(Avant-Garde, Experimental, Noise) Keiji Haino (灰野敬二) - Black Blues (Violent Version) - 2004, FLAC (tracks+.cue) lossless

X Lossless Decoder version 20090320 (105.1)
XLD extraction logfile from 2009-05-09 17:50:25 +0200
Keiji Haino / Black Blues (Electric)
Used drive : MATSHITA DVD-R   UJ-846 (revision FAAG)
Use cdparanoia mode     : YES (CDParanoia III 10.2 engine)
Disable audio cache     : OK for the drive with cache less than 2750KB
Make use of C2 pointers : NO
Read offset correction  : 102
Max retry count         : 100
TOC of the extracted CD
     Track |   Start  |  Length  | Start sector | End sector
    ---------------------------------------------------------
        1  | 00:00:00 | 05:41:00 |         0    |    25574
        2  | 05:41:00 | 09:23:20 |     25575    |    67819
        3  | 15:04:20 | 10:53:07 |     67820    |   116801
        4  | 25:57:27 | 04:22:07 |    116802    |   136458
        5  | 30:19:34 | 13:19:06 |    136459    |   196389
        6  | 43:38:40 | 09:52:64 |    196390    |   240853
Track 01
    Filename : /Volumes/LACIE2/FLAC Rips/Keiji Haino - 2005 - Black Blues [FLAC]/01 - Black Petal.flac
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    CRC32 hash             : 38BB40DB
    CRC32 hash (skip zero) : 24DD02A5
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        Duplicated bytes error (maybe fixed) : 0
        Inconsistency in error sectors       : 0
Track 02
    Filename : /Volumes/LACIE2/FLAC Rips/Keiji Haino - 2005 - Black Blues [FLAC]/02 - Black Eyes.flac
    CRC32 hash (test run)  : 73DF09FA
    CRC32 hash             : 73DF09FA
    CRC32 hash (skip zero) : 99E99080
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        Duplicated bytes error (maybe fixed) : 0
        Inconsistency in error sectors       : 0
Track 03
    Filename : /Volumes/LACIE2/FLAC Rips/Keiji Haino - 2005 - Black Blues [FLAC]/03 - Town In Black Fog.flac
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    CRC32 hash             : 98779932
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        Duplicated bytes error (maybe fixed) : 0
        Inconsistency in error sectors       : 0
Track 04
    Filename : /Volumes/LACIE2/FLAC Rips/Keiji Haino - 2005 - Black Blues [FLAC]/04 - I Don't Want To Know.flac
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Track 05
    Filename : /Volumes/LACIE2/FLAC Rips/Keiji Haino - 2005 - Black Blues [FLAC]/05 - Drifting.flac
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    CRC32 hash             : D7EAF0EA
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Track 06
    Filename : /Volumes/LACIE2/FLAC Rips/Keiji Haino - 2005 - Black Blues [FLAC]/06 - See That My Grave Is Kept Clean.flac
    CRC32 hash (test run)  : E8B71388
    CRC32 hash             : E8B71388
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No errors occurred
End of status report

TITLE "Black Blues (Electric)"
PERFORMER "Keiji Haino"
REM GENRE "alternative"
REM DATE 2004
FILE "01 - Black Petal.wav" WAVE
  TRACK 01 AUDIO
    TITLE "Black Petal"
    INDEX 01 00:00:00
  TRACK 02 AUDIO
    TITLE "Black Eyes"
    INDEX 00 05:36:00
FILE "02 - Black Eyes.wav" WAVE
    INDEX 01 00:00:00
  TRACK 03 AUDIO
    TITLE "Town In Black Fog"
    INDEX 00 09:18:20
FILE "03 - Town In Black Fog.wav" WAVE
    INDEX 01 00:00:00
  TRACK 04 AUDIO
    TITLE "I Don't Want To Know"
    INDEX 00 10:48:07
FILE "04 - I Don't Want To Know.wav" WAVE
    INDEX 01 00:00:00
  TRACK 05 AUDIO
    TITLE "Drifting"
    INDEX 00 04:17:07
FILE "05 - Drifting.wav" WAVE
    INDEX 01 00:00:00
  TRACK 06 AUDIO
    TITLE "See That My Grave Is Kept Clean"
    INDEX 00 13:14:06
FILE "06 - See That My Grave Is Kept Clean.wav" WAVE
    INDEX 01 00:00:00

Allmusic review by Francois Couture:
On this cover, Keiji Haino faces right and everything changes -- and if you don't know what this is about, please first read the review of Black Blues (Acoustic). The guitar is still plugged, but now it also sounds plugged, with distortion, and a lot more idiomatic gestures from Haino -- strumming gets jagged at times, with occasional hastily improvised moments, and an overall noisier approach. But the biggest difference resides in the vocal delivery. Whereas his singing on the unplugged Black Blues is extremely quiet and melancholic, here it is shrieking loud and utterly desperate, with signal overload aplenty. The ghost has turned into a banshee. Haino goes through the same six blues covers, but he renews his approach from top to bottom, something evidenced by the significant variations in duration between both albums. For instance, the six-minute unplugged "Town in Black Frog" [sic] lasts close to 11 minutes here. "Black Eyes," 15 minutes when sung quietly, is rounded up in nine. If the songs were quite difficult to recognize before, here they are completely transmogrified. Nothing remains of Blind Lemon Jefferson's "See That My Grave Is Kept Clean" when Haino starts wailing. By cramming too much feeling in the melodies, too much pain and suffering, Haino obliterates their original directness, turning them into something physically disturbing -- worthwhile by and of itself, but with no discernible relation to the originals. Call it "extreme blues," if you will. Or better yet, call it "Keiji Haino." Even though the acoustic and electric versions of Black Blues are sold separately, they are obviously meant to go together, as two sides of the same unpredictable coin.