(Avant-Garde, Jazz-Rock) [CD] Human Feel (Chris Speed, Andrew D'Angelo, Kurt Rosenwinkel, Jim Black) - Gold - 2019, FLAC (tracks+.cue), lossless

Human Feel (Chris Speed, Andrew D'Angelo, Kurt Rosenwinkel, Jim Black) / Gold Жанр: Avant-Garde, Jazz-Rock Носитель: CD Страна-производитель диска (релиза): CH Год издания: 2019 Издатель (лейбл): Intakt Records Номер по каталогу: Intakt CD 322 Страна исполнителя (группы): USA Аудиокодек: FLAC (*.flac) Тип рипа: tracks+.cue Продолжительность: 00:58:09 Источник: dtromp Наличие сканов в содержимом раздачи: .png, 31 MB Треклист: 1. Alar Vome (05:50) 2. Imaginary Friend (04:30) 3. G_D (09:02) 4. Stina Blues (04:02) 5. Bass Place (08:39) 6. Eon Hit (04:15) 7. Martens (05:15) 8. Lights Out (05:55) 9. Numer (06:26) 10. Ology (04:15)

Лог создания рипа Exact Audio Copy V1.3 from 2. September 2016 EAC extraction logfile from 26. July 2019, 20:02 Human Feel / Gold Used drive : ATAPI iHBS112 2 Adapter: 1 ID: 1 Read mode : Secure Utilize accurate stream : Yes Defeat audio cache : Yes Make use of C2 pointers : No Read offset correction : 6 Overread into Lead-In and Lead-Out : No Fill up missing offset samples with silence : Yes Delete leading and trailing silent blocks : No Null samples used in CRC calculations : Yes Used interface : Native Win32 interface for Win NT & 2000 Gap handling : Appended to previous track Used output format : User Defined Encoder Selected bitrate : 768 kBit/s Quality : High Add ID3 tag : No Command line compressor : C:\Program Files (x86)\Exact Audio Copy\Flac\flac.exe Additional command line options : -8 -V -T "ARTIST=%artist%" -T "TITLE=%title%" -T "ALBUM=%albumtitle%" -T "DATE=%year%" -T "TRACKNUMBER=%tracknr%" -T "GENRE=%genre%" -T "PERFORMER=%albuminterpret%" -T "COMPOSER=%composer%" -T "ALBUMARTIST=%albumartist%" -T "DISCNUMBER=%cdnumber%" -T "TOTALDISCS=%totalcds%" -T "TOTALTRACKS=%numtracks%" -T "COMMENT=EAC Secure Mode, Test & Copy, AccurateRip, FLAC -8" %source% -o %dest% TOC of the extracted CD Track | Start | Length | Start sector | End sector --------------------------------------------------------- 1 | 0:00.00 | 5:50.21 | 0 | 26270 2 | 5:50.21 | 4:30.34 | 26271 | 46554 3 | 10:20.55 | 9:02.68 | 46555 | 87272 4 | 19:23.48 | 4:02.72 | 87273 | 105494 5 | 23:26.45 | 8:39.12 | 105495 | 144431 6 | 32:05.57 | 4:15.64 | 144432 | 163620 7 | 36:21.46 | 5:55.54 | 163621 | 190299 8 | 42:17.25 | 5:57.23 | 190300 | 217097 9 | 48:14.48 | 6:26.56 | 217098 | 246103 10 | 54:41.29 | 4:15.08 | 246104 | 265236 Track 1 Filename G:\DL\Human Feel - Gold (2019) [FLAC]\01 - Alar Vome.wav Pre-gap length 0:00:02.00 Peak level 92.9 % Extraction speed 4.8 X Track quality 99.9 % Test CRC 308C3056 Copy CRC 308C3056 Accurately ripped (confidence 1) [CCA98BC9] (AR v2) Copy OK Track 2 Filename G:\DL\Human Feel - Gold (2019) [FLAC]\02 - Imaginary Friend.wav Peak level 92.8 % Extraction speed 6.0 X Track quality 100.0 % Test CRC B2D60153 Copy CRC B2D60153 Accurately ripped (confidence 1) [EDCEACAB] (AR v2) Copy OK Track 3 Filename G:\DL\Human Feel - Gold (2019) [FLAC]\03 - G_D.wav Peak level 92.4 % Extraction speed 7.1 X Track quality 100.0 % Test CRC 27DE782F Copy CRC 27DE782F Accurately ripped (confidence 1) [E5BBF54A] (AR v2) Copy OK Track 4 Filename G:\DL\Human Feel - Gold (2019) [FLAC]\04 - Stina Blues.wav Peak level 93.8 % Extraction speed 7.3 X Track quality 100.0 % Test CRC 8C442C8E Copy CRC 8C442C8E Accurately ripped (confidence 1) [A7A1E114] (AR v2) Copy OK Track 5 Filename G:\DL\Human Feel - Gold (2019) [FLAC]\05 - Bass Place.wav Peak level 92.5 % Extraction speed 8.4 X Track quality 100.0 % Test CRC BD1F6C95 Copy CRC BD1F6C95 Accurately ripped (confidence 1) [20A24AE8] (AR v2) Copy OK Track 6 Filename G:\DL\Human Feel - Gold (2019) [FLAC]\06 - Eon Hit.wav Peak level 92.7 % Extraction speed 8.4 X Track quality 100.0 % Test CRC 26897214 Copy CRC 26897214 Accurately ripped (confidence 1) [484574F6] (AR v2) Copy OK Track 7 Filename G:\DL\Human Feel - Gold (2019) [FLAC]\07 - Martens.wav Peak level 94.3 % Extraction speed 9.0 X Track quality 100.0 % Test CRC DCAA66D6 Copy CRC DCAA66D6 Accurately ripped (confidence 1) [7C4B1202] (AR v2) Copy OK Track 8 Filename G:\DL\Human Feel - Gold (2019) [FLAC]\08 - Lights Outs.wav Peak level 92.3 % Extraction speed 9.5 X Track quality 100.0 % Test CRC 5EC76309 Copy