(Avant-Garde Jazz, Free Improvisation, Intakt) [WEB] Lotte Anker & Fred Frith - Edge Of The Light - 2014, FLAC (tracks), lossless
Издатель (лейбл):
Lotte Anker & Fred Frith / Edge Of The Light
Жанр: Avant-Garde Jazz, Free Improvisation, Intakt
Носитель: WEB
Год издания: 2014
Издатель (лейбл): Intakt Records
Номер по каталогу: Intakt CD 237
Страна исполнителя (группы): Denmark, UK
Аудиокодек: FLAC (*.flac)
Тип рипа: tracks
Битрейт аудио: lossless
Продолжительность: 57:03
Источник (релизер): WEB
Наличие сканов в содержимом раздачи:
Треклист:
1 Anchor Point
2 Run Don't Hide
3 Reasonably Available Control Measure
4 The Mountain Is As Quiet As The Eternal Past
5 Non-precision Approach Procedure
6 Thief Breaks Into An Empty House
7 The Same Dirt
8 Hallucinating Angels
Доп. информация:
Жанр: Avant-Garde Jazz, Free Improvisation, Intakt
Носитель: WEB
Год издания: 2014
Издатель (лейбл): Intakt Records
Номер по каталогу: Intakt CD 237
Страна исполнителя (группы): Denmark, UK
Аудиокодек: FLAC (*.flac)
Тип рипа: tracks
Битрейт аудио: lossless
Продолжительность: 57:03
Источник (релизер): WEB
Наличие сканов в содержимом раздачи:
Треклист:
1 Anchor Point
2 Run Don't Hide
3 Reasonably Available Control Measure
4 The Mountain Is As Quiet As The Eternal Past
5 Non-precision Approach Procedure
6 Thief Breaks Into An Empty House
7 The Same Dirt
8 Hallucinating Angels
Лог создания рипа
Лог проверки качества
d:\>d:\aucdtect -d/-m0 d:\zzz\*.wav
auCDtect: CD records authenticity detector, version 0.8.2
Copyright (c) 2004 Oleg Berngardt. All rights reserved.
Copyright (c) 2004 Alexander Djourik. All rights reserved.
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Processing file: [01. Anchor Point.wav]
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This track looks like CDDA with probability 100%
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Processing file: [02. Run Don't Hide.wav]
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This track looks like CDDA with probability 100%
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Processing file: [03. Reasonably Available Control Measures.wav]
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This track looks like CDDA with probability 100%
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Processing file: [04. The Mountain Is as Quiet as the Eternal Past.wav]
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This track looks like CDDA with probability 100%
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Processing file: [05. Non-Precision Approach Procedure.wav]
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This track looks like CDDA with probability 100%
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Processing file: [06. Thief Breaks Into an Empty House.wav]
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This track looks like CDDA with probability 100%
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Processing file: [07. The Same Dirt.wav]
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This track looks like CDDA with probability 100%
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Processing file: [08. Hallucinating Angels.wav]
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Final Conclusion:
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These tracks looks like CDDA with probability 100%
Album Info & Musicians' Notes
Recorded at Village Recording, Copenhagen, July 11, 2010.
July 11, 2010: Sunday in Copenhagen and last day of the annual (ten days long and intense) Copenhagen Jazz Festival. Today is also the World Cup Final in Johannesburg: Holland vs Spain. Oppressively hot, thunder in the air. Fred and I are in the Village Studio a little outside Copenhagen for a session, after having played a duo concert at CJF a couple of days before. No predetermined concepts or plans – just playing. Guitar and saxophone: I love playing with stringed instruments, and especially with Fred's sound(s). It's really easy to blend with but it can still also be edgy. The energy and the changing worlds and forms felt extremely clear that afternoon. Landscapes you could easily move in and out of – slow or with abrupt changes – like in dreams. But real and present. Four hours in our own timeless bubble. A bubble that was small, but in a way also vast. Back in the city. Later that day Marilyn Crispell calls and says she's arranged a Cup Final party in my apartment (where she is staying) for a few 'homeless' musicians in town in connection with the CJF: Crispell herself, Gerald Cleaver, Carla Rodea, Okkyung Lee, Michael Formanek and a couple of Danes. Fred and I join, drinking canned beer and rooting for Spain… After the match the entire city is partying down.
