(Bop) Dexter Gordon - The Resurgence of Dexter Gordon - 1960, APE (image+.cue), lossless

(Bop) Dexter Gordon - The Resurgence of Dexter Gordon - 1960, APE (image+.cue), lossless
Dexter Gordon - The Resurgence of Dexter Gordon
Жанр: Bop
Страна-производитель диска: США
Год издания диска: 1997
Издатель (лейбл): Jazzland/Original Jazz Classics
Номер по каталогу: OJCCD-929-2 (JLP-929)
Аудиокодек: APE
Тип рипа: image+.cue
Битрейт аудио: lossless
Продолжительность: 39:53
Источник (релизер): Mazeppa (hqshare)
Наличие сканов в содержимом раздачи: да
01. Home Run (Gordon) - 5:07
02. Dolo (Coker) - 6:17
03. Lovely Lisa (Coker) - 7:24
04. Affair in Havana (Coker) - 7:42
05. Jodi (Gordon) - 6:39
06. Field Day (Coker) - 6:44
Dexter Gordon - tenor saxophone
Richard Boone - trombone
Martin Banks - trumpet
Dolo Coker - piano
Charles Green - bass
Lawrence Marable - drums
Recorded at United Recording Studios, Los Angeles, CA on October 13, 1960.
Remastered by Phil De Lancie (Fantasy Studios, Berkeley).
Лог создания рипа
EAC extraction logfile from 9. September 2007, 10:22 for CD
Dexter Gordon / The Resurgence Of Dexter Gordon
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Read offset correction : 12
Overread into Lead-In and Lead-Out : Yes
Used output format : C:\Program Files\Monkey's Audio\MAC.exe   (Monkey's Audio Lossless Encoder)
                     High Lossless Compression
Other options      :
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    Delete leading and trailing silent blocks : No
    Installed external ASPI interface
Range status and errors
Selected range
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     Range quality 100.0 %
     CRC 6049C88C
     Copy OK
No errors occured
End of status report
Содержание индексной карты (.CUE)
REM DISCID 52095806
REM COMMENT "ExactAudioCopy v0.95b4"
PERFORMER "Dexter Gordon"
TITLE "The Resurgence Of Dexter Gordon"
FILE "Dexter Gordon - The Resurgence Of Dexter Gordon.wav" WAVE
    TITLE "Home Run"
    PERFORMER "Dexter Gordon"
    INDEX 01 00:00:00
    TITLE "Dolo"
    PERFORMER "Dexter Gordon"
    INDEX 00 05:05:35
    INDEX 01 05:07:35
    TITLE "Lovely Lisa"
    PERFORMER "Dexter Gordon"
    INDEX 00 11:22:20
    INDEX 01 11:24:12
    TITLE "Affair In Havana"
    PERFORMER "Dexter Gordon"
    INDEX 00 18:44:62
    INDEX 01 18:47:67
    TITLE "Jodi"
    PERFORMER "Dexter Gordon"
    INDEX 00 26:27:52
    INDEX 01 26:29:42
    TITLE "Field Day"
    PERFORMER "Dexter Gordon"
    INDEX 00 33:07:07
    INDEX 01 33:08:50
Отчет CUETools
[CUETools log; Date: 02.06.2013 1:32:54; Version: 2.1.4]
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Track Peak [ CRC32  ] [W/O NULL]
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Review by Lindsay Planer
As the title The Resurgence of Dexter Gordon (1960) suggests, the tenor sax master resurfaced from his chronic bouts of addiction in an attempt to revive his on-again/off-again recording career. Truth be told, Gordon was actually on parole from Chino State Penitentiary and co-starring in a local Los Angeles production of The Connection -- a play ironically enough about the victims of heroin dependence. Julian "Cannonball" Adderley was able to talk the tenor into participating in a no-strings-attached studio date. Gordon (tenor sax), alongside Martin Banks (trumpet), Richard Boone (trombone), Charles "Dolo" Coker (piano), Charles Green (bass), and Larry Marable (drums) convened under the watchful eyes and ears of legendary producer Wally Heider in mid-October 1960 to document the half-dozen selections featured here. Not surprisingly -- especially under the circumstances -- Gordon only supplies a third of the contents with the remainder of the excellent material courtesy of pianist Coker. The piercing, penetrating melody of the Gordon-penned "Home Run" gets things underway as the horns' boppin' call-and-response sets the pace for the solos to follow. Coker's contributions are uniformly strong, and the frenetic energy of "Dolo" -- the keyboardist's nickname -- gives Gordon something substantive to dig into. And he does just that with all the assured litheness that ultimately defined Dexter Gordon's musical phoenix. After reeling off ribbons of sonic inspiration, Coker keeps up with him tickling the 88s with an enviable panache while maintaining the full-throttled pace. The bouncy blues of "Lovely Lisa" and the exotic syncopation fused within "Affair in Havana" place Gordon's sax in prominent proximity to Banks and Boone for a brass-lovers treat. The tunes are complex and provide insight into Gordon's flawless improvisational prowess. Gordon's other composition is the evocative ballad "Jodi." His lines are robust yet retain a moody and searching mystique. The subtleties become more clearly revealed when contrasted to Coker's comparatively personable interlude. "Field Day" closes the effort on a lighthearted and uptempo note. Boone getting his chops in early, followed by Gordon and then the highly underutilized Banks, who saves his best work for the end of the album. All told, The Resurgence of Dexter Gordon uncovers the immeasurable talents of an artist whose musical journey passes a critical crossroads on this project.
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