(Bop) [CD] Thelonious Monk - After Hours at Minton's (1941) - 2001, FLAC (tracks+.cue), lossless

Exact Audio Copy V1.0 beta 3 from 29. August 2011
EAC extraction logfile from 2. November 2012, 22:23
Monk, Thelonious / After Hours at Minton's
Used drive  : hp      DVD-RAM GH40L   Adapter: 0  ID: 1
Read mode               : Secure
Utilize accurate stream : Yes
Defeat audio cache      : No
Make use of C2 pointers : No
Read offset correction                      : 667
Overread into Lead-In and Lead-Out          : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks   : No
Null samples used in CRC calculations       : Yes
Used interface                              : Native Win32 interface for Win NT & 2000
Gap handling                                : Appended to previous track
Used output format              : User Defined Encoder
Selected bitrate                : 768 kBit/s
Quality                         : High
Add ID3 tag                     : No
Command line compressor         : C:\Program Files (x86)\Exact Audio Copy\FLAC\FLAC.EXE
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TOC of the extracted CD
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        2  |  9:17.46 |  4:02.11 |     41821    |    59981
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       10  | 58:14.55 |  7:54.29 |    262105    |   297683
       11  | 66:09.09 |  8:15.20 |    297684    |   334828
       12  | 74:24.29 |  5:06.31 |    334829    |   357809
Track  1
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Track  2
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Track  3
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Track  4
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Track  5
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Track  6
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Track  7
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Track  8
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Track  9
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Track 10
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Track 11
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Track 12
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All tracks accurately ripped
No errors occurred
End of status report
==== Log checksum 79425A8FA10936AA135FCA54952A0EFFFA055D33335B1634C53C9DC7FD7085DF ====

REM GENRE Jazz
REM DATE 2001
REM DISCID A712A20C
REM COMMENT "ExactAudioCopy v1.0b3"
PERFORMER "Thelonious Monk"
TITLE "After Hours at Minton's"
FILE "01 - I Got Rhythm.wav" WAVE
  TRACK 01 AUDIO
    TITLE "I Got Rhythm"
    PERFORMER "Thelonious Monk"
    INDEX 01 00:00:00
  TRACK 02 AUDIO
    TITLE "Nice Work If You Can Get It"
    PERFORMER "Thelonious Monk"
    INDEX 00 09:15:46
FILE "02 - Nice Work If You Can Get It.wav" WAVE
    INDEX 01 00:00:00
  TRACK 03 AUDIO
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    PERFORMER "Thelonious Monk"
    INDEX 00 04:00:11
FILE "03 - Down, Down, Down.wav" WAVE
    INDEX 01 00:00:00
  TRACK 04 AUDIO
    TITLE "I Found a Million Dollar Baby"
    PERFORMER "Thelonious Monk"
    INDEX 00 03:37:66
FILE "04 - I Found a Million Dollar Baby.wav" WAVE
    INDEX 01 00:00:00
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FILE "05 - Body and Soul.wav" WAVE
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FILE "06 - I've Found a New Baby.wav" WAVE
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    INDEX 00 08:23:51
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    INDEX 00 05:18:23
FILE "10 - You're a Lucky Guy.wav" WAVE
    INDEX 01 00:00:00
  TRACK 11 AUDIO
    TITLE "Stompin' at the Savoy"
    PERFORMER "Thelonious Monk"
    INDEX 00 07:52:29
FILE "11 - Stompin' at the Savoy.wav" WAVE
    INDEX 01 00:00:00
  TRACK 12 AUDIO
    TITLE "Indiana"
    PERFORMER "Thelonious Monk"
    INDEX 00 08:13:20
FILE "12 - Indiana.wav" WAVE
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The Second World War was a crucial time for jazz as the music evolved from Big Band Swing into more intimate groups featuring extended solos. Within a few years the music would evolve drastically into BeBop (a term coined by Monk). Recorded music at the time was limited to how much would fit on the side of a 10-inch 78 rpm disc, but a clever Columbia University student, Jerry Newman, had two portable disc-cutters and a supply of 12 inch blanks which allowed him to capture ten minute jams at a time. He liked to hang out in Harlem where the scene was swingin' at Minton's Playhouse off 7th Avenue. On any night half a dozen musicians of the calibre of Oran "Hot Lips" Page, Kenny Clarke, Charlie Christian and Roy Eldridge were kicking around some Tin Pan Alley tunes and stretching out. On piano: the one and only Thelonious Monk.
THELONIOUS MONK -- AFTER HOURS AT MINTON'S collects a dozen tracks recorded at Minton's Playhouse in May 1941, featuring the legendary pianist. It's a reissue of THE EARLY THELONIOUS MONK on Moon, with the addition of one track "Stompin' at the Savoy" from the recordings made with Charlie Christian. These rare tracks recorded at Minton's in 1941 have appeared in various configurations. The most well-known of them feature Christian, the cool daddy of electric jazz guitar. THE IMMORTAL CHARLIE CHRISTIAN on Laserlight features his Django-inflected runs but I'm always waiting for the band to cool down so I can hear Monk trinkling away. Now the spotlight is on Monk.
The sound is not perfect but you can hear it fine as if through a P.A., and almost imagine Monk shuffling his feet and playing his ham-handed version of stride like he's shadow-boxing with the keyboard. Then he'll pull out one of those whole-tone glissandi, light as a feather, and float it by imperceptibly in the background as Joe Guy, with his mute, warbles "I found a million dollar baby... in a five and ten cent store."