(Avant-Garde Jazz, Free Improvisation) [CD] Kalle Kalima & K-18 (Mikko Innanen, Veli Kujala, Teppo Hauta-aho) - Out To Lynch - 2012, FLAC (tracks+.cue), lossless
Kalle Kalima & K-18 / Out To Lynch
Жанр: Avant-Garde Jazz, Free Improvisation
Носитель: CD
Страна-производитель диска (релиза): Finland
Год издания: 2012
Издатель (лейбл): TUM Records
Номер по каталогу: TUM CD 030
Аудиокодек: FLAC (*.flac)
Тип рипа: tracks+.cue
Битрейт аудио: lossless
Продолжительность: 64:37
Источник (релизер): whatcd (Negative_Creep)
Наличие сканов в содержимом раздачи: нет
Треклист:
1. BOB 07:20
2. The Elephant Man 02:51
3. Mulholland Drive 04:10
4. Laura Palmer 08:19
5. Eraserhead 06:04
6. Lula Pace Fortune 06:22
7. Alvin Straight 04:46
8. The Mystery Man 06:52
9. Agent Cooper 02:41
10. Sailor 05:43
11. The Man From Another Place 00:35
12. Frank Booth 08:54
Доп. информация: Recorded Studio P4 in Berlin, Germany, on May 2 & 3, 2011.
Жанр: Avant-Garde Jazz, Free Improvisation
Носитель: CD
Страна-производитель диска (релиза): Finland
Год издания: 2012
Издатель (лейбл): TUM Records
Номер по каталогу: TUM CD 030
Аудиокодек: FLAC (*.flac)
Тип рипа: tracks+.cue
Битрейт аудио: lossless
Продолжительность: 64:37
Источник (релизер): whatcd (Negative_Creep)
Наличие сканов в содержимом раздачи: нет
Треклист:
1. BOB 07:20
2. The Elephant Man 02:51
3. Mulholland Drive 04:10
4. Laura Palmer 08:19
5. Eraserhead 06:04
6. Lula Pace Fortune 06:22
7. Alvin Straight 04:46
8. The Mystery Man 06:52
9. Agent Cooper 02:41
10. Sailor 05:43
11. The Man From Another Place 00:35
12. Frank Booth 08:54
Лог создания рипа
Exact Audio Copy V1.0 beta 2 from 29. April 2011
EAC extraction logfile from 7. June 2013, 13:14
Kalle Kalima & K-18 / Out to Lynch
Used drive : TSSTcorpCDDVDW SH-S223L Adapter: 1 ID: 1
Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No
Read offset correction : 6
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Native Win32 interface for Win NT & 2000
Gap handling : Appended to previous track
Used output format : User Defined Encoder
Selected bitrate : 896 kBit/s
Quality : High
Add ID3 tag : No
Command line compressor : C:\Program Files (x86)\Exact Audio Copy\Flac\flac.exe
Additional command line options : -8 -V -T "ARTIST=%artist%" -T "TITLE=%title%" -T "ALBUM=%albumtitle%" -T "DATE=%year%" -T "TRACKNUMBER=%tracknr%" -T "GENRE=%genre%" -T "PERFORMER=%albuminterpret%" -T "COMPOSER=%composer%" %haslyrics%--tag-from-file=LYRIC
TOC of the extracted CD
Track | Start | Length | Start sector | End sector
---------------------------------------------------------
1 | 0:00.00 | 7:19.45 | 0 | 32969
2 | 7:19.45 | 2:51.05 | 32970 | 45799
3 | 10:10.50 | 4:10.12 | 45800 | 64561
4 | 14:20.62 | 8:19.00 | 64562 | 101986
5 | 22:39.62 | 6:04.36 | 101987 | 129322
6 | 28:44.23 | 6:22.01 | 129323 | 157973
7 | 35:06.24 | 4:45.50 | 157974 | 179398
8 | 39:51.74 | 6:52.12 | 179399 | 210310
9 | 46:44.11 | 2:41.05 | 210311 | 222390
10 | 49:25.16 | 5:43.05 | 222391 | 248120
11 | 55:08.21 | 0:35.08 | 248121 | 250753
12 | 55:43.29 | 8:53.52 | 250754 | 290780
Track 1
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Track 2
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Track 3
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Track 4
Filename M:\Music\What 7\Kalle Kalima & K-18 - Out to Lynch (2012) [FLAC]\04 - Laura Palmer.wav
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Track 5
Filename M:\Music\What 7\Kalle Kalima & K-18 - Out to Lynch (2012) [FLAC]\05 - Eraserhead.wav
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Track 6