CRC 5EC76309 Accurately ripped (confidence 1) [EF614699] (AR v2) Copy OK Track 9 Filename G:\DL\Human Feel - Gold (2019) [FLAC]\09 - Numer.wav Peak level 92.7 % Extraction speed 8.9 X Track quality 99.9 % Test CRC 56701483 Copy CRC 56701483 Accurately ripped (confidence 1) [1C32AF41] (AR v2) Copy OK Track 10 Filename G:\DL\Human Feel - Gold (2019) [FLAC]\10 - Ology.wav Peak level 79.1 % Extraction speed 9.9 X Track quality 100.0 % Test CRC B96B708C Copy CRC B96B708C Accurately ripped (confidence 1) [87AD913F] (AR v2) Copy OK All tracks accurately ripped No errors occurred End of status report ---- CUETools DB Plugin V2.1.6 [CTDB TOCID: wy0o06UgsMXQyCzWCjDGJDzjO_Q-] found Submit result: wy0o06UgsMXQyCzWCjDGJDzjO_Q- has been confirmed Track | CTDB Status 1 | (6/6) Accurately ripped 2 | (6/6) Accurately ripped 3 | (6/6) Accurately ripped 4 | (6/6) Accurately ripped 5 | (6/6) Accurately ripped 6 | (6/6) Accurately ripped 7 | (6/6) Accurately ripped 8 | (6/6) Accurately ripped 9 | (6/6) Accurately ripped 10 | (6/6) Accurately ripped ==== Log checksum 81CDBD5E4590201E6695205FAE1DD6BF84A4000A9580F9E11E58B595CA7165B5 ==== Содержание индексной карты (.CUE) REM GENRE Jazz REM DATE 2019 REM DISCID 8D0DD00A REM COMMENT "ExactAudioCopy v1.3" PERFORMER "Human Feel" TITLE "Gold" REM COMPOSER "" FILE "01 - 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https://intaktrec.bandcamp.com/album/gold http://intaktrec.ch/322.htm Music by Andrew D’Angelo (Brain Music, BMI), Chris Speed (Keopolo Music, BMI), Kurt Rosenwinkel (Zbigniew Music, SESAC) and Jim Black (Stufa Music, BMI). Recorded in 2017 at Heartcore Studios. Mixed in 2018 by Pete Rende. Mastered in July 2018 by Klaus Scheuermann. Liner notes: Kevin Whitehead. Cover art & graphic design: Jonas Schoder. Photo: Frank Schindelbeck

Об исполнителе (группе) photo1 @ intaktrec photo2 @ intaktrec   https://www.allmusic.com/artist/human-feel-mn0000201312/biography Artist Biography by Dave Lynch ScatterThe members of Human Feel attended music schools in Boston and independently released an eponymous debut album in 1989, before recording the album Scatter for Gunther Schuller's GM Recordings label. After the departure of bassist Joe Fitzgerald, the Beantown quintet continued on as a New York-based foursome, reaching a peak of activity during the mid-'90s as the musicians all became mainstays in the city's so-called downtown jazz scene. During the '90s, saxophonists Chris Speed and Andrew D'Angelo, drummer Jim Black, and guitarist Kurt Rosenwinkel recorded two more Human Feel albums as a collaborative quartet, Welcome to Malpesta on New World (1994) and Speak to It on Songlines (1996). Around the same time, their visibility was increasing through involvement in other bands, including many led by other downtowners. During the '90s and into the new century, Speed and Black both joined Tim Berne's Bloodcount and separate Dave Douglas groups; they also performed together in Pachora, Speed's yeah NO quartet, and Black's AlasNoAxis quartet. Black played with Ellery Eskelin's trio and with Laurie Anderson, D'Angelo joined Matt Wilson's quartet, and Rosenwinkel garnered substantial critical notice after landing his own contract with Verve. Human Feel's CDs provide good examples of these musicians' work in a collaborative small-group setting, and the quartet recordings are particularly noteworthy in demonstrating the band's unique approach to modern creative and avant-garde jazz. The foursome reunited to release Galore on Speed's Skirl label in 2007, and toured sporadically thereafter. They announced that a new album, Human Feel's sixth, would be released in the summer of 2014. Об альбоме (сборнике) Human Feel have been together 30 years now, with no personnel changes in almost as long. Three members go back farther still, coming up together in Seattle before reconvening in Boston, where they teamed up with Kurt Rosenwinkel and bassist Joe Fitzgerald. When Joe left town in 1990 and Human Feel bemoaned the lack of a suitable replacement, he astutely told them, "You don't need a bass player." Such ideas were in the air. The luminous Motian-Lovano-Frisell trio (drums/tenor/guitar) helped point the way, little as Human Feel sounds like that band. When its remaining members hit in New York in the early '90s, established leaders