(Bop) Dizzy Gillespie, Miles Davis - Anthropology - {2CD, From Swing To Bebop - History} - 2000, FLAC (tracks+.cue), lossless
Dizzy Gillespie, Miles Davis - Anthroplogy - 2000 {2CD, From Swing To Bebop - History}
Жанр: Bop
Дата записи: ниже
Дата выпуска: неизвестно
Производитель диска, номер, страна: 20.1982-HI, Trumpets Of Jericho Ltd.,
Printed in Israel / Distributed by: This is music GmbH, Hamburg
Тип: Compilation, Box Set
Аудио кодек: FLAC
Тип рипа: (tracks + .cue)
Битрейт аудио: lossless
Включает: Full artwork
Продолжительность: 1:54:29
Источник: коллекция Л Рендера
Риппер: Мой рип
Трэклист:
CD1
1. Good Bait (Dameron - Basie) .................2:59
2. Blue 'N' Boogie (Gillespie) ...................2:55
3. Al! The Things You Are (Kern - Hammerstein) .......2:47
4. Dizzy Atmosphere (Gillespie)..................2:46
5. Solt Peanuts (Gillespie - Clarke) ................3:13
6. I Can't Get Started (Gershwin - Duke)............3:00
7. Hot House (Dameron) ......................3:06
8. Shaw 'Nuff (Gillespie - Brown - Fuller)............2:57
9. Hallelujah (Robin - Clifford)...................4:00
1. Dizzy Boogie (Gaillard) .....................3:11
11. 'Round About Midnight (Williams - Monk) .........2:28
12. When I Grow Too Old To Dream (Romsey).........2:54
13. Night In Tunisia (Gillespie - Poparelli) ............3:03
14. Ol' Man Rebop (Wilson).....................2:47
15. Anthropology (Parker - Gillespie) ...............2:41
16. Oop Bop Sh'Bom (Gillespie - Brown - Fuller)........2:58
17. One Bass Hit (part 1) (Gillespie - Brawn - Fuller).....2:53
18. That's Earl, Brother (Gillespie) .................2:42
19. 52nd Street Theme (Monk) ..................3:07
CD 2
1. Godchild (Wellington).................5:45
2. Move (Best) ......................4:34
3. S'il Vous Plait (Mclntyre & Maurant) .......4:20
4. Moondreams (First Version)(McGregor & Mercer).................3:02
5. S'il Vous Plait (Mclntyre & Mourant) .......4:20
6. Why Do I Love You (Kern & Hammerstein) .. .3:42
7. Budo (First Version) (Powell)............2:49
8. Moondreams (2nd Version)(McGregor S Mercer).................3:35
9. Budo (2nd Version) (Powell) ............4:12
10. You Got To My Heat (Gillespie 8, Coots).....5:39
11. 52nd Street theme (Monk).............3:48
12. Half Nelson (Davis) ..................5:42
13. Chasin' Ihe Bird (Parker) ..............5:43
Я не сидирую все свои раздачи подолгу, только новые (до 3х первых сидов)
За своими раздачами не слежу, и старые топики не читаю - если нет сидов или раздача находится в архиве, пришлите письмо, и я вернусь
Предлагаю скачавшим максимально долго оставаться на раздаче - весь рейтинг будет ваш.
Заботьтесь о своем рейтинге - конвертируйте в мп3 и выкладывайте в соответствующем разделе
Жанр: Bop
Дата записи: ниже
Дата выпуска: неизвестно
Производитель диска, номер, страна: 20.1982-HI, Trumpets Of Jericho Ltd.,
Printed in Israel / Distributed by: This is music GmbH, Hamburg
Тип: Compilation, Box Set
Аудио кодек: FLAC
Тип рипа: (tracks + .cue)
Битрейт аудио: lossless
Включает: Full artwork
Продолжительность: 1:54:29
Источник: коллекция Л Рендера
Риппер: Мой рип
Трэклист:
CD1
1. Good Bait (Dameron - Basie) .................2:59
2. Blue 'N' Boogie (Gillespie) ...................2:55
3. Al! The Things You Are (Kern - Hammerstein) .......2:47
4. Dizzy Atmosphere (Gillespie)..................2:46
5. Solt Peanuts (Gillespie - Clarke) ................3:13
6. I Can't Get Started (Gershwin - Duke)............3:00
7. Hot House (Dameron) ......................3:06
8. Shaw 'Nuff (Gillespie - Brown - Fuller)............2:57
9. Hallelujah (Robin - Clifford)...................4:00
1. Dizzy Boogie (Gaillard) .....................3:11
11. 'Round About Midnight (Williams - Monk) .........2:28
12. When I Grow Too Old To Dream (Romsey).........2:54
13. Night In Tunisia (Gillespie - Poparelli) ............3:03
14. Ol' Man Rebop (Wilson).....................2:47
15. Anthropology (Parker - Gillespie) ...............2:41
16. Oop Bop Sh'Bom (Gillespie - Brown - Fuller)........2:58
17. One Bass Hit (part 1) (Gillespie - Brawn - Fuller).....2:53
18. That's Earl, Brother (Gillespie) .................2:42
19. 52nd Street Theme (Monk) ..................3:07
CD 2
1. Godchild (Wellington).................5:45
2. Move (Best) ......................4:34
3. S'il Vous Plait (Mclntyre & Maurant) .......4:20
4. Moondreams (First Version)(McGregor & Mercer).................3:02
5. S'il Vous Plait (Mclntyre & Mourant) .......4:20
6. Why Do I Love You (Kern & Hammerstein) .. .3:42
7. Budo (First Version) (Powell)............2:49
8. Moondreams (2nd Version)(McGregor S Mercer).................3:35
9. Budo (2nd Version) (Powell) ............4:12
10. You Got To My Heat (Gillespie 8, Coots).....5:39
11. 52nd Street theme (Monk).............3:48
12. Half Nelson (Davis) ..................5:42
13. Chasin' Ihe Bird (Parker) ..............5:43
Состав, даты, места записи
I Can't Get Started
Good Bait
New York. January 9, 1945
Dizzy Gillespie (tp), Trummy Young (tb), Don Byas (ts), Clyde Hart (p), Oscar Pettiford (b) Shelly Manne (d).
Blue 'n' Boogie
New York. February 9. 1945
Dizzy Gillespie (tp), Dexter Gordon (ts), Frank Paparelli (p), Chuck Wayne (g), Murray Shipinski (b), Shelly Manne (d).
Dizzy Atmosphere
All The Things You Are
New York, February 29, 1945
Dizzy Gillespie (tp), Charlie Parker (as), Clyde Hart (p), Remo Palmieri (g), Slam Stewart (b), Cozy Cole (d).
