(Bop, Hard Bop) [CD] Dexter Gordon - Both Sides of Midnight - 1967 (2012 ORG Music), FLAC (tracks+.cue), lossless

X Lossless Decoder version 20131102 (145.0)
XLD extraction logfile from 2014-03-16 17:48:48 -0500
Dexter Gordon / Both Sides Of Midnight
Used drive : MATSHITA DVD-R   UJ-857D (revision KBVB)
Media type : Pressed CD
Ripper mode             : XLD Secure Ripper
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Gap status              : Analyzed, Appended
TOC of the extracted CD
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    ---------------------------------------------------------
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        2  | 12:44:26 | 08:42:56 |     57326    |    96531
        3  | 21:27:07 | 07:13:04 |     96532    |   129010
        4  | 28:40:11 | 15:42:03 |    129011    |   199663
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Track 02
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TITLE "Both Sides of Midnight"
PERFORMER "Dexter Gordon"
REM GENRE "Jazz"
REM DATE "1967"
REM DISCID 350A6604
FILE "01 - Devilette.wav" WAVE
  TRACK 01 AUDIO
    TITLE "Devilette"
    INDEX 01 00:00:00
  TRACK 02 AUDIO
    TITLE "For All We Know"
    INDEX 00 12:42:26
FILE "02 - For All We Know.wav" WAVE
    INDEX 01 00:00:00
  TRACK 03 AUDIO
    TITLE "Doxy"
    INDEX 00 08:40:56
FILE "03 - Doxy.wav" WAVE
    INDEX 01 00:00:00
  TRACK 04 AUDIO
    TITLE "Sonnymoon for Two"
    INDEX 00 07:11:04
FILE "04 - Sonnymoon for Two.wav" WAVE
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[CUETools log; Date: 23.03.2014 13:51:34; Version: 2.1.4]
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Track | CTDB Status
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  2   | (1/1) Accurately ripped
  3   | (1/1) Accurately ripped
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Track   [  CRC   |   V2   ] Status
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 02     [69008d50|0d5cb7ab] (0+2/2) Accurately ripped
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Dexter Gordon's Both Sides of Midnight was recorded in the summer of 1967, but released in 1988, with the title taking branding advantage of Gordon's role in the full-length feature film 'Round Midnight. A group of American expatriates teamed with 21-year-old bass prodigy Niels-Henning Ørsted Pedersen yields almost an hour of excellent music from a club date at the venerable Montmartre Jazzhuis in Copenhagen, Denmark. Sowing the seeds of the sound of Sonny Rollins and using part of Newk's repertoire, Gordon makes these musical statements all his own with a personalized voice free of imitation, but full of melodic hooks and ladders reaching skyward in distinguished, ad hoc fashion. Pianist Kenny Drew and drummer Al Heath stay very close to Gordon's muse during this short stack of standards, stretching the harmonic parameters of these well-known tunes in a delightful program of professionally rendered modern mainstream jazz. A twelve-and-a-half minute calypso-tinged version of Ben Tucker's "Devilette" proves the band warms up very quickly, as Heath's bouncy rhythm excites Gordon's vocal-like, linear lines with slight swinging inserts. The most amazing track is the near-16-minute, fast romp 12-bar blues take of "Sonnymoon for Two," as an inexhaustible Gordon plays what was then called a whopping "three foot long," 28 chorus solo without quoting a single standard, going on and on in Zen fashion before Drew hits up 20 choruses of his own. The Rollins signature tune "Doxy" is played flawlessly with nary a single cliché, as Gordon negotiates the tricky melody with his legendary cool ease and near nonchalance. Drew and Gordon together are best when wearing their hearts on their sleeves during the quiet tunes "For All We Know" and "Misty," using emotional constraint and control with throaty, pillow talk tones. A well-recorded live date, one of many Gordon did at the Montmartre, this easily ranks as one of Gordon's best, just shy of his magnum opus Homecoming.