Many worlds in one day, some of them captured here… - Lotte Anker
In the last few years I seem to have gravitated every summer to Copenhagen – sometimes for some teaching at the so-called "rhythm academy" but mostly to work in a variety of contexts with Lotte Anker, who I've come to consider the musical soul of the city. We started out in a quartet with Ikue Mori and Sylvie Courvoisier, two old friends who helped bring us together in the first place, and meanwhile we've played in quite a few different configurations. These days, though, we mostly work as a duo. The duo is my favorite form anyway, because it embodies ideas – about meeting, conversing, challenging each other, changing your mind, not changing your mind, running together for the fun of it – that are mostly pretty uncomplicated. And I can't think of many musicians with whom I felt such an immediate rapport as I did the first time I played with Lotte.
Making music together felt and feels so natural and logical it really does seem as if the music is simply there, and all we have to do is get out of the way and let it be. Intensely easy going, obstinately flexible, convolutedly simple, strangely obvious, I can't really explain it. All I know is, it feels like coming home. No explanation necessary. - Fred Frith
July 11, 2010: Sunday in Copenhagen and last day of the annual (ten days long and intense) Copenhagen Jazz Festival. Today is also the World Cup Final in Johannesburg: Holland vs Spain. Oppressively hot, thunder in the air. Fred and I are in the Village Studio a little outside Copenhagen for a session, after having played a duo concert at CJF a couple of days before. No predetermined concepts or plans – just playing. Guitar and saxophone: I love playing with stringed instruments, and especially with Fred's sound(s). It's really easy to blend with but it can still also be edgy. The energy and the changing worlds and forms felt extremely clear that afternoon. Landscapes you could easily move in and out of – slow or with abrupt changes – like in dreams. But real and present. Four hours in our own timeless bubble. A bubble that was small, but in a way also vast. Back in the city. Later that day Marilyn Crispell calls and says she's arranged a Cup Final party in my apartment (where she is staying) for a few 'homeless' musicians in town in connection with the CJF: Crispell herself, Gerald Cleaver, Carla Rodea, Okkyung Lee, Michael Formanek and a couple of Danes. Fred and I join, drinking canned beer and rooting for Spain… After the match the entire city is partying down.
Many worlds in one day, some of them captured here… - Lotte Anker
In the last few years I seem to have gravitated every summer to Copenhagen – sometimes for some teaching at the so-called "rhythm academy" but mostly to work in a variety of contexts with Lotte Anker, who I've come to consider the musical soul of the city. We started out in a quartet with Ikue Mori and Sylvie Courvoisier, two old friends who helped bring us together in the first place, and meanwhile we've played in quite a few different configurations. These days, though, we mostly work as a duo. The duo is my favorite form anyway, because it embodies ideas – about meeting, conversing, challenging each other, changing your mind, not changing your mind, running together for the fun of it – that are mostly pretty uncomplicated. And I can't think of many musicians with whom I felt such an immediate rapport as I did the first time I played with Lotte.
Making music together felt and feels so natural and logical it really does seem as if the music is simply there, and all we have to do is get out of the way and let it be. Intensely easy going, obstinately flexible, convolutedly simple, strangely obvious, I can't really explain it. All I know is, it feels like coming home. No explanation necessary. - Fred Frith
Состав
Electric Guitar – Fred Frith
Saxophones – Lotte Anker
Saxophones – Lotte Anker
Any questions - projazzclub@gmail.com
This album is available on our DC++ hub: dchub://hub.pro-jazz.com:7777
This album is available on our DC++ hub: dchub://hub.pro-jazz.com:7777