scarfed them up quick: Paul Motian, Dave Douglas, Tim Berne, Bobby Previte... Sometimes, when a band moves to town and the players get plucked by name leaders, that band fades away. (Look up the MJT+3.) But Human Feel knew what they had. Part of the reason the players were in demand: They'd been developing individual and collective vocabularies in this very outfit, which went on to epitomize the '90s downtown scene. Jim Black's rockish eighth-note feel never obstructed his jazz feel. Kurt Rosenwinkel was a great rock rhythm guitarist, sultry double-stopping jazz guitarist, stinging lead player, and sound-tool technician, sometimes two or three at once. Then there were those contrasting reedmen - Chris Speed's funhouse mirror Warne Marsh to Andrew D'Angelo's Lee Konitz with a blowtorch - and the rich recombinant possibilities of two saxophones and two clarinets. The way these two merge in cavernous unisons or near-unisons adds breathtaking sonic depth. They have the eccentric, thrilling blend of sibling singers. Like the Everly Brothers. Or the Shaggs. Human Feel demonstrate all those elements on Gold, polished till it shines. Rosenwinkel's "Bass Place" acknowledges the bassless sonic space, then pours in subtone guitar and bass clarinet to color the void. But you won't often catch guitar, a low reed or bass drum filling an explicit bass function. As when Ornette Coleman set aside piano, the absence creates ambiguities of harmony and time, a freedom to exploit. As that Motian trio showed, it makes for a more slippery landscape. That is a place where Human Feel feels right at home: the sweet spot they occupy so often. I love guitar's parity with the horns when they improvise, and the curious calliope effect of guitar and reeds on the collective "Lights Outs." These players intuit, or work out in practice, the kind of rarefied overtone blending that spectral composers sweat out over sonographs. Jim Black powers the peppy anthems: his own "Stina Blues," Andrew's "Alar Vome" and his curveball "Eon Hit." And they can still kick up the dust, like when they caught New York's ears in the first place: Chris's "Imaginary Friend." Pieces start in one place and wind around to another. "Numer" is fast changes and little gestures; then an unexpected plaintiveness. (The piece is Andrew's, but that could almost describe Chris Speed's m.o.: he's stealthily effective in ensembles, not least on clarinet.) The D'Angelo tour de force "G_d" starts off in sanctified Ayler brothers territory, but the climbing-trellis ascending clarinet in the back half points you skyward: a yearning effect out of Ellington's "Sacred Concerts". Now there's a comparison I never thought I'd make. In time, the players did spin farther apart. Everybody got busy with their own bands, and other people's. Kurt got jazz famous, then moved to Europe. Andrew had a medical nightmare that sidelined him for years - coming back with a sustained burst of creativity. (Five tunes here are his.) Chris moved to Los Angeles (keeping one foot in Brooklyn), and started playing a 1929 Conn tenor with a wide-open wooden mouthpiece, tapping into ancient wisdom. Somewhere in or between his extensive travels, Jim added flexible electronics to his palette. Through it all Human Feel has carried on, and whenever they reconvene they have new musical stories to tell, and old ways of relating, of honing musical structures that depend on precision in the details yet leave much to be determined in performance. Jim Black says, "We were joking recently we only make an album every 10 years now." The last was Galore, recorded in 2006. "The past four years we've been getting together more often to work on new material, and to record when schedules allow. We had an amazing European tour in November 2017. The band just gets better without our working at it. I'm just happy we never disbanded due to petty-ego infighting, personal career competition issues, or all the myriad things that end so many great bands. We believe more than ever that the four of us making music together is a necessity, and we intend to keep doing it wherever and whenever we can." KEVIN WHITEHEAD September 2018 Состав Andrew D'Angelo: alto saxophone & bass clarinet; Chris Speed: tenor saxophone & clarinet; Kurt Rosenwinkel: guitar; Jim Black: drums & ROLI