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(Avant-Garde, Soundtrack) [WEB] Francois Tusques (w/ Barney Wilen, Jean-Francois Jenny-Clark, Beb Guerin, Eddie Gaumont) - La Reine des vampires 1967 - 2014, FLAC (tracks), lossless

(Avant-Garde, Soundtrack) [WEB] Francois Tusques (w/ Barney Wilen, Jean-Francois Jenny-Clark, Beb Guerin, Eddie Gaumont) - La Reine des vampires 1967 - 2014, FLAC (tracks), lossless
Треклист:
François Tusques / La Reine des vampires 1967
Жанр: Avant-Garde, Soundtrack
Носитель: WEB
Страна-производитель диска (релиза): U.K.
Год издания: 2014
Издатель (лейбл): Cacophonic
Номер по каталогу: 8CACKLP
Аудиокодек: FLAC (*.flac)
Тип рипа: tracks
Битрейт аудио: lossless
Продолжительность: 44:11
Источник (релизер): я
Наличие сканов в содержимом раздачи: front
Треклист:
01. La Reine des vampires Theme Take 5
02. La Reine des vampires Theme Take 4
03. La Reine des vampires Theme Take 3
04. La Reine des vampires Theme Take 2
05. La Reine des vampires Theme Take 1
06. La Reine des vampires Unused Cue 1
07. La Reine des vampires Rejected Theme 1
08. La Reine des vampires Unused Cue 6
09. La Reine des vampires Unused Cue 11
10. La Reine des vampires Rejected Theme 2
11. La Reine des vampires Unused Cue 9
François Tusques – Piano
Barney Wilen – Tenor Sax
Jean-François Jenny-Clark – Bass
Beb Guérin – Bass
Eddie Gaumont – Violin
 
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FILE: 11 - La Reine des vampires Unused Cue 9.flac
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FILE: 09 - La Reine des vampires Unused Cue 11.flac
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Conclusion: CDDA 43%
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FILE: 08 - La Reine des vampires Unused Cue 6.flac
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FILE: 07 - La Reine des vampires Rejected Theme 1.flac
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FILE: 05 - La Reine des vampires Theme Take 1.flac
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FILE: 04 - La Reine des vampires Theme Take 2.flac
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FILE: 03 - La Reine des vampires Theme Take 3.flac
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FILE: 02 - La Reine des vampires Theme Take 4.flac
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FILE: 01 - La Reine des vampires Theme Take 5.flac
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Conclusion: CDDA 92%
Signature: 4EA6CA88C587B65DBE52EE798C3BDBC2433C5016
 
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Free Jazz Blog
I just watched "World War Z" and "Warm Bodies", recent zombie movies of questionable quality, as well as "Under the Skin", an utterly bizarre movie with a phenomenal soundtrack by Mica Levi, hence this video below too. Especially in horror movies, the soundtrack is essential. Watch a suspense scene without the sound, and the effect is gone, making the scene slow or even completely silly. Keep the sound, and take away the picture, and the effect is in all likelihood still present. Nothing like sound to create emotional experiences.
But now for the topic itself: in 1967, French avant-garde composer and pianist François Tusques was asked by director Jean Rollin to make the soundtrack for a vampire melodrama, called "Les Femmes vampires" (the vampire women), then erroneously announced as the first French vampire movie ever. Tusques assembled a band with Barney Wilen on tenor sax, Eddie Gaumont on violin, Jean-François Jenny-Clark and Beb Guérin on bass. As you can expect, the music is eery, haunting, full of dread, anticipation, angst, anxiety and fear. It is ominous, dark, unpredictable, gloomy and sinister. It is equally well-paced, slow, refined, sophisticated, precise and accurate. In contrast to what was the norm at that time, the soundtrack has no clear theme, just sounds full of dramatic tension and effect. The violin, the sax and the bass create long phrases hanging in mid-air, coming from nowhere, not seeming to go anywhere, yet with astonishing presence when they are in the here and now, immensely powerfully.
The album gives the complete recording of the session, even if only parts were used for the soundtrack (think of Mike Oldfield's score for The Exorcist). The A-side [1-5] presents the full pieces from which some snippets were used in the movie, the B-side [6-11] brings material that was not used in the movie, even if it is equally strong. When Rollin made his second vampire movie, "La Vampire nue" (the nude - female - vampire), he re-used the material on the A-side, rearranged it and all this without Tusques' prior consent.
To have this music back, now, after almost fifty years, is amazing. When you watch the movie excerpts on Youtube, the movie looks incredibly dated, real sixties' stuff. And probably the most amazing thing is that when you listen to the soundtrack, it still sounds incredibly modern. It is today's music. Think of the vision and the audacity it must have required then (Stef).
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