(Bop, Post-Bop) [CD] Thelonious Monk - The Paris Concert - 1967 (1999), FLAC (tracks+.cue), lossless

X Lossless Decoder version 20121013 (142.0)
XLD extraction logfile from 2012-11-17 11:56:59 -0600
Thelonious Monk / The Paris Concert
Used drive : MATSHITA DVD-R   UJ-898 (revision HC10)
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TOC of the extracted CD
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        2  | 17:21:65 | 02:08:70 |     78140    |    87809
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        5  | 56:21:65 | 11:56:05 |    253640    |   307344
        6  | 68:17:70 | 02:25:12 |    307345    |   318231
        7  | 70:43:07 | 01:28:33 |    318232    |   324864
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Track 01
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End of status report

TITLE "The Paris Concert"
PERFORMER "Thelonious Monk"
REM GENRE "Jazz"
REM DATE "1967"
REM DISCID 5A10EB07
REM REPLAYGAIN_ALBUM_GAIN -0.33 dB
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FILE "01 - Lulu's Back in Town.flac" WAVE
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    TITLE "Lulu's Back in Town"
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    PREGAP 00:00:32
    INDEX 01 00:00:00
FILE "02 - Just a Gigolo.flac" WAVE
  TRACK 02 AUDIO
    TITLE "Just a Gigolo"
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FILE "03 - I'm Getting Sentimental over You.flac" WAVE
  TRACK 03 AUDIO
    TITLE "I'm Getting Sentimental over You"
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FILE "04 - Sweet and Lovely.flac" WAVE
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    TITLE "Sweet and Lovely"
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FILE "05 - Off Minor.flac" WAVE
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FILE "06 - Crepuscule with Nellie.flac" WAVE
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FILE "07 - Epistrophy.flac" WAVE
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    TITLE "Epistrophy"
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Pregap length 00:00:32.
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Track | CTDB Status
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At the time of this 1967 Paris concert, Monk had been playing and touring extensively with Charlie Rouse, Larry Gales and Ben Riley for several years. This recording finds them in loose and expansive form, their familiarity and comfort with each other and the material clearly evident from the opening of the wonderful descending theme of "Lulu's Back In Town." The fluent, flexible stylings of tenorman Rouse come into focus on "Sweet and Lovely" and the superb cut of "Off Minor."
Bassist Gales and drummer Riley stretch out on "I'm Getting Sentimental Over You" and "Sweet and Lovely." Monk, while no longer at the height of his dazzling ability here, still turns in an fine performance--his rhythmic subtleties, harmonic ingenuity and use of space no less surprising and seductive than ever. The only disappointment is the lack of original Monk material. With only "Off Minor" and brief signature treatments of "Crepuscule With Nellie" and "Epistrophy," the listener is treated to only a taste of the artist's compositional brilliance.