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(Avant-garde, Modern Creative) Octurn - 21.emanations - 2006, FLAC (tracks+.cue), lossless, EAC

(Avant-garde, Modern Creative) Octurn - 21.emanations - 2006, FLAC (tracks+.cue), lossless, EAC
Треклист:
Octurn - 21.emanations
Жанр: Avant-garde, Modern Creative
Год выпуска диска: 2006
Производитель диска: YOLK
Аудио кодек: FLAC
Тип рипа: tracks+.cue
Битрейт аудио: lossless, EAC
Продолжительность: 01:04:58 ; 00:55:20
Трэклист:
CD 1 : 21 emanations
1. Green Tara - 02:00
2. Growth (coda) - 08:20
3. Kanchenjunga part 1 : main - 04:10
4. Kanchenjunga part 2 : west - 07:34
5. Kanchenjunga part 3 : central - 06:58
6. Kanchenjunga part 4 : south - 07:56
7. White Tara - 03:10
8. 21 emanations - 06:49
9. Presence - 11:46
10. Calcutta - 06:10
CD 2 : 21.emanations remix
1. Roots - 08:08
2. 21 emanations - 15:26
3. Orange - 07:47
4. Growth - 09:00
5. Hogon - 14:56
Blondiau Lawrence (tp), Magic Malik (flute), Guillaume Orti (alto sax), Bo Van Der Werf (baritone sax)
Fabian Fiorini (piano), Jozef Dumoulin (Fender Rhodes), Peter Van Dormael (guitar)
Jean-Luc Lehr (bass), Otti Van Der Werf (bass), Chander Sardjoe (drums, thavil)
Dré Pallemaerts (electronic)
 
Дщп EAC CD1
Exact Audio Copy V0.99 prebeta 4 from 23. January 2008
EAC extraction logfile from 19. December 2009, 20:19
octurn / 21.emanations
Used drive : Optiarc DVD RW AD-7200S Adapter: 2 ID: 1
Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No
Read offset correction : 48
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Native Win32 interface for Win NT & 2000
Gap handling : Appended to previous track
Used output format : User Defined Encoder
Selected bitrate : 768 kBit/s
Quality : High
Add ID3 tag : No
Command line compressor : D:\Program Files\FLAC\flac.exe
Additional command line options : -V -8 -T "artist=%a" -T "title=%t" -T "album=%g" -T "date=%y" -T "tracknumber=%n" -T "genre=%m" %s
TOC of the extracted CD
Track | Start | Length | Start sector | End sector
---------------------------------------------------------
1 | 0:00.00 | 2:00.18 | 0 | 9017
2 | 2:00.18 | 8:20.25 | 9018 | 46542
3 | 10:20.43 | 4:10.74 | 46543 | 65366
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7 | 37:01.31 | 3:10.43 | 166606 | 180898
8 | 40:11.74 | 6:49.53 | 180899 | 211626
9 | 47:01.52 | 11:46.09 | 211627 | 264585
10 | 58:47.61 | 6:10.37 | 264586 | 292372
Track 1
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Copy CRC 2E2722F4
Accurately ripped (confidence 2) [F12C207D]
Copy OK
Track 2
Filename I:\Music\WCD\02. growth (coda) (octurn - 21.emanations - 2006).wav
Peak level 99.7 %
Track quality 100.0 %
Test CRC 985CEF2A
Copy CRC 985CEF2A
Accurately ripped (confidence 2) [4F68D460]
Copy OK
Track 3
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Test CRC EC66BD62
Copy CRC EC66BD62
Accurately ripped (confidence 2) [F43DE8F3]
Copy OK
Track 4
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Copy CRC 8F7222A2
Accurately ripped (confidence 2) [B74A8628]
Copy OK
Track 5
Filename I:\Music\WCD\05. kanchenjunga, part 3- central (octurn - 21.emanations - 2006).wav
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Copy CRC 0A407392
Accurately ripped (confidence 2) [ACCABAD4]
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Track 6
Filename I:\Music\WCD\06. kanchenjunga, part 4- south (octurn - 21.emanations - 2006).wav
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Copy CRC E8D02BEA
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Track 7
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Test CRC C02A8A6C
Copy CRC C02A8A6C
Accurately ripped (confidence 2) [5ED689D2]
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Track 8
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Copy CRC E530D149
Accurately ripped (confidence 2) [6F07307E]
Copy OK
Track 9
Filename I:\Music\WCD\09. presence (octurn - 21.emanations - 2006).wav
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Copy CRC DB8D860F
Accurately ripped (confidence 2) [33842280]
Copy OK
Track 10
Filename I:\Music\WCD\10. calcutta (octurn - 21.emanations - 2006).wav
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Track quality 99.9 %
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Copy CRC 86934BDC
Accurately ripped (confidence 2) [83141CC4]
Copy OK
All tracks accurately ripped
No errors occurred
End of status report
 
Дщп EAC CD2
Exact Audio Copy V0.99 prebeta 4 from 23. January 2008
