(Avant-Garde Jazz, Free Jazz, Noise, Electronics) [WEB] Defibrillator & Peter Brötzmann (Peter Brotzmann) - Conversations About Not Eating Meat - 2016, FLAC (tracks), lossless
![(Avant-Garde Jazz, Free Jazz, Noise, Electronics) [WEB] Defibrillator & Peter Brötzmann (Peter Brotzmann) - Conversations About Not Eating Meat - 2016, FLAC (tracks), lossless (Avant-Garde Jazz, Free Jazz, Noise, Electronics) [WEB] Defibrillator & Peter Brötzmann (Peter Brotzmann) - Conversations About Not Eating Meat - 2016, FLAC (tracks), lossless](/upload/000/u2/99/00/avant-garde-jazz-free-jazz-noise-electronics-web-defibril.jpg)
Defibrillator & Peter Brötzmann / Conversations About Not Eating Meat
Жанр: Avant-Garde Jazz, Free Jazz, Noise, Electronics
Год издания: 2016
Издатель (лейбл): Border Of Silence
Номер по каталогу: BOS01
Аудиокодек: FLAC (*.flac)
Тип рипа: tracks
Битрейт аудио: lossless
Продолжительность: 45:57
Источник (релизер): WEB
Наличие сканов в содержимом раздачи: нет
Треклист:
01. Anthropozoophilia 05:12
02. Good Intentions 08:02
03. The Man With One Ball 07:02
04. Fuckir 08:11
05. Uterine Prolapse 06:52
06. Cellulite Guru 10:38
Released July 1, 2016
Другие мои раздачи на трекере
Жанр: Avant-Garde Jazz, Free Jazz, Noise, Electronics
Год издания: 2016
Издатель (лейбл): Border Of Silence
Номер по каталогу: BOS01
Аудиокодек: FLAC (*.flac)
Тип рипа: tracks
Битрейт аудио: lossless
Продолжительность: 45:57
Источник (релизер): WEB
Наличие сканов в содержимом раздачи: нет
Треклист:
01. Anthropozoophilia 05:12
02. Good Intentions 08:02
03. The Man With One Ball 07:02
04. Fuckir 08:11
05. Uterine Prolapse 06:52
06. Cellulite Guru 10:38
Released July 1, 2016
Состав
Sebastian Smolyn: e-trombone
Artur Smolyn: electronics
Oliver Steidle: drums
In collaboration with
Peter Brötzmann: reeds
Artur Smolyn: electronics
Oliver Steidle: drums
In collaboration with
Peter Brötzmann: reeds
allaboutjazz.com
By MARK CORROTO
****
Published: June 13, 2016
Defibrillator & Peter Brötzmann: Conversations About Not Eating Meat Imagine the fight posters we could create for the various musical boxing matches organized for saxophonist Peter Brötzmann. His profile picture would be facing a fellow competitor with all the relevant statistics—height, weight, reach, and age. The boxing poster image often comes to mind when he grapples with plugged-in artists and those dealing with electronics, as we have here.
His newest collaborations signal a bit of a shift from the now defunct Chicago Tentet, to spread his sound into various satellite outfits, duos with Heather Leigh, Jason Adasiewicz, or Peeter Uuskyla, trios with Steve Swell and Paal Nilssen-Love or John Edwards and Steve Noble, and also a renewed interest in solo performance.
With Defibrillator, the great man squares off against drummer Oliver Steidle (Peter Van Huffel's The Scrambling Ex), the e-trombone of Sebastian Smolyn and the electronics of Artur Smolyn. The poster would read Brötzmann, height: 5'9," weight: heavyweight, reach: all genres, age: eternal.
There is, of course, the obligatory noise here, and by noise I mean the convergence of heavy weights. The thunderous electronics of both Smolyns act as a wall of sound on the opener "Anthropozoophilia," which Brötzmann endeavors to blow down. Same for "Fuckir," which comes at the ears more like Keiji Haino's guitar than a trombone sound. Steidle's hardcore free drumming lays down a thick emollient layer of vibration. But he also applies a salve of brushes and ticks to a piece like "Uterine Prolapse," which opens with Brötzmann's plaintive call. The eerie soundscape that follows equates to a post- apocalypse soundtrack. For all the burn and tumble of "The Man With One Ball," there is a bluesy touch to "Cellulite Guru" with Sebastian Smolyn's e-trombone solo inviting Brotzmann to deliver a fire brand sermon on the album's knockout collaborative centerpiece.
****
Published: June 13, 2016
Defibrillator & Peter Brötzmann: Conversations About Not Eating Meat Imagine the fight posters we could create for the various musical boxing matches organized for saxophonist Peter Brötzmann. His profile picture would be facing a fellow competitor with all the relevant statistics—height, weight, reach, and age. The boxing poster image often comes to mind when he grapples with plugged-in artists and those dealing with electronics, as we have here.
His newest collaborations signal a bit of a shift from the now defunct Chicago Tentet, to spread his sound into various satellite outfits, duos with Heather Leigh, Jason Adasiewicz, or Peeter Uuskyla, trios with Steve Swell and Paal Nilssen-Love or John Edwards and Steve Noble, and also a renewed interest in solo performance.
With Defibrillator, the great man squares off against drummer Oliver Steidle (Peter Van Huffel's The Scrambling Ex), the e-trombone of Sebastian Smolyn and the electronics of Artur Smolyn. The poster would read Brötzmann, height: 5'9," weight: heavyweight, reach: all genres, age: eternal.
There is, of course, the obligatory noise here, and by noise I mean the convergence of heavy weights. The thunderous electronics of both Smolyns act as a wall of sound on the opener "Anthropozoophilia," which Brötzmann endeavors to blow down. Same for "Fuckir," which comes at the ears more like Keiji Haino's guitar than a trombone sound. Steidle's hardcore free drumming lays down a thick emollient layer of vibration. But he also applies a salve of brushes and ticks to a piece like "Uterine Prolapse," which opens with Brötzmann's plaintive call. The eerie soundscape that follows equates to a post- apocalypse soundtrack. For all the burn and tumble of "The Man With One Ball," there is a bluesy touch to "Cellulite Guru" with Sebastian Smolyn's e-trombone solo inviting Brotzmann to deliver a fire brand sermon on the album's knockout collaborative centerpiece.
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