrd"
    INDEX 01 26:31:70
  TRACK 08 AUDIO
    TITLE "Do I Hear a Waltz?"
    PERFORMER "Charlie Byrd"
    INDEX 01 28:38:13
  TRACK 09 AUDIO
    TITLE "Travellin' Man"
    PERFORMER "Charlie Byrd"
    INDEX 01 30:52:65
  TRACK 10 AUDIO
    TITLE "Nuages"
    PERFORMER "Charlie Byrd"
    INDEX 01 33:57:35
  TRACK 11 AUDIO
    TITLE "Just Squeeze Me (But Don't Tease Me)"
    PERFORMER "Charlie Byrd"
    INDEX 01 37:53:37
  TRACK 12 AUDIO
    TITLE "In My Room (El Amor)"
    PERFORMER "Charlie Byrd"
    INDEX 00 41:06:70
    INDEX 01 41:08:69
  TRACK 13 AUDIO
    TITLE "The Shadow of Your Smile"
    PERFORMER "Charlie Byrd"
    INDEX 01 43:50:42
  TRACK 14 AUDIO
    TITLE "Bonanza!"
    PERFORMER "Charlie Byrd"
    INDEX 01 46:38:62
  TRACK 15 AUDIO
    TITLE "Yesterday"
    PERFORMER "Charlie Byrd"
    INDEX 01 49:07:38
  TRACK 16 AUDIO
    TITLE "Norwegian Wood (This Bird Has Flown)"
    PERFORMER "Charlie Byrd"
    INDEX 01 51:34:63
  TRACK 17 AUDIO
    TITLE "It Was a Very Good Year"
    PERFORMER "Charlie Byrd"
    INDEX 01 53:58:56
  TRACK 18 AUDIO
    TITLE "Dulcinea"
    PERFORMER "Charlie Byrd"
    INDEX 00 56:03:34
    INDEX 01 56:05:33
  TRACK 19 AUDIO
    TITLE "Michelle"
    PERFORMER "Charlie Byrd"
    INDEX 01 58:47:26
  TRACK 20 AUDIO
    TITLE "A Taste of Honey"
    PERFORMER "Charlie Byrd"
    INDEX 01 62:35:61
  TRACK 21 AUDIO
    TITLE "Lonely Clown"
    PERFORMER "Charlie Byrd"
    INDEX 01 64:47:50
  TRACK 22 AUDIO
    TITLE "Walk Right In"
    PERFORMER "Charlie Byrd"
    INDEX 01 67:20:73

auCDtect: CD records authenticity detector, version 0.8.2
Copyright (c) 2004 Oleg Berngardt. All rights reserved.
Copyright (c) 2004 Alexander Djourik. All rights reserved.
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This track looks like CDDA with probability 100%

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Collectables combines two very different back-to-back recordings made by guitarist Charlie Byrd for Columbia in the mid-'60s. Travellin' Man (issued in 1965) is a live gig at the Showboat in Washington D.C., a club he was playing in -- and owned -- 36 weeks out of the year. He is featured with his bass playing brother Joe, and the rather astonishing drummer Bill Reichenbach. The program consists of everything from originals like the title cut and the country and bluegrass tinged opener "Mama I'll Be Home Someday" to Michel Legrand's "I Will Wait for You." With tunes like the Richard Rodgers and Stephen Sondheim standard "Do I Hear a Waltz," Billy Strayhorn's "U.M.M.G.," and Django Reinhardt's "Nuages" sandwiched in between. It' is a hard swinging date where Byrd, a great melodic improviser, turns original arrangements inside out and pours his love for bossa and blues into everything he plays. The latter album, A Touch of Gold, was recorded and released in 1966 and was thought to be a great departure for the hard swinging jazzman. The set featured a full backing band with horns and strings and a backing vocal chorus arranged by Charlie Callello. The tunes were regarded derogatorily in many quarters as "pop songs" -- and that may be exactly why Byrd loved them. The opening bars of "In My Room, (El Amor)" by Lee Pockriss borrows its opening statement from George Gershwin's "Summertime," Byrd, of course moves through its beautiful Latin modes and harmonies effortlessly, allowing the rhythms full free range play inside it. Likewise, his bossa version of "The Shadow of Your Smile," where samba rhythms permeate the arrangements and Byrd's solo plays counterpoint to the melody in places only enhances the lyric of the tune, rather than take away from it.
Other surprises on the set are a trio of Beatles covers in "Norwegian Wood (This Bird Has Flown)," "Yesterday," and "Michelle." Byrd's adherence to the melody and the illustrative brass section on the former offered a very "South of the Border," feel, that broke it briefly into a swinging progressive big band item. On the last cut, a brief but beautiful string prologue advances the theme inconspicuously before Byrd brings his shimmering faux flamenco style to the body of the main melody. Byrd's knowledge of the intricate harmonics in these pieces is rather remarkable. Indeed, no less a voice than Orrin Keepnews predicted the tracks would be known as standards in a short time. And he was right in, no small part simply because Byrd covered them, and adult audiences were exposed to the complex and adventurously accessible music of the Beatles. But there is more than lilting love song sentiment in Byrd's take on popular music. Listen to his humorous reading of the theme from "Bonanza!," or even his wooly version of the barroom/strip club anthem "Walk Right In." These cuts have their vulgarities, but they are not without elegance because Byrd was the king of class. As for evidence (if anyone needs more), they need listen no further than his utterly moving version of Ervin Drake's "It Was a Very Good Year," that was closely associated with Sinatra during this juncture -- and virtually owned by him in performance every year thereafter. This may not be the Charlie Byrd recording to start with, but anyone deeply interested in his music should seriously consider checking this one out as well. Two full albums on a single CD? What are you waiting for?