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(Avant-Garde) B-Shops For The Poor featuring Peter Brotzmann - Visions & Blueprints {No Wave NW CD 2, UK} - 1992, APE (image+.cue) lossless

B-Shops For The Poor featuring Peter Brötzmann - Visions & Blueprints
Жанр: Avant-Garde
Страна-производитель диска: UK
Год издания диска: 1992
Издатель (лейбл): No Wave
Номер по каталогу: NW CD 2
Аудио кодек: APE (*.ape)
Тип рипа: image+.cue
Битрейт аудио: lossless
Продолжительность: 00:55:23
Источник (релизер): у себя тут нашёл ... в арxиваx
Наличие сканов в содержимом раздачи: нет
Треклист:
01. Later Than You Think 3:17
02. 03A 3:40
03. Slanting Hours 2:27
04. Weimar Years 3:21
05. Fear Of Drift 1:05
06. Think Belt 2:48
07. Sigh 3:41
08. Safety Square 2:18
09. Little Judge 3:42
10. Pilot Fish 3:36
11. Order Is 1:18
12. No Statues 8:39
13. Flags In Wounds 2:27
14. Meat First 3:02
15. Out Station 2:09
16. Rotten Elements 2:09
17. Dictaphone Scream 5:35
Personnel:
Jon Dobie - Guitar, Saxophone [Alto], Computing
David Petts - Saxophone [Tenor], Computing
Louise Petts - Saxophone [Alto], Vocals
Steve Blake - Saxophones [Tenor & Soprano]
John Edwards - Bass [Acoustic & Electric]
featuring:
Peter Brötzmann - Saxophone, Tárogató
Produced by Jon Dobie & David Petts
Доп. информация: http://allmusic.com/album/r527777
 
Лог создания рипа (EAC Log)
Exact Audio Copy V0.99 prebeta 4 from 23. January 2008
Отчёт EAC об извлечении, выполненном 14. сентября 2008, 21:31
B-Shops for the Poor & Peter Brotzmann / Visions & Blueprints
Дисковод: _NEC DVD_RW ND-3500AG Adapter: 0 ID: 2
Режим чтения : Достоверность
Использование точного потока : Да
Отключение кэша аудио : Да
Использование указателей C2 : Нет
Коррекция смещения при чтении : 48
Способность читать области Lead-in и Lead-out : Нет
Заполнение пропущенных сэмплов тишиной : Да
Удаление блоков с тишиной в начале и конце : Нет
При вычислениях CRC использовались нулевые сэмплы : Да
Интерфейс : Встроенный Win32-интерфейс для Win NT/2000
Выходной формат : Внутренние WAV-операции
Формат сэмплов : 44.100 Гц; 16 бит; стерео
TOC извлечённого CD
Трек | Старт | Длительность | Начальный сектор | Конечный сектор
---------------------------------------------------------------------
1 | 0:00.00 | 3:17.52 | 0 | 14826
2 | 3:17.52 | 3:40.68 | 14827 | 31394
3 | 6:58.45 | 2:27.60 | 31395 | 42479
4 | 9:26.30 | 3:21.12 | 42480 | 57566
5 | 12:47.42 | 1:05.13 | 57567 | 62454
6 | 13:52.55 | 2:48.47 | 62455 | 75101
7 | 16:41.27 | 3:41.70 | 75102 | 91746
8 | 20:23.22 | 2:18.53 | 91747 | 102149
9 | 22:42.00 | 3:42.52 | 102150 | 118851
10 | 26:24.52 | 3:36.50 | 118852 | 135101
11 | 30:01.27 | 1:18.45 | 135102 | 140996
12 | 31:19.72 | 8:39.58 | 140997 | 179979
13 | 39:59.55 | 2:27.27 | 179980 | 191031
14 | 42:27.07 | 3:02.25 | 191032 | 204706
15 | 45:29.32 | 2:09.68 | 204707 | 214449
16 | 47:39.25 | 2:09.27 | 214450 | 224151
17 | 49:48.52 | 5:35.23 | 224152 | 249299
Характеристики диапазона извлечения и сообщения об ошибках
Выбранный диапазон
Имя файла C:\EAC\B-Shops for the Poor & Peter Brotzmann - Visions & Blueprints\B-Shops for the Poor & Peter Brotzmann - Visions & Blueprints.wav
Пиковый уровень 100.0 %
Качество диапазона 100.0 %
CRC копии 3A5554EC
Копирование... OK
Ошибок не произошло
Конец отчёта
 