Filename M:\Music\What 7\Kalle Kalima & K-18 - Out to Lynch (2012) [FLAC]\06 - Lula Pace Fortune.wav
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Track 7
Filename M:\Music\What 7\Kalle Kalima & K-18 - Out to Lynch (2012) [FLAC]\07 - Alvin Straight.wav
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Track 8
Filename M:\Music\What 7\Kalle Kalima & K-18 - Out to Lynch (2012) [FLAC]\08 - The Mystery Man.wav
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Track 9
Filename M:\Music\What 7\Kalle Kalima & K-18 - Out to Lynch (2012) [FLAC]\09 - Agent Cooper.wav
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Track 10
Filename M:\Music\What 7\Kalle Kalima & K-18 - Out to Lynch (2012) [FLAC]\10 - Sailor.wav
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Track 11
Filename M:\Music\What 7\Kalle Kalima & K-18 - Out to Lynch (2012) [FLAC]\11 - The Man From Another Place.wav
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Track 12
Filename M:\Music\What 7\Kalle Kalima & K-18 - Out to Lynch (2012) [FLAC]\12 - Frank Booth.wav
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None of the tracks are present in the AccurateRip database
No errors occurred
End of status report
==== Log checksum B3211C1F06F275989E3D71F9F61BAA7D758864039E72CA60E6E87C4C07B7B591 ====
Содержание индексной карты (.CUE)
REM GENRE Jazz
REM DATE 2012
REM DISCID 990F250C
REM COMMENT "ExactAudioCopy v1.0b2"
PERFORMER "Kalle Kalima & K-18"
TITLE "Out to Lynch"
FILE "01 - BOB.wav" WAVE
TRACK 01 AUDIO
TITLE "BOB"
PERFORMER "Kalle Kalima & K-18"
INDEX 01 00:00:00
FILE "02 - The Elephant Man.wav" WAVE
TRACK 02 AUDIO
TITLE "The Elephant Man"
PERFORMER "Kalle Kalima & K-18"
INDEX 01 00:00:00
FILE "03 - Mulholland Drive.wav" WAVE
TRACK 03 AUDIO
TITLE "Mulholland Drive"
PERFORMER "Kalle Kalima & K-18"
INDEX 01 00:00:00
FILE "04 - Laura Palmer.wav" WAVE
TRACK 04 AUDIO
TITLE "Laura Palmer"
PERFORMER "Kalle Kalima & K-18"
INDEX 01 00:00:00
FILE "05 - Eraserhead.wav" WAVE
TRACK 05 AUDIO
TITLE "Eraserhead"
PERFORMER "Kalle Kalima & K-18"
INDEX 01 00:00:00
FILE "06 - Lula Pace Fortune.wav" WAVE
TRACK 06 AUDIO
TITLE "Lula Pace Fortune"
PERFORMER "Kalle Kalima & K-18"
INDEX 01 00:00:00
FILE "07 - Alvin Straight.wav" WAVE
TRACK 07 AUDIO
TITLE "Alvin Straight"
PERFORMER "Kalle Kalima & K-18"
INDEX 01 00:00:00
FILE "08 - The Mystery Man.wav" WAVE
TRACK 08 AUDIO
TITLE "The Mystery Man"
PERFORMER "Kalle Kalima & K-18"
INDEX 01 00:00:00
FILE "09 - Agent Cooper.wav" WAVE
TRACK 09 AUDIO
TITLE "Agent Cooper"
PERFORMER "Kalle Kalima & K-18"
INDEX 01 00:00:00
FILE "10 - Sailor.wav" WAVE
TRACK 10 AUDIO
TITLE "Sailor"
PERFORMER "Kalle Kalima & K-18"
INDEX 01 00:00:00
FILE "11 - The Man From Another Place.wav" WAVE
TRACK 11 AUDIO
TITLE "The Man From Another Place"
PERFORMER "Kalle Kalima & K-18"
INDEX 01 00:00:00
FILE "12 - Frank Booth.wav" WAVE
TRACK 12 AUDIO
TITLE "Frank Booth"
PERFORMER "Kalle Kalima & K-18"
INDEX 01 00:00:00
Об альбоме (сборнике)
Berlin-based, Finnish guitarist Kalle Kalima continues to project his aural impressions of the world of movies. This time he focuses on the eccentric characters and locations from the films of David Lynch, following his abstractions of director Stanley Kubrick on Some Kubricks of Blood (TUM, 2009). Kalima is not attempting to re-score or rearrange the original soundtracks from these films. Instead, he exposes his feelings while watching these films, in some cases twenty years later, and filters these initial feelings through his rich and inclusive musical vocabulary that reference jazz improvisation. modern contemporary music and avant-rock.
