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(avant-garde, modern classical, contemporary) Fred Frith - The Previous Evening - 1997, APE (image+.cue), lossless

(avant-garde, modern classical, contemporary) Fred Frith - The Previous Evening - 1997, APE (image+.cue), lossless
Fred Frith - The Previous Evening
Жанр: avant-garde, modern classical, contemporary
Год выпуска диска: 1997
Аудио кодек: APE
Тип рипа: image+.cue
Битрейт аудио: lossless
Продолжительность: 55:34
Источник: ослосеть (Ellery)
Трэклист:
1. Part I (Homage to John Cage) (Frith) 19:40
2. Part II (Homage to Morton Feldman) (Frith) 22:35
3. Part III (Homage to Earle Brown) (Frith) 13:16
Доп. информация:
 
Отчёт EAC
EAC extraction logfile from 12. September 2006, 15:04 for CD
Fred Frith / The Previous Evening
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Read offset correction : 667
Overread into Lead-In and Lead-Out : No
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High Lossless Compression
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Delete leading and trailing silent blocks : No
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Range status and errors
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Filename C:\Documents and Settings\M\Plocha\ff- previous\Fred Frith - The Previous Evening.wav.wav
Peak level 100.0 %
Range quality 100.0 %
CRC 25E83CB8
Copy OK
No errors occured
End of status report
 
Описание
From Wikipedia, the free encyclopedia
The Previous Evening (Music for Dance volume 4) is a studio album by English guitarist, composer and improviser Fred Frith. It was the fourth of a series of Music for Dance albums Frith made, and was recorded in Germany in 1993 and 1996.
The Previous Evening was composed by Frith and is divided into three parts, in which Frith pays homage to three contemporary classical composers, John Cage, Morton Feldman and Earle Brown. The CD booklet also contains the following dedication: "This recording is dedicated to my father, Donald Frith, whose support has been and continues to be warm and unwavering."
Background
The Previous Evening was originally commissioned by United States choreographer Amanda Miller. Part I was premiered by the London Contemporary Dance Theatre at Sadler's Wells, London in December 1993. Parts II and III were premiered by the Pretty Ugly Dance Company in 1996, at the Tiroler Landestheater, Innsbruck and the Hebbel Theater, Berlin, respectively.
Frith incorporated elements of John Cage, Morton Feldman and Earle Brown's working methods into the respective pieces on the album. "Fragments of text heard in Part I were taken at random from John Cage's book Silence: Lectures and Writings. Tape editing, the structure of events, and dynamic markings in this section were also determined using chance methods." An Australian Dawn chorus appears in Part III, and other sound sources include works by Cage, Schumann, Mozart and "some bits and pieces of my own earlier work."
Personnel
* Fred Frith – all instruments (except those listed below), tape manipulations, voice
* Christian Kaya – clarinets (1)
* Claudio Puntin – clarinets (2,3)
* Heike Liss – percussion (1)
* Bern Settelmeyer – percussion (2,3)
* Bernd Weber – voice (1)
Sound
* Track 1 recorded by Benedykt Grodon at Studio Grodon, Munich, Germany, Spring of 1993
* Tracks 2 and 3 recorded by Peter Hardt at Studio Jankowski, Stuttgart, Germany, April and June 1996
* Amanda Miller – producer
* Heike Liss – art work
Any questions - [email protected]
This album is available on our DC++ hub: dchub://hub.pro-jazz.com:7777
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