'Salt Peanuts
Hot House
Shaw 'Nuff'
New York. May 11. 1945
Dizzy Gillespie (tp)(vcl), Charlie Parker (as), Al Haig (p), Curley Russell (b), Sidney Catlett (d).
Hallelujah
New York. June 6. 1945
Dizzy Gillespie (tp), Charlie Parker (as), Flip Phillips (ts), Red Norvo (vib), Teddy Wilson (p), Slam Stewart (b), Specs Powell (d).
Dizzy Boogie
Hollywood, December 29. 1945
Dizzy Gillespie (tp), Charlie Parker (as), Jack McVea (ts), Dodo Marmarosa (p), Slim Gaillard (g)(p)(vcl), Bam Brown (b)(vcl), Zutty Singleton (d)
'Round About Midnight
When I Grow Too Old To Dream
The Three Angels,
Hollywood. February 7. 1946
Dizzy Gillespie (tp), Lucky Thompson (ts), Milt Jackson (vib), Al Haig (p), Arv Garrison (g), Ray Brown (b), Stan Levey (d), Dizzy Gillespie, Lucky Thompson & Milt Jackson (vcl).
Night In Tunisia
Оl' Man Rebop
Anthropology
52nd Street Theme
New York. February 22. 1946
Dizzy Gillespie (tp), Don Byas (ts), Milt Jackson (vib), Al Haig (p), Bill De Arango (g), Ray Brown (b), J. C. Heard (d).
Oop Bop Sh'bam
That's Earl Brother
New York. May 15. 1946
Dizzy Gillespie (tp)(vcl), Sonny Stitt (as) Milt Jackson (vib), Al Haig (p), Ray Brown (b), Kenny Clarke (d), Gil Fuller (vcl).
Why Do I Love You
Godchild
S'il Vous Plait
Moondreams (First version)
Budo (First Version)
New York City, September 4. 1948
Miles Davis (tp), Mike Zwirin (tb), John Barber (tu), Junior Collins (freneh horn), Lee Konitz (as), Gerry Mulligan (bs), John Lewis (p), Al McKibbon (b), Max Roach (d), Kenny Hagood (vcl).
Darn That Dream
Move
Moondreams (2nd version)
New York. September 18, 1948
Miles Davis (tp), Mike Zwirin (tb), John Barber (tu), Junior Collins (freneh horn), Lee Konitz (as), Gerry Mulligan (bs), John Lewis (p), Al McKibbon (b), Max Roach (d), Kenny Hagood (vcl).
Budo (2nd version)
52nd Street Theme
Half Nelson
You Go To My Head
Chasm' The Bird
New York. September 25, 1948
Miles Davis (tp), Lee Konitz (as), John Lewis
(p), Culey Russel (b), Max Roach (d), Kenny
Hagood (vcl).
Good Bait
New York. January 9, 1945
Dizzy Gillespie (tp), Trummy Young (tb), Don Byas (ts), Clyde Hart (p), Oscar Pettiford (b) Shelly Manne (d).
Blue 'n' Boogie
New York. February 9. 1945
Dizzy Gillespie (tp), Dexter Gordon (ts), Frank Paparelli (p), Chuck Wayne (g), Murray Shipinski (b), Shelly Manne (d).
Dizzy Atmosphere
All The Things You Are
New York, February 29, 1945
Dizzy Gillespie (tp), Charlie Parker (as), Clyde Hart (p), Remo Palmieri (g), Slam Stewart (b), Cozy Cole (d).
'Salt Peanuts
Hot House
Shaw 'Nuff'
New York. May 11. 1945
Dizzy Gillespie (tp)(vcl), Charlie Parker (as), Al Haig (p), Curley Russell (b), Sidney Catlett (d).
Hallelujah
New York. June 6. 1945
Dizzy Gillespie (tp), Charlie Parker (as), Flip Phillips (ts), Red Norvo (vib), Teddy Wilson (p), Slam Stewart (b), Specs Powell (d).
Dizzy Boogie
Hollywood, December 29. 1945
Dizzy Gillespie (tp), Charlie Parker (as), Jack McVea (ts), Dodo Marmarosa (p), Slim Gaillard (g)(p)(vcl), Bam Brown (b)(vcl), Zutty Singleton (d)
'Round About Midnight
When I Grow Too Old To Dream
The Three Angels,
Hollywood. February 7. 1946
Dizzy Gillespie (tp), Lucky Thompson (ts), Milt Jackson (vib), Al Haig (p), Arv Garrison (g), Ray Brown (b), Stan Levey (d), Dizzy Gillespie, Lucky Thompson & Milt Jackson (vcl).
Night In Tunisia
Оl' Man Rebop
Anthropology
52nd Street Theme
New York. February 22. 1946
Dizzy Gillespie (tp), Don Byas (ts), Milt Jackson (vib), Al Haig (p), Bill De Arango (g), Ray Brown (b), J. C. Heard (d).
Oop Bop Sh'bam
That's Earl Brother
New York. May 15. 1946
Dizzy Gillespie (tp)(vcl), Sonny Stitt (as) Milt Jackson (vib), Al Haig (p), Ray Brown (b), Kenny Clarke (d), Gil Fuller (vcl).
Why Do I Love You
Godchild
S'il Vous Plait
Moondreams (First version)
Budo (First Version)
New York City, September 4. 1948
Miles Davis (tp), Mike Zwirin (tb), John Barber (tu), Junior Collins (freneh horn), Lee Konitz (as), Gerry Mulligan (bs), John Lewis (p), Al McKibbon (b), Max Roach (d), Kenny Hagood (vcl).
Darn That Dream
Move
Moondreams (2nd version)
New York. September 18, 1948
Miles Davis (tp), Mike Zwirin (tb), John Barber (tu), Junior Collins (freneh horn), Lee Konitz (as), Gerry Mulligan (bs), John Lewis (p), Al McKibbon (b), Max Roach (d), Kenny Hagood (vcl).
Budo (2nd version)
52nd Street Theme
Half Nelson
You Go To My Head
Chasm' The Bird
New York. September 25, 1948
Miles Davis (tp), Lee Konitz (as), John Lewis
(p), Culey Russel (b), Max Roach (d), Kenny
Hagood (vcl).
Несколько слов на английском
Dizzie Gillespie
Dizzy Gillespie "the next greatest after Satchmo" (Woody Herman) contributed substantially to the historical development of the jazz trumpet. Gillespie set meaningful historical accents through his perptual striving for innovations in harmony and rhythm.
