(Bop, Cool, Bossa Nova) [CD] Paul Smith - Brazilian Detour (Piano and Orchestra) - 1966 (2013 Japan Edition), FLAC (image+.cue), lossless

Exact Audio Copy V1.0 beta 3 from 29. August 2011
EAC extraction logfile from 13. February 2014, 1:22
Paul Smith / Brazilian Detour
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Read mode               : Secure
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Delete leading and trailing silent blocks   : No
Null samples used in CRC calculations       : Yes
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Used output format              : User Defined Encoder
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       12  | 27:26.13 |  1:15.20 |    123463    |   129107
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     Filename F:\audio\Paul Smith - Brazilian Detour.wav
     Peak level 100.0 %
     Extraction speed 4.7 X
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     Test CRC 0CC6CEAE
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==== Log checksum 6CECE65E90B9FAE40A651826715D1A37FB7EC2B4B0356888379A619CAE018AE3 ====

REM GENRE Jazz
REM DATE 1966
REM DISCID 9C06B90C
REM COMMENT "ExactAudioCopy v1.0b3"
PERFORMER "Paul Smith"
TITLE "Brazilian Detour"
FILE "Paul Smith - Brazilian Detour.wav" WAVE
  TRACK 01 AUDIO
    TITLE "One Note Samba"
    PERFORMER "Paul Smith"
    INDEX 01 00:00:00
  TRACK 02 AUDIO
    TITLE "Lullaby of Birdland"
    PERFORMER "Paul Smith"
    INDEX 00 02:46:09
    INDEX 01 02:47:51
  TRACK 03 AUDIO
    TITLE "Meditation"
    PERFORMER "Paul Smith"
    INDEX 00 05:25:16
    INDEX 01 05:27:03
  TRACK 04 AUDIO
    TITLE "The Lamp Is Low"
    PERFORMER "Paul Smith"
    INDEX 00 07:56:48
    INDEX 01 07:58:36
  TRACK 05 AUDIO
    TITLE "Quiet Nights of Quiet Stars"
    PERFORMER "Paul Smith"
    INDEX 00 09:39:49
    INDEX 01 09:41:21
  TRACK 06 AUDIO
    TITLE "Brazilian Detour"
    PERFORMER "Paul Smith"
    INDEX 00 12:03:39
    INDEX 01 12:05:12
  TRACK 07 AUDIO
    TITLE "The Girl from Ipanema"
    PERFORMER "Paul Smith"
    INDEX 00 14:29:72
    INDEX 01 14:33:25
  TRACK 08 AUDIO
    TITLE "Discover"
    PERFORMER "Paul Smith"
    INDEX 00 16:58:19
    INDEX 01 16:59:66
  TRACK 09 AUDIO
    TITLE "How Insensitive"
    PERFORMER "Paul Smith"
    INDEX 00 19:30:45
    INDEX 01 19:32:01
  TRACK 10 AUDIO
    TITLE "So Nice"
    PERFORMER "Paul Smith"
    INDEX 00 22:09:16
    INDEX 01 22:10:46
  TRACK 11 AUDIO
    TITLE "More"
    PERFORMER "Paul Smith"
    INDEX 00 24:20:69
    INDEX 01 24:22:25
  TRACK 12 AUDIO
    TITLE "The Gnat"
    PERFORMER "Paul Smith"
    INDEX 00 27:24:42
    INDEX 01 27:26:13

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Paul Smith makes very good background music for a martini. But you'd be out of your discriminating skull if you let it go at that. Forget the drink. Listen. Paul Smith may be playing more and better piano than you've ever heard in your life. And martinis you can get anytime.
To say that Paul Smith sits head and shoulders above most pianists is to acknowledge the dual truths that (1) he is a husky 6'4" and looks like he should be moving pianos instead of playing them, and (2) although he doesn't move pianos he moves people-with an exciting piano style, incredible technique, impeccable taste, and an extraordinary finger-tip sense of humor. (He also moves writers-to superlatives).
This album - "Brazilian Detour"- is the most direct route to what's new in the world of big popular piano. Paul takes the new, worldly, popular idiom of the bossa nova, translates it from its more common instrumental voice-the guitar-into a strong piano sound, and then travels a double road to the final statement. He takes a handful of familiar bossa nova tunes and gives them his Yankee jazz accent, then takes an equal number of non-Brazilian standards and originals and reverses his field. The result is a fresh and ear-grabbing blend of the two musics, proof again that Paul is a swinging something else. Or as Hentoff Wadsworth Longfellow once exclaimed, "Smith, a mighty man is he!"
When he isn't making records, Paul is busy leading three other lives. He is an in-person performer with a past, present, and future at The Hunting Horn, a sumptuous eating-drinking-and-music-listening hangout in the hills of Palos Verdes, a hunk of swank Los Angeles that juts out into the Pacific and makes life worth living. Which is precisely where Paul lives his worthwhile private life. A few blocks from the office, so to speak. There, in a lovely modern home overlooking that same Pacific, Paul is head man to a family that includes wife Annette (formerly Annette Warren, singer with the Harry James band), a brood of three boys and one girl, and a new forty-foot power cruiser that's moored down the beach a piece.
Oh, one thing more. Not only is the talented and omnipresent bassist, Wilford Middlebrook, contributing to the current cause, but there's a whole orchestra-from fiddle section to boo-bams. Yes, siree. It's class the whole way on Paul Smith's "Brazilian Detour!'
A little traveling music, professor...