Содержание индексной карты (.CUE)
REM GENRE Jazz
REM DISCID EE0CFC11
REM COMMENT "ExactAudioCopy v0.99pb4"
PERFORMER "B-Shops for the Poor & Peter Brotzmann"
TITLE "Visions & Blueprints"
FILE "B-Shops for the Poor & Peter Brotzmann - Visions & Blueprints.ape" WAVE
TRACK 01 AUDIO
TITLE "Later Thank You Think "
PERFORMER "B-Shops for the Poor & Peter Brotzmann"
FLAGS DCP
INDEX 01 00:00:00
TRACK 02 AUDIO
TITLE "03A"
PERFORMER "B-Shops for the Poor & Peter Brotzmann"
FLAGS DCP
INDEX 01 03:17:52
TRACK 03 AUDIO
TITLE "Slanting Hours"
PERFORMER "B-Shops for the Poor & Peter Brotzmann"
FLAGS DCP
INDEX 01 06:58:45
TRACK 04 AUDIO
TITLE "Weimar Years "
PERFORMER "B-Shops for the Poor & Peter Brotzmann"
FLAGS DCP
INDEX 01 09:26:30
TRACK 05 AUDIO
TITLE "Fear of Drift"
PERFORMER "B-Shops for the Poor & Peter Brotzmann"
FLAGS DCP
INDEX 01 12:47:42
TRACK 06 AUDIO
TITLE "Think Belt"
PERFORMER "B-Shops for the Poor & Peter Brotzmann"
FLAGS DCP
INDEX 01 13:52:55
TRACK 07 AUDIO
TITLE "Sigh "
PERFORMER "B-Shops for the Poor & Peter Brotzmann"
FLAGS DCP
INDEX 01 16:41:27
TRACK 08 AUDIO
TITLE "Safety Square"
PERFORMER "B-Shops for the Poor & Peter Brotzmann"
FLAGS DCP
INDEX 01 20:23:22
TRACK 09 AUDIO
TITLE "Little Judge"
PERFORMER "B-Shops for the Poor & Peter Brotzmann"
FLAGS DCP
INDEX 01 22:42:00
TRACK 10 AUDIO
TITLE "Pilot Fish"
PERFORMER "B-Shops for the Poor & Peter Brotzmann"
FLAGS DCP
INDEX 01 26:24:52
TRACK 11 AUDIO
TITLE "Orders"
PERFORMER "B-Shops for the Poor & Peter Brotzmann"
FLAGS DCP
INDEX 01 30:01:27
TRACK 12 AUDIO
TITLE "No Statues"
PERFORMER "B-Shops for the Poor & Peter Brotzmann"
FLAGS DCP
INDEX 01 31:19:72
TRACK 13 AUDIO
TITLE "Flags in Wounds"
PERFORMER "B-Shops for the Poor & Peter Brotzmann"
FLAGS DCP
INDEX 01 39:59:55
TRACK 14 AUDIO
TITLE "Meat First"
PERFORMER "B-Shops for the Poor & Peter Brotzmann"
FLAGS DCP
INDEX 01 42:27:07
TRACK 15 AUDIO
TITLE "Out Station"
PERFORMER "B-Shops for the Poor & Peter Brotzmann"
FLAGS DCP
INDEX 01 45:29:32
TRACK 16 AUDIO
TITLE "Rotten Elements"
PERFORMER "B-Shops for the Poor & Peter Brotzmann"
FLAGS DCP
INDEX 01 47:39:25
TRACK 17 AUDIO
TITLE "Dictaphone Scream"
PERFORMER "B-Shops for the Poor & Peter Brotzmann"
FLAGS DCP
INDEX 01 49:48:52
 
Allmusic Review
B-Shops for the Poor, their name derived from a line by Bertold Brecht, is a rather oddball quintet. Essentially a rock band consisting of four saxophonists (doubling guitar and percussion-generating electronic devices) and a bassist, they extend the British art rock tradition pioneered by Henry Cow and other groups with an even more tangential relationship to rock. For this recording, they enlisted the services of German saxophone titan Peter Brotzmann. At least since his tenure with Last Exit, it had become apparent to a number of musicians that there was an extremely satisfying and rewarding nexus between the impassioned free playing of Brotzmann and the wilder reaches of rock. So here we have the sort of off-kilter rhythmic structures which might be familiar enough to fans of King Crimson serving as a launching pad for Brotzmann's unfettered explorations. While there's a certain pleasure to be derived from such an approach, free jazz listeners are likely to wish for more sympathetic interactions between the players; although John Edwards has played with the likes of Evan Parker, his contributions here are more strictly those of a rock bassist. On the other hand, those looking for viable and imaginative extensions of the rock song format might find much to enjoy. In particular, those songs featuring the vocals of Louise Petts have an interesting and attractive Kurt Weill-ian quality which mixes in nicely with the more free-form elements.
Any questions - projazzclub@gmail.com
This album is available on our DC++ hub: dchub://hub.pro-jazz.com:7777
18:54
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