EAC extraction logfile from 19. December 2009, 20:52
octurn / 21.emanations_remix
Used drive : Optiarc DVD RW AD-7200S Adapter: 2 ID: 1
Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No
Read offset correction : 48
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Native Win32 interface for Win NT & 2000
Gap handling : Appended to previous track
Used output format : User Defined Encoder
Selected bitrate : 768 kBit/s
Quality : High
Add ID3 tag : No
Command line compressor : D:\Program Files\FLAC\flac.exe
Additional command line options : -V -8 -T "artist=%a" -T "title=%t" -T "album=%g" -T "date=%y" -T "tracknumber=%n" -T "genre=%m" %s
TOC of the extracted CD
Track | Start | Length | Start sector | End sector
---------------------------------------------------------
1 | 0:00.00 | 8:08.39 | 0 | 36638
2 | 8:08.39 | 15:26.45 | 36639 | 106133
3 | 23:35.09 | 7:47.67 | 106134 | 141225
4 | 31:23.01 | 9:00.64 | 141226 | 181789
5 | 40:23.65 | 14:56.15 | 181790 | 249004
Track 1
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Copy OK
Track 2
Filename I:\Music\WCD\02. 21 emanations (octurn - 21.emanations_remix - 2006).wav
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Test CRC DCFCCCB6
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Accurately ripped (confidence 2) [E76EDF0E]
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Track 3
Filename I:\Music\WCD\03. orange (octurn - 21.emanations_remix - 2006).wav
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Track quality 100.0 %
Test CRC C0DB1A49
Copy CRC C0DB1A49
Accurately ripped (confidence 2) [DD99D8D3]
Copy OK
Track 4
Filename I:\Music\WCD\04. growth (octurn - 21.emanations_remix - 2006).wav
Peak level 97.5 %
Track quality 100.0 %
Test CRC 0B1AFA5E
Copy CRC 0B1AFA5E
Accurately ripped (confidence 2) [1489EDBE]
Copy OK
Track 5
Filename I:\Music\WCD\05. hogon (octurn - 21.emanations_remix - 2006).wav
Peak level 99.9 %
Track quality 100.0 %
Test CRC A146CB7A
Copy CRC A146CB7A
Accurately ripped (confidence 2) [1868371D]
Copy OK
All tracks accurately ripped
No errors occurred
End of status report
 
О компании:

The Belgian group Octurn certainly is one of the most interesting formations in Europe and this excellent double album called 21 Emanations confirms their skillful art of arrangement, care for the Carthusian interlocking intelligent voices, the art of superfine expansion of rhythm By scanning that seem to lead charmed by the hand to other worlds, in other epoche.La Their music is highly modern and is the European equivalent of the efforts being made overseas rather than bringing forward Steve Coleman and his group of followers who find themselves under the "M-Base. Yet filigree keep hearing these Octurn almost medieval sensibility, as if this group will pit the flower buttonhole Prestigious abbey, which specializes in making music together. The voices of fiat In particular, the strength of its arrangements and is not a coincidence that all the compositions come from the leader of the group, it baritone sax Bo Van Der Werf, capable of great sensitivity for the juxtapositions not only the height but also of tonal texture. The keyboards are always well placed and has it right can boost the rhythm guitar of Pierre Van Dormael is often hidden in the party of the ensemble (which is the figure constituent of this album and the group) but there is always good to miss Desk calibrated. In particular, the evidence DELL'OSPITE Magic Flute Malik.I two basses and drums are always in step, preferring situations where music is often dark and sBuffer thicken if the toxins her, only to come up with a start, darting in the air Sparkling mountain. The album title refers to Buddist practices and even individual songs continue in this direction, with the suite in four party entitled to the highest mountain in Asia, it Kanchenjunga, which are immortalized, varies with illumination, even in three pages of double pack libretto.La beautiful, white as snow, he sees a second CD contains some songs from the disc with the main processed using electronics Dré Pallemaerts. They are 55 minutes of multi-colored reflections in which the music becomes more circular, proceeding by backwards mirrors that go into the soul instead of looking out the door. When is the rhythm is put in the foreground and the music becomes the perfect soundtrack for a ballet at high altitude on the roof of the world. Bring the oxygen tank.
