(Avant-Garde Jazz, Free Improvisation) [CD] The Wild Mans Band (Peter Brotzmann, Peter Friis Nielsen, Peter Ole Jorgensen, Pierre Dorge) - The Darkest River - 2003, FLAC (tracks+.cue), lossless

Exact Audio Copy V1.0 beta 3 from 29. August 2011
EAC extraction logfile from 14. October 2016, 16:22
The Wild Mans Band / The Darkest River
Used drive  : ASUS    DRW-24F1ST   a   Adapter: 0  ID: 0
Read mode               : Secure
Utilize accurate stream : Yes
Defeat audio cache      : Yes
Make use of C2 pointers : No
Read offset correction                      : 6
Overread into Lead-In and Lead-Out          : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks   : No
Null samples used in CRC calculations       : Yes
Used interface                              : Native Win32 interface for Win NT & 2000
Gap handling                                : Appended to previous track
Used output format              : User Defined Encoder
Selected bitrate                : 320 kBit/s
Quality                         : High
Add ID3 tag                     : No
Command line compressor         : D:\Programs\Exact Audio Copy\Flac\flac.exe
Additional command line options : -V -8 -T "Genre=%genre%" -T "Artist=%artist%" -T "Title=%title%" -T "Album=%albumtitle%" -T "Date=%year%" -T "Tracknumber=%tracknr%" -T "Comment=%comment%" %source%
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        1  |  0:00.00 |  7:21.06 |         0    |    33080
        2  |  7:21.06 |  9:38.55 |     33081    |    76485
        3  | 16:59.61 |  5:14.03 |     76486    |   100038
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        5  | 26:32.68 |  5:25.26 |    119468    |   143868
        6  | 31:58.19 | 19:15.53 |    143869    |   230546
        7  | 51:13.72 |  9:05.40 |    230547    |   271461
        8  | 60:19.37 |  2:27.04 |    271462    |   282490
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Track  3
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None of the tracks are present in the AccurateRip database
No errors occurred
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==== Log checksum F80267C1802049C7348FC6CACF31A52BEC949354572037E583F4AA9744D3DB33 ====

REM GENRE Jazz
REM DATE 2001
REM DISCID 570EB608
REM COMMENT "ExactAudioCopy v1.0b3"
PERFORMER "The Wild Mans Band"
TITLE "The Darkest River "
FILE "01 Eastern Messenger.wav" WAVE
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    TITLE "Eastern Messenger"
    PERFORMER "The Wild Mans Band"
    ISRC DKFDE0300201
    INDEX 01 00:00:00
  TRACK 02 AUDIO
    TITLE "Old Men's Pleasure"
    PERFORMER "The Wild Mans Band"
    ISRC DKFDE0300202
    INDEX 00 07:15:19
FILE "02 Old Men's Pleasure.wav" WAVE
    INDEX 01 00:00:00
  TRACK 03 AUDIO
    TITLE "The Darkest River"
    PERFORMER "The Wild Mans Band"
    ISRC DKFDE0300203
    INDEX 00 09:31:74
FILE "03 The Darkest River.wav" WAVE
    INDEX 01 00:00:00
  TRACK 04 AUDIO
    TITLE "Aeolus"
    PERFORMER "The Wild Mans Band"
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FILE "04 Aeolus.wav" WAVE
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    INDEX 01 00:00:00
  TRACK 06 AUDIO
    TITLE "Bioluminescence"
    PERFORMER "The Wild Mans Band"
    ISRC DKFDE0300206
    INDEX 00 05:20:26
FILE "06 Bioluminescence.wav" WAVE
    INDEX 01 00:00:00
  TRACK 07 AUDIO
    TITLE "Dead Water"
    PERFORMER "The Wild Mans Band"
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FILE "07 Dead Water.wav" WAVE
    INDEX 01 00:00:00
  TRACK 08 AUDIO
    TITLE "Rafting"
    PERFORMER "The Wild Mans Band"
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FILE "08 Rafting.wav" WAVE
    INDEX 01 00:00:00

This is the fourth in a series of recordings by The Wild Mans Band, the second and third with guests: trombonist Johannes Bauer and saxophonist Mats Gustafsson, and this with guitarist Pierre Dørge.
The music is freely improvised, its energetic, linear character harkening back to the free jazz world of Frank Wright and Albert Ayler. Not surprising considering the history of Peter Brötzmann. Since his legendary recording, Machine Gun, 35 years ago, early recorded evidence of a new European improvised music, he has maintained and cultivated his personal brawny brawling style.
His use of various wind instruments creates selective attitudes through their inherent characters; his taragota insinuating the middle east, his bass clarinet described by "Aeolus" the mythic god of wind, and his alto and tenor saxophones persistently rough and strident.
This of course is not a one man band, as is clear from the marvellous interaction among them all. Pierre Dørge's experience in many music forms - his guitar ranging from lazily loping crystalline soundscapes to the occasional scorching squall resting on the edge of free rock - contributes considerably.
The centre-piece of this recording, the extended "Biolumescence" 19:10 - the other seven songs ranging in time from 2:25 to 9:31 - could conceivably be perceived as a suite. A delicate, melodic, song-filled line with a ghostly interior that progressively expands through Dørge's guitar into skittering rapid fragments that eventually peak in a conflagration of ferocious energy.

Alto Saxophone, Tenor Saxophone, Bass Clarinet, Tárogató – Peter Brötzmann
Bass – Peter Friis Nielsen
Drums – Peter Ole Jørgensen
Guitar – Pierre Dørge