The basis for this effect was set by the achievements of Armstrong and the influence of Eldridge. Gillespie raised the tempo continually, refined his technique and allowed new styles to integrate. This was complemented by perfect accuracy in the higher range. Gillespie also advanced above and beyond his decisive role as trumpeter to become one of the fathers of bebop. The conscious integration of added notes like the flattened fifth shifted the counterpoint. The addition of rhythmically new accented chords and the use of double time al slow tempos also added to this style.
John Birks ("Dizzy") Gillespie was born on the 21 st October 1917 in Cheaw, South Carolina. He was taught on different instruments by his father, an amateur musician, and learned as 14 year old the trombone, at fifteen the trumpet. Gillespie studied harmony and the theory of music at the Institute of Laurinburg and moved in 1935 to Philadelphia, where he played with Frank Fairfax.
Gillespie became the successor of his former precedent Roy Eldridge and toured with this group throughout Europe. After a brief period of freelancing in New York Gillespie decided in 1939 to join the Cab Calloway band, to which he-belonged until 1941. There then followed engagements amongst others with Ella Fitzgerald, Coleman Hawkins, Benny Carter and Fletcher Henderson. Gillespie played in this period alongside Charlie Parker and Thelonious Monk at numerous sessions at the Harlem "Minton's Penthouse". He worked on 52nd Street in different line-ups from 1943. amongst them with Charlie Parker with whom he recorded "Blue'n'Boogie" and "Groovin' High". Gillespie became musical director of the Billy Eckstine Ensemble in 1944.
Gillespie's first attempt to form his own big band failed after a short time. He created a new orchestra a year later, and this existed until 1950. Milt Jackson, Ray Brown. James Moody and Kenny Clark belonged to the exceptional soloists. The band were celebrated on numerous internationally-acclaimed tours and climax of this period was the legendary concert at the Carnegie Hall in 29th "September 1947 at which contemporary compositions, amongst them from John Lewis and Tadd Damerons. were played.
Gillespie set up a record publishers in 1951 in Detroit and travelled in the following period mainly with smaller crews. Gillespie played al the unforgettable Massey Hall concert in 1953 in Toronto once again with Parker, with whom he had a life-long friendship. Apart from that Gillespie was the centre of attraction al numerous JATP sessions around the world in the Fifties. He performed concerts in Europe, Africa, Asia and South America with a newly-formed big band between 1956 and 1958. Dizzy Gillespie also acted in the Sixties and Seventies, usually on special occasions, alongside his other activities as bandleader. He travelled to Europe in 1968 with his Reunion Combo, which combined members of the various Gillespie phases. The tendency to prefer smaller line-ups was however predominant. Leo Wright. Candido and Junior Mance and Lalo Schifrin belonged to his most important partners in these combos. The latter enriched the repertoire with the suite "Gillespiana".
Gillespie was also guest star at various sessions and festivals in the Sixties and Seventies, which brought him together with amongst others Benny Carter, Mill Jackson. Roy Eldridge and Clarke ferry. Billy Mitchell organised a "Tribute To Dizzy Gillespie" in 1975 in New York.
"To Be Or Not To Bop", the aptly named title of the memoirs of this highly decorated jazz musician, was released in 1979. He undertook further lours around the world in the Eighties, with changing line-ups, and produced numerous records.
Miles Davis
Born on the 25th May. 1926 in Alton. Illinois. Miles Dewey Jr. Davis was to become in the course of his career the possibly most influential figure in contemporary jazz.
Davis received trumpet lessons al the age of 9. and began to study at the noted "Juillard School of Music" in New York in 1945. He played already in this period with Coleman Hawkins and Charlie Parker, and was band-leader with Kai Winding. Allen Eager and Charlie Parker in 1948. Davis formed his own band the "Capitol Band", a nine-piece with changing line-up. This band went down in jazz history with the recording of "Birth Of The Cool" and "Pre-Birth Of The Cool", and marked the change-over from Bebop to Cool Jazz.
Davis worked at the end of the Fifties with, amongst others. Cannonball Adderley. Bill Evans and John Coltrane. With the recordings "Milestones" and "So What?" Davis developed his improvisation technique further.
The trumpeter experimented in the Sixties - up until the borders of atonality - with new musical forms. He collaborated in this period with Herbie Hancock. Chick Corea and Dave Holland before absolving in the Seventies a further musical turn-around: into electric jazz. The most representative documentation of this change, and at the same time Davis' most commercially successful work, was the 1970 album "Bitches Brew".
In the following years Davis experimented increasingly with rock, funk and free jazz and performed also al various rock festivals. The trumpeter withdrew in 1975 from the scene on the grounds of his extremely poor health and first returned in 1980 when he celebrated his comeback with a newly-formed group. There followed diverse records, amongst others the 1981 album "We Want Miles" and the 1985 album "You're Under Arrest".
Al the end of his career Miles Davis recorded the hip-hop record "Doo-Bop" with the rapper Easy Mo - his last piece of work and further proof that Davis not only decisively influenced the development of jazz over 3 decades but also that he was prepared, right up until the very end, to integrate new directions of music into his work.
Miles Davis died on Ihe 28th September, 1991 during the recording of "Doo-Bop" in Santa Monica, California.
Dizzy Gillespie "the next greatest after Satchmo" (Woody Herman) contributed substantially to the historical development of the jazz trumpet. Gillespie set meaningful historical accents through his perptual striving for innovations in harmony and rhythm.
The basis for this effect was set by the achievements of Armstrong and the influence of Eldridge. Gillespie raised the tempo continually, refined his technique and allowed new styles to integrate. This was complemented by perfect accuracy in the higher range. Gillespie also advanced above and beyond his decisive role as trumpeter to become one of the fathers of bebop. The conscious integration of added notes like the flattened fifth shifted the counterpoint. The addition of rhythmically new accented chords and the use of double time al slow tempos also added to this style.
John Birks ("Dizzy") Gillespie was born on the 21 st October 1917 in Cheaw, South Carolina. He was taught on different instruments by his father, an amateur musician, and learned as 14 year old the trombone, at fifteen the trumpet. Gillespie studied harmony and the theory of music at the Institute of Laurinburg and moved in 1935 to Philadelphia, where he played with Frank Fairfax.
Gillespie became the successor of his former precedent Roy Eldridge and toured with this group throughout Europe. After a brief period of freelancing in New York Gillespie decided in 1939 to join the Cab Calloway band, to which he-belonged until 1941. There then followed engagements amongst others with Ella Fitzgerald, Coleman Hawkins, Benny Carter and Fletcher Henderson. Gillespie played in this period alongside Charlie Parker and Thelonious Monk at numerous sessions at the Harlem "Minton's Penthouse". He worked on 52nd Street in different line-ups from 1943. amongst them with Charlie Parker with whom he recorded "Blue'n'Boogie" and "Groovin' High". Gillespie became musical director of the Billy Eckstine Ensemble in 1944.