EVALUATION **** Mauritius Comandini in www.allaboutjazz.com / italy
Disk flutter Jazz Magazine Issue 572 July-August 2006
by Timur Arslan
10 Years as Octurn shining star in the firmament of European jazz. Since its debut in 1996 with "Chromatic History" (on the label WERF), the group plans a multifaceted music in hell: no framework can seriously claim limit as it focuses the discussion of the classical musicians apostates. The new music project "21 Emanations" brush strokes to sketch geometry fascinating. Two discs for two hours of music where musicians dizzying install in the empty mind meditation group as experimental. Bo van der Werf, lighthouse keeper Octurn but blowing baritone Magic Malik Orchestra, recounts the genesis of this project: "I think the music is born of a glare unspeakable: a walk around the Tibetan Buddhist monastery of Pemayangtse, to Sikkim, one early morning at sunrise ... In retrospect, the various constructions rhythmic, harmonic and melodic seem inhabited by this privileged moment, that moment of suspension magnificent. " The music of the first disc is the waking dream, she nailed the time interval, reaching a single zero to transform a dull chaos rhythmic structures set up by the drummer and two bassists are literally torn apart by the soloists: Malik the flute and the trumpet Blondiau Laurent, Guillaume Orti alto and Bo van der Werf, without forgetting the critical interventions of anxiety and Jozef Dumoulin Pierre Van Dormael. The second disk uses a layer electronic sonic magma avoiding cliches. One thing is for sure, experience Octurn only bear fruit in your presence. Then try this!
Coup de coeur / EVENING novembre 06
Over the past decade Octurn traverses the steep paths of experimental jazz with albums and research surrounding contemporary music. But among the group brought about some leaves also influences popular. As one of the CD is made 21.emanations remix Appliances Dré Pallemaerts dresses where the first art of tentet with sounds, mixing and editing rhythms. His treatment of techno strange harmonies Octurn can cause a range that also galvanized '21. Fumes remix '. 15 minutes to knock on a line drum'n'bass as incisive as the acceleration of rally driver Sébastien Loeb ... What Arpion indoctrinate them in a cadence authoritarian. Repetitive in nature, with its loop sequence, the genus is here wisely pushed by trips back and forth between acoustic and 'computerization' and by the Impressionist chorus soloists. The least surprising is that this slice of music that would sit comfortably in a disco club part of an expression of avant-garde. Like what, between art and pop art scholar, the gap may be closer than you think. `
The title of this disc refers to Tibetan Buddhism that reveres the 21 emanations of the goddess Tara, whose White Tara (White Tara) who embodies the word. However, this does not mean a mystical works or "evaporated". The music proposed here revolves around the interactions of elements of the orchestra on the basis of dense compositions.
While all this may seem a bit complex and a bit "mental" but we must accept being drawn into the path built by the baritone saxophonist Bo Van der Werf to enter the maze of these compositions and fully appreciate the qualities .