Crucial to the success of this project is the unique instrumentation of Kallima's K-18 (Finnish for a film "not allowed for viewers under the age of 18") quartet—veteran double bassist Teppo Hauta-aho, quarter-tone accordionist Trio Chaud with Veli Kujala in Helsinki Finland, and saxophonist and musical partner of Kalima, Mikko Innanen. The quarter creates a collective, unique and open sound—often eccentric and suggestive, addressing certain characteristics of the figures that populate Lynch films. Kalima even chose, for this project, a recording studio that could have been an ideal setting for one of Lynch's films— an old venue located in the outskirts of East Berlin, a relic of the totalitarian German Democratic Republic (DDR) that has since succumbed to an anarchistic beehive of artists.
Kalima manages to create a sonic experience close to the visual—a wild, winding ride, populated with colorful, dreamy scenes and weird images and dark figures, rich in details and nuances and both surprising and distressing in turns. Similar to the experience of watching Lynch films, these short compositions are structured like the Russian matuschkas dolls, as elaborate puzzles. They demand repeated listening that allow the exploration of their many layers.
The compositions that are dedicated to characters from the television series Twin peaks (1990-91) stress its essential, surreal atmosphere of, but with doses of macabre humor and few horrific and violent climaxes. The silent improvisation on "The Elephant Man," inspired by the 1980 film, fits the tormented vulnerability of the main character. "Mulholland Drive," after the 2001 film, is an imaginary, psychedelic trip through Hollywood. "Eraserhead," inspired by Lynch's 1977 commercial film debut, introduces a twisted African motive as surreal as the film's mutant character. The dedications to the lovers of Wild at Heart (1990) are intimate and sensual, while "Alvin Straight," the hero of 1990 Straight Story, maintains the simplicity of its narrative with a gentle ballad. "The Mystery Man," inspired 1997's Lost Highway, presents the existential crisis of the hero through the four musicians, all with equal roles, talking at once. "Frank Booth," after the disturbed hero of 1986's Blue Velvet, is personified by Innanen's schizophrenic baritone sax, often ruthless and vicious, but elsewhere affectionate and gentle.
Mystical and poetic achievement.
Crucial to the success of this project is the unique instrumentation of Kallima's K-18 (Finnish for a film "not allowed for viewers under the age of 18") quartet—veteran double bassist Teppo Hauta-aho, quarter-tone accordionist Trio Chaud with Veli Kujala in Helsinki Finland, and saxophonist and musical partner of Kalima, Mikko Innanen. The quarter creates a collective, unique and open sound—often eccentric and suggestive, addressing certain characteristics of the figures that populate Lynch films. Kalima even chose, for this project, a recording studio that could have been an ideal setting for one of Lynch's films— an old venue located in the outskirts of East Berlin, a relic of the totalitarian German Democratic Republic (DDR) that has since succumbed to an anarchistic beehive of artists.
Kalima manages to create a sonic experience close to the visual—a wild, winding ride, populated with colorful, dreamy scenes and weird images and dark figures, rich in details and nuances and both surprising and distressing in turns. Similar to the experience of watching Lynch films, these short compositions are structured like the Russian matuschkas dolls, as elaborate puzzles. They demand repeated listening that allow the exploration of their many layers.
The compositions that are dedicated to characters from the television series Twin peaks (1990-91) stress its essential, surreal atmosphere of, but with doses of macabre humor and few horrific and violent climaxes. The silent improvisation on "The Elephant Man," inspired by the 1980 film, fits the tormented vulnerability of the main character. "Mulholland Drive," after the 2001 film, is an imaginary, psychedelic trip through Hollywood. "Eraserhead," inspired by Lynch's 1977 commercial film debut, introduces a twisted African motive as surreal as the film's mutant character. The dedications to the lovers of Wild at Heart (1990) are intimate and sensual, while "Alvin Straight," the hero of 1990 Straight Story, maintains the simplicity of its narrative with a gentle ballad. "The Mystery Man," inspired 1997's Lost Highway, presents the existential crisis of the hero through the four musicians, all with equal roles, talking at once. "Frank Booth," after the disturbed hero of 1986's Blue Velvet, is personified by Innanen's schizophrenic baritone sax, often ruthless and vicious, but elsewhere affectionate and gentle.
Mystical and poetic achievement.
Состав
Accordion [Quarter-tone], Percussion – Veli Kujala
Alto Saxophone, Baritone Saxophone, Flute [Flutes], Percussion – Mikko Innanen
Double Bass, Percussion, Performer [Doors] – Teppo Hauta-aho
Electric Guitar, Percussion – Kalle Kalima
Alto Saxophone, Baritone Saxophone, Flute [Flutes], Percussion – Mikko Innanen
Double Bass, Percussion, Performer [Doors] – Teppo Hauta-aho
Electric Guitar, Percussion – Kalle Kalima
Any questions - projazzclub@gmail.com
This album is available on our DC++ hub: dchub://hub.pro-jazz.com:7777
This album is available on our DC++ hub: dchub://hub.pro-jazz.com:7777