Gillespie's first attempt to form his own big band failed after a short time. He created a new orchestra a year later, and this existed until 1950. Milt Jackson, Ray Brown. James Moody and Kenny Clark belonged to the exceptional soloists. The band were celebrated on numerous internationally-acclaimed tours and climax of this period was the legendary concert at the Carnegie Hall in 29th "September 1947 at which contemporary compositions, amongst them from John Lewis and Tadd Damerons. were played.
Gillespie set up a record publishers in 1951 in Detroit and travelled in the following period mainly with smaller crews. Gillespie played al the unforgettable Massey Hall concert in 1953 in Toronto once again with Parker, with whom he had a life-long friendship. Apart from that Gillespie was the centre of attraction al numerous JATP sessions around the world in the Fifties. He performed concerts in Europe, Africa, Asia and South America with a newly-formed big band between 1956 and 1958. Dizzy Gillespie also acted in the Sixties and Seventies, usually on special occasions, alongside his other activities as bandleader. He travelled to Europe in 1968 with his Reunion Combo, which combined members of the various Gillespie phases. The tendency to prefer smaller line-ups was however predominant. Leo Wright. Candido and Junior Mance and Lalo Schifrin belonged to his most important partners in these combos. The latter enriched the repertoire with the suite "Gillespiana".
Gillespie was also guest star at various sessions and festivals in the Sixties and Seventies, which brought him together with amongst others Benny Carter, Mill Jackson. Roy Eldridge and Clarke ferry. Billy Mitchell organised a "Tribute To Dizzy Gillespie" in 1975 in New York.
"To Be Or Not To Bop", the aptly named title of the memoirs of this highly decorated jazz musician, was released in 1979. He undertook further lours around the world in the Eighties, with changing line-ups, and produced numerous records.
Miles Davis
Born on the 25th May. 1926 in Alton. Illinois. Miles Dewey Jr. Davis was to become in the course of his career the possibly most influential figure in contemporary jazz.
Davis received trumpet lessons al the age of 9. and began to study at the noted "Juillard School of Music" in New York in 1945. He played already in this period with Coleman Hawkins and Charlie Parker, and was band-leader with Kai Winding. Allen Eager and Charlie Parker in 1948. Davis formed his own band the "Capitol Band", a nine-piece with changing line-up. This band went down in jazz history with the recording of "Birth Of The Cool" and "Pre-Birth Of The Cool", and marked the change-over from Bebop to Cool Jazz.
Davis worked at the end of the Fifties with, amongst others. Cannonball Adderley. Bill Evans and John Coltrane. With the recordings "Milestones" and "So What?" Davis developed his improvisation technique further.
The trumpeter experimented in the Sixties - up until the borders of atonality - with new musical forms. He collaborated in this period with Herbie Hancock. Chick Corea and Dave Holland before absolving in the Seventies a further musical turn-around: into electric jazz. The most representative documentation of this change, and at the same time Davis' most commercially successful work, was the 1970 album "Bitches Brew".
In the following years Davis experimented increasingly with rock, funk and free jazz and performed also al various rock festivals. The trumpeter withdrew in 1975 from the scene on the grounds of his extremely poor health and first returned in 1980 when he celebrated his comeback with a newly-formed group. There followed diverse records, amongst others the 1981 album "We Want Miles" and the 1985 album "You're Under Arrest".
Al the end of his career Miles Davis recorded the hip-hop record "Doo-Bop" with the rapper Easy Mo - his last piece of work and further proof that Davis not only decisively influenced the development of jazz over 3 decades but also that he was prepared, right up until the very end, to integrate new directions of music into his work.
Miles Davis died on Ihe 28th September, 1991 during the recording of "Doo-Bop" in Santa Monica, California.
Cue
CD1
REM GENRE Jazz
REM DATE 2000
REM DISCID 000D3C13
REM COMMENT "ExactAudioCopy v0.99pb4"
PERFORMER "Dizzy Gillespie"
TITLE "Anthroplogy"
FILE "01 - Good Bait (Dameron - Basie).wav" WAVE
TRACK 01 AUDIO
TITLE "Good Bait (Dameron - Basie) "
PERFORMER "Dizzy Gillespie"
INDEX 01 00:00:00
TRACK 02 AUDIO
TITLE "Blue 'N' Boogie (Gillespie)"
PERFORMER "Dizzy Gillespie"
INDEX 00 02:57:66
FILE "02 - Blue 'N' Boogie (Gillespie).wav" WAVE
INDEX 01 00:00:00
TRACK 03 AUDIO
TITLE "All the Things You Are (Kern - Hammerstein)"
PERFORMER "Dizzy Gillespie"
INDEX 00 02:53:37