Octurn is training European (Belgium, France and the Netherlands) where one finds the trumpeter Lawrence Blondiau or saxophonist Guillaume Orti. It developed over a decade an orchestral mode that places the sphere in the more contemporary jazz. There are the implications (more than the influence) the work of Steve Coleman (building complex compositions to a broad expression of soloists), music of Asia (translated here into some logically sound color), electric music or contemporary electronic and a taste for orchestral masses that are plotted in the background of the game by soloists interweaving, overlapping elements, shifts ... All this is not very far from the concepts of invited Malik Mezzadri (aka Magic Malik), widely present in the flute here.
On this record, a 4-part composition inspired by the Kanchenjunga, Himalayan peak, whose name means "five treasures of snow. A mountain so fascinating as the show three photos that illustrate the booklet of the album. An invitation to the elevation and path, a spiritual and philosophical quest symbolic, no doubt. That's what invites us Octurn through this hard sometimes arduous and tortuous as a steep but intriguing, even fascinating as it invites discovery.
Bonus: a remix that is actually a personal reading and five-part compositions in this album. The author is Dr. Pallemaerts here who traded his drums cons of electronic tools. A rich and interesting interpretation in which one often finds the concerns of a drummer in the arrangement and enhancement of rhythmic components. Electronic processing that adapts well to the complex sound field that offers Octurn.
Thierry Giard in 'www.culturejazz.net' June 2006
Le Mange-Disques By Daniel Yvinec
Jazz Magazine Issue 572 July-August 2006
(...)
"21 Emanations" is an amazing album. This diptych offers a unique and powerful music, remixed (CD 2) with art by the drummer, "laptops" (Doctor) Dré Pallemaerts. We observe colors unknown in which changing a team of brilliant musicians at all points outstanding.
Daniel Yvinec in 'Jazz Magazine, summer 2006
Among Europeans who knew best to build on the legacy of Steve Coleman, Octurn is one of the few orchestras to have chosen this format, abundant in its scope polyphonic, but always preserving the readability of its deployment. Composed in its entirety by Bo Van der Werf, fumes '21 'refers to Tibetan Buddhism, specifically the 21 emanations of Tara goddess symbolizing the creation myths. Upon opening, a rhythmic pattern called for (enriched by a doubling of the bass) which is based on the emergence of soloists. Over parts, it is this dual identity is tested, a face-to-face with an improvised cross-structure constant movement launched by themes to outline angular. Emerges gradually play the imprint of time, the (a) gravity, the question of the duration of the collective momentum: sometimes scathing distributed source (Magic Malik in the title track) but also sometimes with risk of turning in circles ( 'Presence'). The second disc entitled '21 emanations_remix 'offers one sensible answer. Dré Pallemaerts (also drummer) took the orchestral material for re-put into perspective through electronic processing. Creating new lines of force, it dissociates, agency elements, favoring a soloist and background rhythm (more aggressive), thwarting the original polyphony. A double look, both introspective and thoroughly entertaining.
