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(Afro-Cuban Jazz, Modern Jazz) [LP][24/96] Sahib Shihab - Seeds - 1969, FLAC (tracks)

(Afro-Cuban Jazz, Modern Jazz) [LP][24/96] Sahib Shihab - Seeds - 1969, FLAC (tracks)
Sahib Shihab - Seeds
Жанр: Afro-Cuban Jazz, Modern Jazz
Год выпуска: 1969
Лейбл: Schema/Rearward – RW 122LP (Reissue 2008, 180g pressing)
Страна-производитель: Italy
Аудио кодек: FLAC
Тип рипа: tracks
Формат записи: 24/96
Формат раздачи: 24/96
Продолжительность: 36:01
Треклист:
Side One:
A1Seeds (04:05)
A2 Peter's Waltz (05:07)
A4 Who'll Buy My Dream (03:57)
A5 Jay Jay (02:55)
Side Two:
B1 Another Samba (03:06)
B2 My Kind'A World (03:06)
B3 Uma Fita De Tres Cores (03:04)
B4 Mauve (03:05)
B5The Wild Man (03:40)
Personnel:
– Sahib Shihab - baritone sax & flute
– Fats Sadi - vibraphone, marimbaphone & bongos
– Francy Boland - piano
– Jimmy Woode - bass (A1-B3)
– Jean Warland - bass (B4, B5)
– Kenny Clarke - drums
Recorded June 9th, 1968 at Lindström Studios, Cologne
Originally released in 1969 by Vogue Schallplatten (GER), LP - LDVS 17165
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Источник оцифровки: Рип взят из сети. Автор: Аnonymous*
(*по просьбе автора)
Код класса состояния винила: Неизвестно
 
Ripping Info:
Technique:
* Rega RP1 turntable
* Denon DL-110 high output moving coil cartridge
* Graham Slee Gram Amp 2 phono pre
* Tascam US-122 mkII USB interface
* Neutrik interconnects
* Knosti RCM
Soundtrack Pro for recording in 24/96
iZotope RX 2 for declicking and normalizing
Peak Pro 5 for splitting into individual tracks
files fully tagged in iTunes
XLD for FLAC conversion
Fujifilm X100 camera for high-resolution sleeve and label reproductions
Ripping and post processing technique:
I rip one side at a time at a recording level that places the peaks around -6db, as suggested by mastering engineer Barry Diament, in order to minimize distortion inside the ADC. I then painstakingly declick each side, taking various approaches depending on the material. Silence between tracks is treated using higher values in iZotope (‘multiband declicker random’ between 2.0 and 5.0) and musical parts lacking transients with lower values (between 1.0 and 3.0, depending on record condition). On modern recordings, where the declicker might mistake musical information for clicks or pops, declicking is done fully manually by listening to the entire side and observing the spectral view. I then apply fades to beginning and end of sides, and in rare instances where the surface noise is too distracting I also fade each track. Normalizing is done at -.3 db.
No NoNoise or EQ are used in my rips under any circumstances.
 
Dynamic Range Analysis:
==========================================================================
----------------------------------------------------------------------------------------------
Analyzed folder: /Volumes/Musik & Fotos/iTunes Originale/Music/Sahib Shihab/Seeds
----------------------------------------------------------------------------------------------
DR Peak RMS Filename
----------------------------------------------------------------------------------------------
DR13 -3.46 dB -19.20 dB 01 Seeds.m4a
DR13 -0.55 dB -16.23 dB 02 Peter's Waltz.m4a
DR14 -2.08 dB -17.91 dB 03 Set Up.m4a
DR13 -1.50 dB -18.37 dB 04 Who'll Buy My Dream.m4a
DR13 -0.43 dB -17.03 dB 05 Jay Jay.m4a
DR12 -4.89 dB -18.82 dB 06 Another Samba.m4a
DR12 -2.09 dB -15.99 dB 07 My Kind of World.m4a
DR13 -3.84 dB -19.25 dB 08 Uma fita de tres cores.m4a
DR11 -6.42 dB -21.84 dB 09 Mauve.m4a
DR13 -0.59 dB -15.28 dB 10 Wild Man.m4a
----------------------------------------------------------------------------------------------
Number of files: 10
Official DR value: DR13
==========================================================================
 
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Any questions - projazzclub@gmail.com
This album is available on our DC++ hub: dchub://hub.pro-jazz.com:7777
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