FILE "03 - All the Things You Are (Kern - Hammerstein).wav" WAVE
INDEX 01 00:00:00
TRACK 04 AUDIO
TITLE "Dizzy Atmosphere (Gillespie)"
PERFORMER "Dizzy Gillespie"
INDEX 00 02:44:35
FILE "04 - Dizzy Atmosphere (Gillespie).wav" WAVE
INDEX 01 00:00:00
TRACK 05 AUDIO
TITLE "Salt Peanuts (Gillespie - Clarke)"
PERFORMER "Dizzy Gillespie"
INDEX 00 02:44:52
FILE "05 - Salt Peanuts (Gillespie - Clarke).wav" WAVE
INDEX 01 00:00:00
TRACK 06 AUDIO
TITLE "I Can't Get Started (Dameron)"
PERFORMER "Dizzy Gillespie"
INDEX 00 03:11:28
FILE "06 - I Can't Get Started (Dameron).wav" WAVE
INDEX 01 00:00:00
TRACK 07 AUDIO
TITLE "Hot House (Dameron)"
PERFORMER "Dizzy Gillespie"
INDEX 00 02:58:53
FILE "07 - Hot House (Dameron).wav" WAVE
INDEX 01 00:00:00
TRACK 08 AUDIO
TITLE "Shaw 'Nuff (Gillespie - Brown - Fuller)"
PERFORMER "Dizzy Gillespie"
INDEX 00 03:05:34
FILE "08 - Shaw 'Nuff (Gillespie - Brown - Fuller).wav" WAVE
INDEX 01 00:00:00
TRACK 09 AUDIO
TITLE "Hallelujah (Robin - Clifford)"
PERFORMER "Dizzy Gillespie"
INDEX 00 02:55:55
FILE "09 - Hallelujah (Robin - Clifford).wav" WAVE
INDEX 01 00:00:00
TRACK 10 AUDIO
TITLE "Dizzy Boogie (Gaillard)"
PERFORMER "Dizzy Gillespie"
INDEX 00 03:58:68
FILE "10 - Dizzy Boogie (Gaillard).wav" WAVE
INDEX 01 00:00:00
TRACK 11 AUDIO
TITLE "'Round About Midnight (Williams - Monk)"
PERFORMER "Dizzy Gillespie"
INDEX 00 03:09:47
FILE "11 - 'Round About Midnight (Williams - Monk).wav" WAVE
INDEX 01 00:00:00
TRACK 12 AUDIO
TITLE "When I Grow Too Old to Dream (Romsey)"
PERFORMER "Dizzy Gillespie"
INDEX 00 02:26:35
FILE "12 - When I Grow Too Old to Dream (Romsey).wav" WAVE
INDEX 01 00:00:00
TRACK 13 AUDIO
TITLE "Night in Tunisia (Gillespie - Paparelli)"
PERFORMER "Dizzy Gillespie"
INDEX 00 02:52:35
FILE "13 - Night in Tunisia (Gillespie - Paparelli).wav" WAVE
INDEX 01 00:00:00
TRACK 14 AUDIO
TITLE "Ol' Man Rebop (Wilson)"
PERFORMER "Dizzy Gillespie"
INDEX 00 03:01:72
FILE "14 - Ol' Man Rebop (Wilson).wav" WAVE
INDEX 01 00:00:00
TRACK 15 AUDIO
TITLE "Anthropology (Parker - Gillespie)"
PERFORMER "Dizzy Gillespie"
INDEX 00 02:45:41
FILE "15 - Anthropology (Parker - Gillespie).wav" WAVE
INDEX 01 00:00:00
TRACK 16 AUDIO
TITLE "Oop Bop Sh'bam (Gillespie - Brown - Fuller) "
PERFORMER "Dizzy Gillespie"
INDEX 00 02:39:39
FILE "16 - Oop Bop Sh'bam (Gillespie - Brown - Fuller).wav" WAVE
INDEX 01 00:00:00
TRACK 17 AUDIO
TITLE "One Bass Hit, Pt. 1 (Gillespie - Brown - Fuller)"
PERFORMER "Dizzy Gillespie"
INDEX 00 02:56:39
FILE "17 - One Bass Hit, Pt. 1 (Gillespie - Brown - Fuller).wav" WAVE
INDEX 01 00:00:00
TRACK 18 AUDIO
TITLE "That's Earl, Brother (Gillespie)"
PERFORMER "Dizzy Gillespie"
INDEX 00 02:51:43
FILE "18 - That's Earl, Brother (Gillespie).wav" WAVE
INDEX 01 00:00:00
TRACK 19 AUDIO
TITLE "52nd Street Theme (Monk) "
PERFORMER "Dizzy Gillespie"
INDEX 00 02:40:37
FILE "19 - 52nd Street Theme (Monk).wav" WAVE
INDEX 01 00:00:00
CD2
REM GENRE Gitti
REM DATE 2000
REM DISCID C00D980D
REM COMMENT "ExactAudioCopy v0.99pb4"
PERFORMER "Miles Davis"
TITLE "From Swing To Bebop: Anthroplogy"
FILE "01 - Godchild (Wallington).wav" WAVE
TRACK 01 AUDIO
TITLE "Godchild (Wallington)"
PERFORMER "Miles Davis"
INDEX 01 00:00:00
TRACK 02 AUDIO
TITLE "Move (Best)"
PERFORMER "Miles Davis"
INDEX 00 05:50:25
FILE "02 - Move (Best).wav" WAVE
INDEX 01 00:00:00
TRACK 03 AUDIO
TITLE "S'il Vous Plait (McIntyre & Maurant)"
PERFORMER "Miles Davis"
INDEX 00 04:38:37
FILE "03 - S'il Vous Plait (McIntyre & Maurant).wav" WAVE
INDEX 01 00:00:00
TRACK 04 AUDIO
TITLE "Moon Dreams (McGregor & Mercer)"
PERFORMER "Miles Davis"
INDEX 00 04:22:23
FILE "04 - Moon Dreams (McGregor & Mercer).wav" WAVE
INDEX 01 00:00:00
TRACK 05 AUDIO
TITLE "S'il Vous Plait (McIntyre & Maurant)"
PERFORMER "Miles Davis"
INDEX 00 03:05:50
FILE "05 - S'il Vous Plait (McIntyre & Maurant).wav" WAVE
INDEX 01 00:00:00
TRACK 06 AUDIO
TITLE "Why Do I Love You? (Kern & Hammerstein)"
PERFORMER "Miles Davis"
INDEX 00 04:22:57
FILE "06 - Why Do I Love You (Kern & Hammerstein).wav" WAVE
INDEX 01 00:00:00
TRACK 07 AUDIO
TITLE "Budo (First Version) (Powell)"
PERFORMER "Miles Davis"
INDEX 00 03:40:59
FILE "07 - Budo (First Version) (Powell).wav" WAVE
INDEX 01 00:00:00
TRACK 08 AUDIO
TITLE "Moon Dreams (2nd Version) (McGregor & Mercer)"
PERFORMER "Miles Davis"
INDEX 00 02:48:33
FILE "08 - Moon Dreams (2nd Version) (McGregor & Mercer).wav" WAVE
INDEX 01 00:00:00
TRACK 09 AUDIO
TITLE "Budo (2nd Version) (Powell)"
PERFORMER "Miles Davis"
INDEX 00 03:37:50
FILE "09 - Budo (2nd Version) (Powell).wav" WAVE
INDEX 01 00:00:00
TRACK 10 AUDIO
TITLE "You Go To My Head (Gillespie & Coots)"
PERFORMER "Miles Davis"
INDEX 00 04:13:21
FILE "10 - You Go To My Head (Gillespie & Coots).wav" WAVE
INDEX 01 00:00:00
TRACK 11 AUDIO
TITLE "52nd Street Theme (Monk)"
PERFORMER "Miles Davis"