Thierry Lepin in 'JAZZMAN', summer 2006
Selection of the Month 'Dragonjazz.com' (july 2006)
Over the past ten years (their first album Chromatic History is released on De Werf 1996), the collective Octurn flirts with jazz experimental music from contemporary written and improvised rhythmic impulses on to Steve Coleman. This double album does not deny anything in this sophisticated approach which is certainly not easy to access (because of the lack of songs) but, as long as we cling a little, turns quickly fascinating . The theme of this new album is the Tibetan Buddhism and especially the 21 emanations of the goddess Tara. But even if one finds here and there some sounds colored Oriental (Chandler Sardjoe percussion), there is no naive mysticism behind this project also a pleasing simplicity: the album cover is a whiteness without notes and secrets of the book white residents in three great pictures of a Himalayan peak (Kanchenjunga) which carry with them a lot more magic than anything we could write. What strikes most is that this disc offers little solos featuring one or other of the ten members of the orchestra. Each plays a partition that creeps into the other and from all these interactions, refined during the many rehearsals, the music was born, ambitious, strange and haunting. That said, the orchestral mass is never stifling, mind likes to follow the developments of individual musicians and you find yourself listening over the beaches of meditative piano Fabian Fiorini (Green Tara), the sinuous flute Magic Malik (Growth) and the baritone Bo Van Der Werf interlaced with Guillaume Orti alto and trumpet Blondiau Laurent (21 Emanations). The acoustic instruments blend beautifully to create an electric sound modern building, a real meeting place where the melody gives way to trade as an abstract philosophical essay, like "the music brings out the memories of the unconscious." But on most tracks removed, the rhythm of low density (Jean-Luc Lehr and Otti Van Der Werf) and battery (Sardjoe) sometimes brings us the best moments of Aka Moon and their jazz-fusion of the future and there It happens that the vibration of the body outweigh the spiritual waves. The second compact the abum is a remix of two counts of first album plus three new compositions. If Roots and Orange are more of Ambient music, Hogon, 21 Emanations and Growth are especially equipped for large fusional subtly dressed discrete electronic textures concocted by drummer Dré Pallemaerts converted for the occasion in Wizard of laptop. Too often such experiments contribute nothing except to stick a drum'n'bass or reduce the music into a babbling inform and uninteresting. Here, however, the sound world of Octurn enriched with intelligent electronics that filter, spatialized and manipulates the orchestra like an inner consciousness: the music takes on a new dimension probably because at first it was already within it the seeds of its modernity. Certainly, a drive to another, Octurn renews itself constantly and is always so exciting!
Peter Dulieu in 'Dragonjazz.com', july 2006
Training variable geometry which has evolved from post-bop ( "Chromatic History ') to a subtle fusion between M-Base and contemporary music (' Ocean ',' Round ',' Dimensions'), Octurn is certainly one of the training Lighthouses of the Belgian scene today. After serving composers often external (Kris Defoort Denis Pusher, Neal Kirkwood, Frederic Rzewski, Kenny Werner) here is the first album completely devoted to themes written by the baritone saxophonist Bo Van der Werf. The project '21 fumes is born of an initiatory journey in Sikkim and refers to one of the oldest spiritual Buddhist deities, the goddess Tara, venerated for his 21 emanations. The double CD released by the label yolk Nantes proposes, in fact, two different perspectives of the same music. The first CD collects some of the faithful training, already present on the album 'Dimensions', or the French Guillaume Orti violist, pianist Fabian Fiorini, guitarist Pierre Van Dormael, the bassist Jean-Luc Lehr and Otti Van der Werf and lke drummer Chander Sardjoe and welcomes two new personalities, Jozef Dumoulin keyboardist and flutist Magic Malik was fully invested in this project. Largely dedicated to the goddess Tara ( 'Green Tara', 'White Tara') and a four-movement suite inspired by the grand spectacle of Kanchenjunga, the third summit of the world, this first CD certainly appears as one of the most fledged Octurn of both for his writing sophisticated and rich texture of its mass as the sound quality of its soloists. Throughout the ten tracks, the interweaving of acoustic instruments with electric instruments is perfect, and if some beaches fumes as '21 'are underpinned by a more rock drive, all bathed in a quiet serene. The second CD, a sort of remix version concocted from manipulations performed in studio by Dré Pallemaerts offers, for its part, a lot more electronic music. As proof, the first theme 'Roots', developed as a trio between electric keyboards, piano and electronic processing. Of the other four beaches, the group expanded again, including the vocal Magic Malik ( 'Orange', 'Growth'). Through its polymodality, its use of symmetrical patterns or its rhythmic layering (listen especially the rich fabric woven by percussive Chander Sardjoe on 'Presence'), the music Octurn still appears as one of the most ambitious of time and one of the most fruitful since the project began pushing and shoving recording of "North Country Suite," composed for Octurn by Pierre Van Dormael, a collaborative project with the contemporary music ensemble Ictus or directory designed by Magic Malik Nouno collaboration with Gilbert, a computer at IRCAM, and presented in early June to Sounds.
Claude Loxhay in 'Jazzaround', July 2006
16:25
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