(ACT Music, Fusion, Dub, Jazz) [WEB] Eric Schaefer & The Shredz - Bliss - 2016, FLAC (tracks), lossless
Издатель (лейбл):
Eric Schaefer + The Shredz
Bliss
Жанр ☢ Fusion, Dub, Jazz
Год издания ☢ 2016
Издатель (лейбл) ☢ ACT Music
Номер по каталогу ☢ ACT 9818-2
Страна исполнителя (группы) ☢ Germany
Аудиокодек ☢ FLAC (*.flac)
Тип рипа ☢ tracks
Битрейт аудио ☢ lossless
Продолжительность ☢ 42:50
Источник (релизер) ☢ WEB
Наличие сканов ☢ front
Треклист:
1. Abstract Dub
2. Barber
3. Longjam
4. Slomojam
5. Oistrakh
6. No Bottom No Top
7. Shortjam
8. Bliss
Eric Schaefer - drums
John-Dennis Renken - trumpet
Volker Meitz - keyboards
John Eckhardt - bass
Это как если бы Хироми записалась на ЕСМ - абсолютно нетипичный для АСТ'а альбом.
Bliss
Жанр ☢ Fusion, Dub, Jazz
Год издания ☢ 2016
Издатель (лейбл) ☢ ACT Music
Номер по каталогу ☢ ACT 9818-2
Страна исполнителя (группы) ☢ Germany
Аудиокодек ☢ FLAC (*.flac)
Тип рипа ☢ tracks
Битрейт аудио ☢ lossless
Продолжительность ☢ 42:50
Источник (релизер) ☢ WEB
Наличие сканов ☢ front
Треклист:
1. Abstract Dub
2. Barber
3. Longjam
4. Slomojam
5. Oistrakh
6. No Bottom No Top
7. Shortjam
8. Bliss
Лог проверки качества
AUDIOCHECKER v2.0 beta (build 457) - by Dester - opdester@freemail.hu
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-=== DO NOT EDIT THIS FILE! ===-
Path: ...\Eric Schaefer & The Shredz - Bliss (2016) [FLAC]
1 -=- 01 - Abstract Dub.flac -=- CDDA (99%)
2 -=- 02 - Barber.flac -=- CDDA (100%)
3 -=- 03 - Longjam.flac -=- CDDA (100%)
4 -=- 04 - Slomojam.flac -=- CDDA (100%)
5 -=- 05 - Oistrakh.flac -=- CDDA (100%)
6 -=- 06 - No Bottom No Top.flac -=- CDDA (100%)
7 -=- 07 - Shortjam.flac -=- CDDA (100%)
8 -=- 08 - Bliss.flac -=- CDDA (100%)
Summary 99,88% CDDA
50195732
Об альбоме
On “Bliss”, Eric Schaefer and his band The Shredz blend the fusion jazz of the sixties with the jazz dub of the nineties and the club music of today to concoct an explosive hubble-bubble of a magic brew. Although it sometimes sounds like it, it’s not Voodoo,
It is merely the logical continuation of what made Schaefer’s playing so unique from the outset: style and good taste, skills and know-how, complex compositions and improvisatory passion. Rooted in hardcore and matured in jazz, Schaefer plays a range that goes way beyond the scope of any academic colloquium.
In 2013, to coincide with the 200th anniversary of Richard Wagner’s birth, Schaefer brought out his ACT debut as band leader in the form of “Who’s afraid of Richard W.?”. Without trepidation he gnawed Wagner’s music down to its skeleton, to then toss the bones into new constellations.
Two years later, he has called the same, proven musicians together - only the trumpeter has changed - to complete the next stage of the evolution with “Bliss”. With John-Dennis Renken’s soaring trumpet tones and Volker Meitz’s gurgling organ sounds, The Shredz invoke the spirit of the electric Miles Davis sessions. Schaefer and bassist John Eckhardt switch back and forth between feverish Bitches Brew Groove, Laswellian Dub fusions and pulsating club sounds. “We wanted to go on a trip together, achieve a kind of trance state,” says Schaefer of the recording process.
“And you can’t get there without factors like repetition and groove.” On this journey the tracks often formed themselves out of unplanned moments that arose when jamming together. But fans of Schaefer’s compositions also get their money’s worth. In “Barber”, for instance, when a trumpet elegy underpinned by strings stumbles through various different groove states, to then ultimately turn off onto an ambient final stretch of the spheres driven by a kind of live Roots Manuva Riddim.
“After all the Shredz concerts, we just celebrated our joy of jamming and improvising for the recording.” For the band’s sound, the collective interweaving is more important than the individual expression in the solos. In this way, the band is the theme on “Bliss”.
It is merely the logical continuation of what made Schaefer’s playing so unique from the outset: style and good taste, skills and know-how, complex compositions and improvisatory passion. Rooted in hardcore and matured in jazz, Schaefer plays a range that goes way beyond the scope of any academic colloquium.
In 2013, to coincide with the 200th anniversary of Richard Wagner’s birth, Schaefer brought out his ACT debut as band leader in the form of “Who’s afraid of Richard W.?”. Without trepidation he gnawed Wagner’s music down to its skeleton, to then toss the bones into new constellations.
Two years later, he has called the same, proven musicians together - only the trumpeter has changed - to complete the next stage of the evolution with “Bliss”. With John-Dennis Renken’s soaring trumpet tones and Volker Meitz’s gurgling organ sounds, The Shredz invoke the spirit of the electric Miles Davis sessions. Schaefer and bassist John Eckhardt switch back and forth between feverish Bitches Brew Groove, Laswellian Dub fusions and pulsating club sounds. “We wanted to go on a trip together, achieve a kind of trance state,” says Schaefer of the recording process.
“And you can’t get there without factors like repetition and groove.” On this journey the tracks often formed themselves out of unplanned moments that arose when jamming together. But fans of Schaefer’s compositions also get their money’s worth. In “Barber”, for instance, when a trumpet elegy underpinned by strings stumbles through various different groove states, to then ultimately turn off onto an ambient final stretch of the spheres driven by a kind of live Roots Manuva Riddim.
“After all the Shredz concerts, we just celebrated our joy of jamming and improvising for the recording.” For the band’s sound, the collective interweaving is more important than the individual expression in the solos. In this way, the band is the theme on “Bliss”.
Состав
Eric Schaefer - drums
John-Dennis Renken - trumpet
Volker Meitz - keyboards
John Eckhardt - bass
Any questions - projazzclub@gmail.com
This album is available on our DC++ hub: dchub://hub.pro-jazz.com:7777
This album is available on our DC++ hub: dchub://hub.pro-jazz.com:7777