INDEX 00 05:39:63
FILE "11 - 52nd Street Theme (Monk).wav" WAVE
INDEX 01 00:00:00
TRACK 12 AUDIO
TITLE "Half Nelson (Davis)"
PERFORMER "Miles Davis"
INDEX 00 03:54:65
FILE "12 - Half Nelson (Davis).wav" WAVE
INDEX 01 00:00:00
TRACK 13 AUDIO
TITLE "Chasin' The Bird (Parker)"
PERFORMER "Miles Davis"
INDEX 00 05:43:17
FILE "13 - Chasin' The Bird (Parker).wav" WAVE
INDEX 01 00:00:00
EAC log
CD1
Exact Audio Copy V0.99 prebeta 4 from 23. January 2008
EAC extraction logfile from 12. June 2010, 11:26
Dizzy Gillespie / Anthroplogy
Used drive : HL-DT-STDVD-RAM GH22NP20 Adapter: 0 ID: 0
Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No
Read offset correction : 102
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Installed external ASPI interface
Gap handling : Appended to previous track
Used output format : User Defined Encoder
Selected bitrate : 320 kBit/s
Quality : High
Add ID3 tag : No
Command line compressor : C:\Program Files\Exact Audio Copy\Flac\flac.exe
Additional command line options : -V -8 -T "artist=%a" -T "title=%t" -T "album=%g" -T "date=%y" -T "tracknumber=%n" -T "genre=%m" %s
TOC of the extracted CD
Track | Start | Length | Start sector | End sector
---------------------------------------------------------
1 | 0:00.00 | 2:59.36 | 0 | 13460
2 | 2:59.36 | 2:55.07 | 13461 | 26592
3 | 5:54.43 | 2:46.05 | 26593 | 39047
4 | 8:40.48 | 2:46.22 | 39048 | 51519
5 | 11:26.70 | 3:12.73 | 51520 | 65992
6 | 14:39.68 | 3:00.23 | 65993 | 79515
7 | 17:40.16 | 3:07.04 | 79516 | 93544
8 | 20:47.20 | 2:57.25 | 93545 | 106844
9 | 23:44.45 | 4:00.38 | 106845 | 124882
10 | 27:45.08 | 3:11.17 | 124883 | 139224
11 | 30:56.25 | 2:28.05 | 139225 | 150329
12 | 33:24.30 | 2:54.05 | 150330 | 163384
13 | 36:18.35 | 3:03.42 | 163385 | 177151
14 | 39:22.02 | 2:47.11 | 177152 | 189687
15 | 42:09.13 | 2:41.09 | 189688 | 201771
16 | 44:50.22 | 2:58.09 | 201772 | 215130
17 | 47:48.31 | 2:53.13 | 215131 | 228118
18 | 50:41.44 | 2:42.07 | 228119 | 240275
19 | 53:23.51 | 3:05.09 | 240276 | 254159
Track 1
Filename D:\music\Musicgate's rips\Dizzy Gillespie, Miles Davis - Anthroplogy - 2000 {2CD, From Swing To Bebop - History}\CD1\01 - Good Bait (Dameron - Basie).wav
Pre-gap length 0:00:02.00
Peak level 53.9 %
Track quality 100.0 %
Test CRC 1892CEDF
Copy CRC 1892CEDF
Accurately ripped (confidence 3) [094A02EA]
Copy OK
Track 2
Filename D:\music\Musicgate's rips\Dizzy Gillespie, Miles Davis - Anthroplogy - 2000 {2CD, From Swing To Bebop - History}\CD1\02 - Blue 'N' Boogie (Gillespie).wav
Pre-gap length 0:00:01.60
Peak level 58.2 %
Track quality 100.0 %
Test CRC 079A4134
Copy CRC 079A4134
Accurately ripped (confidence 3) [97EB950E]
Copy OK
Track 3
Filename D:\music\Musicgate's rips\Dizzy Gillespie, Miles Davis - Anthroplogy - 2000 {2CD, From Swing To Bebop - History}\CD1\03 - All the Things You Are (Kern - Hammerstein).wav
Pre-gap length 0:00:01.60
Peak level 57.0 %
Track quality 100.0 %
Test CRC 3B347CB8
Copy CRC 3B347CB8
Accurately ripped (confidence 3) [0E04535A]
Copy OK
Track 4
Filename D:\music\Musicgate's rips\Dizzy Gillespie, Miles Davis - Anthroplogy - 2000 {2CD, From Swing To Bebop - History}\CD1\04 - Dizzy Atmosphere (Gillespie).wav
Pre-gap length 0:00:01.60
Peak level 58.6 %
Track quality 100.0 %
Test CRC 571DD47C
Copy CRC 571DD47C
Accurately ripped (confidence 3) [94D79365]
Copy OK
Track 5
Filename D:\music\Musicgate's rips\Dizzy Gillespie, Miles Davis - Anthroplogy - 2000 {2CD, From Swing To Bebop - History}\CD1\05 - Salt Peanuts (Gillespie - Clarke).wav
Pre-gap length 0:00:01.60
Peak level 71.2 %
Track quality 100.0 %
Test CRC 6841C409
Copy CRC 6841C409
Accurately ripped (confidence 3) [56527BD9]
Copy OK
Track 6
Filename D:\music\Musicgate's rips\Dizzy Gillespie, Miles Davis - Anthroplogy - 2000 {2CD, From Swing To Bebop - History}\CD1\06 - I Can't Get Started (Dameron).wav
Pre-gap length 0:00:01.60
Peak level 67.4 %
Track quality 99.9 %
Test CRC 581959CC
Copy CRC 581959CC
Accurately ripped (confidence 3) [2AADB9B2]
Copy OK
Track 7
Filename D:\music\Musicgate's rips\Dizzy Gillespie, Miles Davis - Anthroplogy - 2000 {2CD, From Swing To Bebop - History}\CD1\07 - Hot House (Dameron).wav
Pre-gap length 0:00:01.60
Peak level 60.5 %
Track quality 100.0 %
Test CRC 72A94667
Copy CRC 72A94667
Accurately ripped (confidence 3) [9660D1EA]
Copy OK
Track 8
Filename D:\music\Musicgate's rips\Dizzy Gillespie, Miles Davis - Anthroplogy - 2000 {2CD, From Swing To Bebop - History}\CD1\08 - Shaw 'Nuff (Gillespie - Brown - Fuller).wav
Pre-gap length 0:00:01.60
Peak level 56.2 %
Track quality 99.9 %
Test CRC 216C3B3D
Copy CRC 216C3B3D
Accurately ripped (confidence 3) [F613B24F]
Copy OK
Track 9
Filename D:\music\Musicgate's rips\Dizzy Gillespie, Miles Davis - Anthroplogy - 2000 {2CD, From Swing To Bebop - History}\CD1\09 - Hallelujah (Robin - Clifford).wav
