(Avant-Garde Jazz, ECM Style) [LP][24/96] Keith Jarrett - The Survivors' Suite - 1977 (Original pressing), FLAC (tracks)
![(Avant-Garde Jazz, ECM Style) [LP][24/96] Keith Jarrett - The Survivors' Suite - 1977 (Original pressing), FLAC (tracks)](/upload/000/u2/c2/fd/96-keith-jarrett-the-su.jpg "(Avant-Garde Jazz, ECM Style) [LP][24/96] Keith Jarrett - The Survivors' Suite - 1977 (Original pressing), FLAC (tracks)")
Треклист:
Keith Jarrett - The Survivors' Suite
Жанр: Avant-Garde Jazz, ECM Style
Год выпуска: 1977
Лейбл: ECM – ECM 1085 (Original pressing)
Страна-производитель: Germany
Аудио кодек: FLAC
Тип рипа: tracks
Формат записи: 32/96
Формат раздачи: 24/96
Продолжительность: 48:35
Треклист:
Side One:
A The Survivors' Suite (Beginning) (27:14)
Side Two:
B The Survivors' Suite (Conclusion) (21:20)
Personnel:
– Keith Jarrett - piano, soprano sax, bass recorder, celeste, osi drums
– Dewey Redman - tenor saxophone, percussion
– Charlie Haden - bass
– Paul Motian - drums, percussion
Recorded April 1976 at Tonstudio Bauer, Ludwigsburg, Germany
Engineer – Martin Wieland
Originally released in 1977 by ECM Records (GER), LP - ECM 1085
Источник оцифровки: третьим лицом
Код класса состояния винила: Неизвестно
Жанр: Avant-Garde Jazz, ECM Style
Год выпуска: 1977
Лейбл: ECM – ECM 1085 (Original pressing)
Страна-производитель: Germany
Аудио кодек: FLAC
Тип рипа: tracks
Формат записи: 32/96
Формат раздачи: 24/96
Продолжительность: 48:35
Треклист:
Side One:
A The Survivors' Suite (Beginning) (27:14)
Side Two:
B The Survivors' Suite (Conclusion) (21:20)
Personnel:
– Keith Jarrett - piano, soprano sax, bass recorder, celeste, osi drums
– Dewey Redman - tenor saxophone, percussion
– Charlie Haden - bass
– Paul Motian - drums, percussion
Recorded April 1976 at Tonstudio Bauer, Ludwigsburg, Germany
Engineer – Martin Wieland
Originally released in 1977 by ECM Records (GER), LP - ECM 1085
Источник оцифровки: третьим лицом
Код класса состояния винила: Неизвестно
Ripping Info:
This LP’s school report: (A)
Absolutely lovely German ECM pressing, and you know how good they can be.
Deadwax info:
A: N/A / B: N/A
Equipment:
* VPI HW-17F Vacuum Record Cleaner
* Technics SL 1210 MKII T/T
* Rega RB 300 Tonearm
* Denon DL304 M/C Cartridge
* Cambridge Audio AZUR640P M/C Stage
* M-Audio Profire 610 A/D,
* Adobe audition 3.0
Method:
Clean records on Vpi, rip (PCM@96/32), remove inaudible subsonic (0Hz to 17Hz ~ 0db, sloped filter from 17Hz to 20Hz)
Manual and carefully targeted automatic de-clicking in Adobe Audition using custom scripts and presets. I make sure this doesn’t damage natural clicks.
Occasional use of noise masking techniques such as ‘footprint’ sampling the groove noise and fading to mono during track changes, etc.
Normalize whole sides to 100% (After deciding if the sides are cut the same), Split tracks, FLAC, MD5, M3U, Discogs Tagging, DR, RAR, +Redbook (16-bit dithered in Audition), FTP
Absolutely lovely German ECM pressing, and you know how good they can be.
Deadwax info:
A: N/A / B: N/A
Equipment:
* VPI HW-17F Vacuum Record Cleaner
* Technics SL 1210 MKII T/T
* Rega RB 300 Tonearm
* Denon DL304 M/C Cartridge
* Cambridge Audio AZUR640P M/C Stage
* M-Audio Profire 610 A/D,
* Adobe audition 3.0
Method:
Clean records on Vpi, rip (PCM@96/32), remove inaudible subsonic (0Hz to 17Hz ~ 0db, sloped filter from 17Hz to 20Hz)
Manual and carefully targeted automatic de-clicking in Adobe Audition using custom scripts and presets. I make sure this doesn’t damage natural clicks.
Occasional use of noise masking techniques such as ‘footprint’ sampling the groove noise and fading to mono during track changes, etc.
Normalize whole sides to 100% (After deciding if the sides are cut the same), Split tracks, FLAC, MD5, M3U, Discogs Tagging, DR, RAR, +Redbook (16-bit dithered in Audition), FTP
Dynamic Range Analysis:
=======================================================================
--------------------------------------------------------------------------------
Analyzed: Keith Jarrett / The Survivors' Suite
--------------------------------------------------------------------------------
DR Peak RMS Duration Track
--------------------------------------------------------------------------------
DR13 0.00 dB -17.22 dB 27:15 01-The Survivors' Suite (Beginning)
DR13 0.00 dB -15.28 dB 21:21 02-The Survivors' Suite (Conclusion)
--------------------------------------------------------------------------------
Number of tracks: 2
Official DR value: DR13
Samplerate: 96000 Hz
Channels: 2
Bits per sample: 24
Bitrate: 3157 kbps
Codec: FLAC
=======================================================================
--------------------------------------------------------------------------------
Analyzed: Keith Jarrett / The Survivors' Suite
--------------------------------------------------------------------------------
DR Peak RMS Duration Track
--------------------------------------------------------------------------------
DR13 0.00 dB -17.22 dB 27:15 01-The Survivors' Suite (Beginning)
DR13 0.00 dB -15.28 dB 21:21 02-The Survivors' Suite (Conclusion)
--------------------------------------------------------------------------------
Number of tracks: 2
Official DR value: DR13
Samplerate: 96000 Hz
Channels: 2
Bits per sample: 24
Bitrate: 3157 kbps
Codec: FLAC
=======================================================================
