(Big Band, Swing) [CD] Count Basie - Live at the Sands (Before Frank) - 1966 (2013 MFSL), FLAC (tracks+.cue), lossless

Exact Audio Copy V1.3 from 2. September 2016
EAC extraction logfile from 11. July 2017, 13:36
Count Basie / Live At The Sands (Before Frank) (2013 MFSL)
Used drive  : PLEXTOR CD-R   PREMIUM   Adapter: 1  ID: 1
Read mode               : Secure
Utilize accurate stream : Yes
Defeat audio cache      : Yes
Make use of C2 pointers : No
Read offset correction                      : 30
Overread into Lead-In and Lead-Out          : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks   : No
Null samples used in CRC calculations       : Yes
Used interface                              : Native Win32 interface for Win NT & 2000
Gap handling                                : Appended to previous track
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Quality                         : High
Add ID3 tag                     : No
Command line compressor         : C:\Program Files (x86)\Exact Audio Copy\FLAC\FLAC.EXE
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TOC of the extracted CD
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Track 13
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All tracks accurately ripped
No errors occurred
End of status report
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==== Log checksum D0ED503EA920D9EB76C32A4C99BBA033DF9A929241A5DC1B6101FE4B06F6406E ====

REM GENRE Jazz
REM DATE 1966
REM DISCID BA0C6F0E
REM COMMENT "ExactAudioCopy v1.3"
PERFORMER "Count Basie"
TITLE "Live at the Sands (Before Frank)"
FILE "01 - Introduction.wav" WAVE
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    TITLE "Introduction"
    PERFORMER "Count Basie"
    ISRC USRE16600010
    INDEX 01 00:00:00
  TRACK 02 AUDIO
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    INDEX 00 00:47:74
FILE "02 - Splanky.wav" WAVE
    INDEX 01 00:00:00
  TRACK 03 AUDIO
    TITLE "I Can't Stop Loving You"
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    INDEX 00 03:48:27
FILE "03 - I Can't Stop Loving You.wav" WAVE
    INDEX 01 00:00:00
  TRACK 04 AUDIO
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    PERFORMER "Count Basie"
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FILE "04 - I Needs to Be Bee'd With.wav" WAVE
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FILE "05 - Flight of the Foo Birds.wav" WAVE
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  TRACK 06 AUDIO
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FILE "06 - Satin Doll.wav" WAVE
    INDEX 01 00:00:00
FILE "07 - Makin' Whoopee!.wav" WAVE
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FILE "08 - Corner Pocket.wav" WAVE
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FILE "09 - One O'Clock Jump.wav" WAVE
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  TRACK 10 AUDIO
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FILE "11 - Whirly Bird.wav" WAVE
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[CUETools log; Date: 16.07.2017 14:26:36; Version: 2.1.5]
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Frank Sinatra's collaborations with Count Basie were among the singer's better ventures back into jazz in the early 1960s, and led not only to a couple of great studio albums, and one superb live Sinatra album, but also to Basie's being signed to the Sinatra-founded Reprise label in the mid-'60s. The 53 minutes of music captured on Live at the Sands was recorded during the opening sets from three different shows in late January and early February of 1966, by Basie and his band during the engagement with Sinatra at the Sands Hotel that yielded that live Sinatra album. Maybe that raises the expectations, because this release is a slight disappointment -- the band sounds OK, but except for Basie himself and drummer Sonny Payne, it seems like they're walking their way through some of this repertoire. There are a number of good moments here: "I Needs to Be Bee'd With," "Flight of the Foo Birds," "Satin Doll," "Blues for Home," and "This Could Be the Start of Something Big" (which is worth hearing for the ensemble work and Eric Dixon and Eddie "Lockjaw" Davis' solos); the band finally takes flight, but compared with some of the recordings of complete shows by Basie that are nothing less than great, a lot of this is secondary. Given the fact that it was Sinatra's set that was going to be taped for release for certain, the band may, indeed, have been holding back during its own set, for good reason. Even the audience response says it, positive and polite but not excessive -- they were there for Sinatra, and nothing Basie and company did were likely to bowl them over, so why make the effort? It's not a bad set, and some of it -- "Makin' Whoopee" (especially the call and response on the piano), "Corner Pocket," and "Jumpin' at the Woodside" -- has great appeal. But this is overall a legendary band doing a somewhat less-than-legendary set, during some gigs that, in fairness, yielded up a great live album elsewhere. The quality is solid live sound, in crisp stereo from a nicely controlled mid-'60s venue, using state-of-the-art equipment.

Al Aarons, George "Sonny" Cohn, Wallace Davenport, Phil Guilbeau - trumpets
Henderson Chambers, Al Grey, Grover Mitchell - trombones
Bill Hughes - bass trombone
Marshal Royal - clarinet, alto saxophone
Bobby Plater - flute, tenor saxophone
Eddie "Lockjaw" Davis - tenor saxophone
Charlie Fowlkes - flute, baritone saxophone
William "Count" Basie - piano
Freddie Green - guitar
Norman Keenan - bass
Percival "Sonny" Payne - drums
Quincy Jones - arranger, conductor
Recorded at the Copa Room, Sands Hotel, Las Vegas, NV on January 26-29 and February 1, 1966.