Pre-gap length 0:00:01.60
Peak level 59.3 %
Track quality 100.0 %
Test CRC A9BFDE2B
Copy CRC A9BFDE2B
Accurately ripped (confidence 3) [EBA87496]
Copy OK
Track 10
Filename D:\music\Musicgate's rips\Dizzy Gillespie, Miles Davis - Anthroplogy - 2000 {2CD, From Swing To Bebop - History}\CD1\10 - Dizzy Boogie (Gaillard).wav
Pre-gap length 0:00:01.60
Peak level 57.4 %
Track quality 100.0 %
Test CRC 79632A13
Copy CRC 79632A13
Accurately ripped (confidence 3) [B4FA4836]
Copy OK
Track 11
Filename D:\music\Musicgate's rips\Dizzy Gillespie, Miles Davis - Anthroplogy - 2000 {2CD, From Swing To Bebop - History}\CD1\11 - 'Round About Midnight (Williams - Monk).wav
Pre-gap length 0:00:01.60
Peak level 55.0 %
Track quality 99.9 %
Test CRC BADF8A43
Copy CRC BADF8A43
Accurately ripped (confidence 3) [B54E7EE3]
Copy OK
Track 12
Filename D:\music\Musicgate's rips\Dizzy Gillespie, Miles Davis - Anthroplogy - 2000 {2CD, From Swing To Bebop - History}\CD1\12 - When I Grow Too Old to Dream (Romsey).wav
Pre-gap length 0:00:01.60
Peak level 57.0 %
Track quality 100.0 %
Test CRC CBB28A65
Copy CRC CBB28A65
Accurately ripped (confidence 3) [A3535C69]
Copy OK
Track 13
Filename D:\music\Musicgate's rips\Dizzy Gillespie, Miles Davis - Anthroplogy - 2000 {2CD, From Swing To Bebop - History}\CD1\13 - Night in Tunisia (Gillespie - Paparelli).wav
Pre-gap length 0:00:01.60
Peak level 62.9 %
Track quality 100.0 %
Test CRC E3A7FD6A
Copy CRC E3A7FD6A
Accurately ripped (confidence 3) [34C4CF52]
Copy OK
Track 14
Filename D:\music\Musicgate's rips\Dizzy Gillespie, Miles Davis - Anthroplogy - 2000 {2CD, From Swing To Bebop - History}\CD1\14 - Ol' Man Rebop (Wilson).wav
Pre-gap length 0:00:01.60
Peak level 54.6 %
Track quality 100.0 %
Test CRC AB6DAC29
Copy CRC AB6DAC29
Accurately ripped (confidence 3) [54834DFB]
Copy OK
Track 15
Filename D:\music\Musicgate's rips\Dizzy Gillespie, Miles Davis - Anthroplogy - 2000 {2CD, From Swing To Bebop - History}\CD1\15 - Anthropology (Parker - Gillespie).wav
Pre-gap length 0:00:01.60
Peak level 62.9 %
Track quality 100.0 %
Test CRC 01F7D9C2
Copy CRC 01F7D9C2
Accurately ripped (confidence 3) [7F398499]
Copy OK
Track 16
Filename D:\music\Musicgate's rips\Dizzy Gillespie, Miles Davis - Anthroplogy - 2000 {2CD, From Swing To Bebop - History}\CD1\16 - Oop Bop Sh'bam (Gillespie - Brown - Fuller).wav
Pre-gap length 0:00:01.60
Peak level 53.8 %
Track quality 100.0 %
Test CRC 9A67A596
Copy CRC 9A67A596
Accurately ripped (confidence 3) [5A29E1EB]
Copy OK
Track 17
Filename D:\music\Musicgate's rips\Dizzy Gillespie, Miles Davis - Anthroplogy - 2000 {2CD, From Swing To Bebop - History}\CD1\17 - One Bass Hit, Pt. 1 (Gillespie - Brown - Fuller).wav
Pre-gap length 0:00:01.60
Peak level 54.2 %
Track quality 100.0 %
Test CRC D9FE48C5
Copy CRC D9FE48C5
Accurately ripped (confidence 3) [59F15BF2]
Copy OK
Track 18
Filename D:\music\Musicgate's rips\Dizzy Gillespie, Miles Davis - Anthroplogy - 2000 {2CD, From Swing To Bebop - History}\CD1\18 - That's Earl, Brother (Gillespie).wav
Pre-gap length 0:00:01.60
Peak level 59.2 %
Track quality 100.0 %
Test CRC FD55A212
Copy CRC FD55A212
Accurately ripped (confidence 3) [D04EFDDD]
Copy OK
Track 19
Filename D:\music\Musicgate's rips\Dizzy Gillespie, Miles Davis - Anthroplogy - 2000 {2CD, From Swing To Bebop - History}\CD1\19 - 52nd Street Theme (Monk).wav
Pre-gap length 0:00:01.60
Peak level 54.3 %
Track quality 100.0 %
Test CRC 98544BC9
Copy CRC 98544BC9
Accurately ripped (confidence 3) [611EBA05]
Copy OK
All tracks accurately ripped
No errors occurred
End of status report
CD2
Exact Audio Copy V0.99 prebeta 4 from 23. January 2008
EAC extraction logfile from 12. June 2010, 12:35
Miles Davis / From Swing To Bebop: Anthroplogy
Used drive : HL-DT-STDVD-RAM GH22NP20 Adapter: 0 ID: 0
Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No
Read offset correction : 102
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Installed external ASPI interface
Gap handling : Appended to previous track
Used output format : User Defined Encoder
Selected bitrate : 320 kBit/s
Quality : High
Add ID3 tag : No
Command line compressor : C:\Program Files\Exact Audio Copy\Flac\flac.exe
Additional command line options : -V -8 -T "artist=%a" -T "title=%t" -T "album=%g" -T "date=%y" -T "tracknumber=%n" -T "genre=%m" %s
TOC of the extracted CD
Track | Start | Length | Start sector | End sector
---------------------------------------------------------
1 | 0:00.00 | 5:51.70 | 0 | 26394
2 | 5:51.70 | 4:40.07 | 26395 | 47401
3 | 10:32.02 | 4:23.68 | 47402 | 67194
4 | 14:55.70 | 3:07.20 | 67195 | 81239
5 | 18:03.15 | 4:24.27 | 81240 | 101066
6 | 22:27.42 | 3:42.29 | 101067 | 117745
7 | 26:09.71 | 2:50.03 | 117746 | 130498
8 | 28:59.74 | 3:39.20 | 130499 | 146943
