(Avant-Garde / Free Improvisation / Free Jazz) Frank Denyer - Fired City {Tzadik} - 2002, FLAC (tracks+.cue) lossless

Exact Audio Copy V0.99 prebeta 5 from 4. May 2009
EAC extraction logfile from 21. December 2010, 23:28
Frank Denyer / Fired City (Tzadik 7082, 2002)
Used drive  : TSSTcorpDVD+-RW TS-T633A   Adapter: 1  ID: 0
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Null samples used in CRC calculations       : Yes
Used interface                              : Installed external ASPI interface
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TOC of the extracted CD
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        1  |  0:00.00 | 10:58.49 |         0    |    49398
        2  | 10:58.49 | 11:48.71 |     49399    |   102569
        3  | 22:47.45 |  8:02.40 |    102570    |   138759
        4  | 30:50.10 |  5:11.00 |    138760    |   162084
        5  | 36:01.10 |  7:57.58 |    162085    |   197917
        6  | 43:58.68 | 15:16.18 |    197918    |   266635
Track  1
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Track  2
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Track  3
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Track  4
     Filename C:\Users\K Scott Handley\Desktop\Muzik\+++  RIPS\Frank Denyer - 2002 - Fired City (Tzadik 7082, 2002)\04 - The Hanged Fiddler (1972-73).wav
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Track  5
     Filename C:\Users\K Scott Handley\Desktop\Muzik\+++  RIPS\Frank Denyer - 2002 - Fired City (Tzadik 7082, 2002)\05 - Resonances of Ancient Sins (1994).wav
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Track  6
     Filename C:\Users\K Scott Handley\Desktop\Muzik\+++  RIPS\Frank Denyer - 2002 - Fired City (Tzadik 7082, 2002)\06 - Prison Song (1999-2000).wav
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All tracks accurately ripped
No errors occurred
End of status report

REM GENRE Classical
REM DATE 2002
REM DISCID 490DE306
REM COMMENT "ExactAudioCopy v0.99pb5"
PERFORMER "Frank Denyer"
TITLE "Fired City (Tzadik 7082, 2002)"
FILE "Frank Denyer - 2002 - Fired City (Tzadik 7082, 2002)\201 - Towards the Darkness (1988-89).wav" WAVE
  TRACK 01 AUDIO
    TITLE "Towards the Darkness (1988-89)"
    PERFORMER "Frank Denyer"
    INDEX 01 00:00:00
  TRACK 02 AUDIO
    TITLE "Beneath the Fired City (1994-95)"
    PERFORMER "Frank Denyer"
    INDEX 00 10:52:17
FILE "Frank Denyer - 2002 - Fired City (Tzadik 7082, 2002)\202 - Beneath the Fired City (1994-95).wav" WAVE
    INDEX 01 00:00:00
  TRACK 03 AUDIO
    TITLE "Quick, Quick, the Tamberan is Coming (1973)"
    PERFORMER "Frank Denyer"
    INDEX 00 11:47:42
FILE "Frank Denyer - 2002 - Fired City (Tzadik 7082, 2002)\203 - Quick, Quick, the Tamberan is Coming (1973).wav" WAVE
    INDEX 01 00:00:00
  TRACK 04 AUDIO
    TITLE "The Hanged Fiddler (1972-73)"
    PERFORMER "Frank Denyer"
    INDEX 00 08:01:38
FILE "Frank Denyer - 2002 - Fired City (Tzadik 7082, 2002)\204 - The Hanged Fiddler (1972-73).wav" WAVE
    INDEX 01 00:00:00
  TRACK 05 AUDIO
    TITLE "Resonances of Ancient Sins (1994)"
    PERFORMER "Frank Denyer"
    INDEX 00 05:02:22
FILE "Frank Denyer - 2002 - Fired City (Tzadik 7082, 2002)\205 - Resonances of Ancient Sins (1994).wav" WAVE
    INDEX 01 00:00:00
  TRACK 06 AUDIO
    TITLE "Prison Song (1999-2000)"
    PERFORMER "Frank Denyer"
    INDEX 00 07:47:55
FILE "Frank Denyer - 2002 - Fired City (Tzadik 7082, 2002)\206 - Prison Song (1999-2000).wav" WAVE
    INDEX 01 00:00:00

1. Towards the Darkness, for 3 double basses, 3 flutes (tin whistles and plunger flutes) & 2 percussionists (non-standard instruments)
2. Beneath The Fired City, for 2 percussionists (non-standard instruments)
3. Quick, Quick, The Tamberan Is Coming, for 4 bass flutes
4. Hanged Fiddler, for violin, sustaining instrument & percussion
5. The Resonances of Ancient Sins, for octobass flute/alto/flute/piccolo, contrabass saxophone, bass tuba & percussion (wooden box)
6. Prison Song, for alto flute, clarinet, trombone/melodica, muted violin & percussion (non-standard instruments)
Members of The Barton Workshop, dir. Denyer
----
Tzadik:
Composer, theoretician, inventor and instrument builder Frank Denyer is a legendary figure in the Harry Partch/Scelsi tradition. His music is utterly unique and intensely personal, often requiring specialized new instruments of his own design and radical playing techniques. Fired City presents six of his most dynamic compositions in definitive performances supervised by the composer himself. Having worked closely with Denyer for many years, The Barton Workshop is unsurpassed in this repertoire and performs it with passion and a meticulous attention to detail. These very special recordings, the group's best, show various sides of this enigmatic composer, making Fired City the best place to enter Denyer's mysterious and imaginative musical world.
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AMG capsule review:
Like avant-garde outcast Harry Partch, Frank Denyer often scores his works for bizarre combinations of instruments ("Quick, Quick, The Tamberan Is Coming," for example, calls for four bass flutes) and uses instruments of his own creation. And like Partch, Denyer incorporates a variety of types of non-Western music into an odd outsider sound that's simultaneously like all of them and none of them. The frequent pitch sliding and ornamentation on "The Hanged Fiddler," for instance, recall traditional Japanese music (which Denyer has studied extensively), though Denyer's use of phrasing is distinctly his. Elsewhere, Denyer enjoys using extreme differences in register (a typical Denyer piece might call for piccolo along with contrabass saxophone) and heft (the breathy flute meanderings on "Resonances of Ancient Sins" are often interrupted by blasts of tuba and the sound of Elizabeth Hall slapping a wooden box). But the most important feature of this fine collection of Denyer's work is his unusual and lyrical approach to melody, which has as much to do with his studies of non-Western musics as his connections to the avant-garde. ~ Charlie Wilmoth
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A good interview with Denyer (reproduced somewhat less legibly in the txt):
http://www.paristransatlantic.com/magazine/interviews/denyer.html