9 | 32:39.19 | 4:14.66 | 146944 | 166059
10 | 36:54.10 | 5:41.33 | 166060 | 191667
11 | 42:35.43 | 3:56.35 | 191668 | 209402
12 | 46:32.03 | 5:44.62 | 209403 | 235264
13 | 52:16.65 | 5:43.56 | 235265 | 261045
Track 1
Filename D:\music\Musicgate's rips\Dizzy Gillespie, Miles Davis - Anthroplogy - 2000 {2CD, From Swing To Bebop - History}\CD2\01 - Godchild (Wallington).wav
Pre-gap length 0:00:02.00
Peak level 52.2 %
Track quality 100.0 %
Test CRC 38D1ABA1
Copy CRC 38D1ABA1
Accurately ripped (confidence 3) [2608ADA7]
Copy OK
Track 2
Filename D:\music\Musicgate's rips\Dizzy Gillespie, Miles Davis - Anthroplogy - 2000 {2CD, From Swing To Bebop - History}\CD2\02 - Move (Best).wav
Pre-gap length 0:00:01.60
Peak level 53.3 %
Track quality 100.0 %
Test CRC EEF649F0
Copy CRC EEF649F0
Accurately ripped (confidence 3) [CDEBEAAA]
Copy OK
Track 3
Filename D:\music\Musicgate's rips\Dizzy Gillespie, Miles Davis - Anthroplogy - 2000 {2CD, From Swing To Bebop - History}\CD2\03 - S'il Vous Plait (McIntyre & Maurant).wav
Pre-gap length 0:00:01.60
Peak level 34.4 %
Track quality 100.0 %
Test CRC 6B8B004B
Copy CRC 6B8B004B
Accurately ripped (confidence 3) [B84157F5]
Copy OK
Track 4
Filename D:\music\Musicgate's rips\Dizzy Gillespie, Miles Davis - Anthroplogy - 2000 {2CD, From Swing To Bebop - History}\CD2\04 - Moon Dreams (McGregor & Mercer).wav
Pre-gap length 0:00:01.60
Peak level 29.0 %
Track quality 99.9 %
Test CRC A41075AE
Copy CRC A41075AE
Accurately ripped (confidence 3) [5C7DA1DA]
Copy OK
Track 5
Filename D:\music\Musicgate's rips\Dizzy Gillespie, Miles Davis - Anthroplogy - 2000 {2CD, From Swing To Bebop - History}\CD2\05 - S'il Vous Plait (McIntyre & Maurant).wav
Pre-gap length 0:00:01.60
Peak level 34.2 %
Track quality 100.0 %
Test CRC 55BCE6DA
Copy CRC 55BCE6DA
Accurately ripped (confidence 3) [D493AB93]
Copy OK
Track 6
Filename D:\music\Musicgate's rips\Dizzy Gillespie, Miles Davis - Anthroplogy - 2000 {2CD, From Swing To Bebop - History}\CD2\06 - Why Do I Love You (Kern & Hammerstein).wav
Pre-gap length 0:00:01.60
Peak level 66.9 %
Track quality 100.0 %
Test CRC 1AAF630F
Copy CRC 1AAF630F
Accurately ripped (confidence 3) [A39369EA]
Copy OK
Track 7
Filename D:\music\Musicgate's rips\Dizzy Gillespie, Miles Davis - Anthroplogy - 2000 {2CD, From Swing To Bebop - History}\CD2\07 - Budo (First Version) (Powell).wav
Pre-gap length 0:00:01.60
Peak level 42.4 %
Track quality 100.0 %
Test CRC 1898935A
Copy CRC 1898935A
Accurately ripped (confidence 3) [B111D945]
Copy OK
Track 8
Filename D:\music\Musicgate's rips\Dizzy Gillespie, Miles Davis - Anthroplogy - 2000 {2CD, From Swing To Bebop - History}\CD2\08 - Moon Dreams (2nd Version) (McGregor & Mercer).wav
Pre-gap length 0:00:01.60
Peak level 42.8 %
Track quality 100.0 %
Test CRC 0B0E4510
Copy CRC 0B0E4510
Accurately ripped (confidence 3) [1D17F158]
Copy OK
Track 9
Filename D:\music\Musicgate's rips\Dizzy Gillespie, Miles Davis - Anthroplogy - 2000 {2CD, From Swing To Bebop - History}\CD2\09 - Budo (2nd Version) (Powell).wav
Pre-gap length 0:00:01.60
Peak level 53.2 %
Track quality 100.0 %
Test CRC 739910ED
Copy CRC 739910ED
Accurately ripped (confidence 3) [25808428]
Copy OK
Track 10
Filename D:\music\Musicgate's rips\Dizzy Gillespie, Miles Davis - Anthroplogy - 2000 {2CD, From Swing To Bebop - History}\CD2\10 - You Go To My Head (Gillespie & Coots).wav
Pre-gap length 0:00:01.60
Peak level 39.2 %
Track quality 100.0 %
Test CRC 1BB2ECB8
Copy CRC 1BB2ECB8
Accurately ripped (confidence 3) [C31B038E]
Copy OK
Track 11
Filename D:\music\Musicgate's rips\Dizzy Gillespie, Miles Davis - Anthroplogy - 2000 {2CD, From Swing To Bebop - History}\CD2\11 - 52nd Street Theme (Monk).wav
Pre-gap length 0:00:01.60
Peak level 65.6 %
Track quality 100.0 %
Test CRC E39B884D
Copy CRC E39B884D
Accurately ripped (confidence 3) [4378C7B6]
Copy OK
Track 12
Filename D:\music\Musicgate's rips\Dizzy Gillespie, Miles Davis - Anthroplogy - 2000 {2CD, From Swing To Bebop - History}\CD2\12 - Half Nelson (Davis).wav
Pre-gap length 0:00:01.60
Peak level 59.6 %
Track quality 100.0 %
Test CRC 4653EF32
Copy CRC 4653EF32
Accurately ripped (confidence 3) [2CB943F8]
Copy OK
Track 13
Filename D:\music\Musicgate's rips\Dizzy Gillespie, Miles Davis - Anthroplogy - 2000 {2CD, From Swing To Bebop - History}\CD2\13 - Chasin' The Bird (Parker).wav
Pre-gap length 0:00:01.60
Peak level 41.8 %
Track quality 100.0 %
Test CRC A9C09B63
Copy CRC A9C09B63
Accurately ripped (confidence 3) [B83E4354]
Copy OK
All tracks accurately ripped
No errors occurred
End of status report
Tau analyzer screenshoot
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This album is available on our DC++ hub: dchub://hub.pro-jazz.com:7777
This album is available on our DC++ hub: dchub://hub.pro-jazz.com:7777