(ACT Music, Bop, Swing, Guitar Jazz) [CD] Philip Catherine & Martin Wind (Duo Art Series) - New Folks - 2014, FLAC (tracks+.cue), lossless

Exact Audio Copy V1.0 beta 3 from 29. August 2011
EAC extraction logfile from 12. December 2014, 10:00
Philip Catherine & Martin Wind / Old Folks
Used drive  : ATAPI   iHBS112   2   Adapter: 2  ID: 0
Read mode               : Secure
Utilize accurate stream : Yes
Defeat audio cache      : Yes
Make use of C2 pointers : No
Read offset correction                      : 6
Overread into Lead-In and Lead-Out          : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks   : No
Null samples used in CRC calculations       : Yes
Used interface                              : Native Win32 interface for Win NT & 2000
Gap handling                                : Appended to previous track
Used output format              : User Defined Encoder
Selected bitrate                : 1024 kBit/s
Quality                         : High
Add ID3 tag                     : No
Command line compressor         : C:\Program Files\FLAC Frontend\tools\flac.exe
Additional command line options : -8 -V -T "ARTIST=%artist%" -T "TITLE=%title%" -T "ALBUM=%albumtitle%" -T "DATE=%year%" -T "TRACKNUMBER=%tracknr%" -T "TOTALTRACKS=%numtracks%" -T "GENRE=%genre%" -T "ALBUMARTIST=%albumartist%" -T "ALBUM ARTIST=%albumartist%" -T "COMPOSER=%composer%" -T "PERFORMER=%albuminterpret%" -T "DISCNUMBER=%cdnumber%" -T "TOTALDISCS=%totalcds%" -T "COMMENT=EAC Secure Mode, Test & Copy, AccurateRip, FLAC -8" %source%
TOC of the extracted CD
     Track |   Start  |  Length  | Start sector | End sector
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        1  |  0:00.00 |  5:53.03 |         0    |    26477
        2  |  5:53.03 |  4:21.54 |     26478    |    46106
        3  | 10:14.57 |  3:54.65 |     46107    |    63721
        4  | 14:09.47 |  3:54.57 |     63722    |    81328
        5  | 18:04.29 |  4:15.56 |     81329    |   100509
        6  | 22:20.10 |  2:53.67 |    100510    |   113551
        7  | 25:14.02 |  6:07.27 |    113552    |   141103
        8  | 31:21.29 |  4:39.32 |    141104    |   162060
        9  | 36:00.61 |  2:41.09 |    162061    |   174144
       10  | 38:41.70 |  5:37.37 |    174145    |   199456
       11  | 44:19.32 |  5:02.70 |    199457    |   222176
       12  | 49:22.27 |  2:52.16 |    222177    |   235092
       13  | 52:14.43 |  4:59.29 |    235093    |   257546
Track  1
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     Accurately ripped (confidence 9)  [0432FAD9]  (AR v2)
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Track  2
     Filename P:\DL\Philip Catherine & Martin Wind - Old Folks (2014) [FLAC]\02 - Fried Bananas.wav
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     Accurately ripped (confidence 9)  [C5E492E1]  (AR v2)
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Track  3
     Filename P:\DL\Philip Catherine & Martin Wind - Old Folks (2014) [FLAC]\03 - Hello George (for G. Shearing).wav
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     Accurately ripped (confidence 9)  [3DD41CC6]  (AR v2)
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Track  4
     Filename P:\DL\Philip Catherine & Martin Wind - Old Folks (2014) [FLAC]\04 - Blues In The Closet.wav
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Track  5
     Filename P:\DL\Philip Catherine & Martin Wind - Old Folks (2014) [FLAC]\05 - How Deep Is The Ocean.wav
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Track  6
     Filename P:\DL\Philip Catherine & Martin Wind - Old Folks (2014) [FLAC]\06 - Jenny Wren.wav
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Track  7
     Filename P:\DL\Philip Catherine & Martin Wind - Old Folks (2014) [FLAC]\07 - Song For D.wav
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Track  8
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Track  9
     Filename P:\DL\Philip Catherine & Martin Wind - Old Folks (2014) [FLAC]\09 - Pivoine.wav
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     Accurately ripped (confidence 10)  [DF870C54]  (AR v2)
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Track 10
     Filename P:\DL\Philip Catherine & Martin Wind - Old Folks (2014) [FLAC]\10 - L'Eternel Desir.wav
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     Accurately ripped (confidence 10)  [6822826C]  (AR v2)
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Track 11
     Filename P:\DL\Philip Catherine & Martin Wind - Old Folks (2014) [FLAC]\11 - Standing At The Window Waving Goodbye.wav
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     Accurately ripped (confidence 10)  [BE9DFC85]  (AR v2)
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Track 12
     Filename P:\DL\Philip Catherine & Martin Wind - Old Folks (2014) [FLAC]\12 - Toscane.wav
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Track 13
     Filename P:\DL\Philip Catherine & Martin Wind - Old Folks (2014) [FLAC]\13 - Winter Moon.wav
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     Accurately ripped (confidence 10)  [43417A77]  (AR v2)
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All tracks accurately ripped
No errors occurred
End of status report
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[CTDB TOCID: dGvEnIpf.xdgcMVzPpJ2oSqAEpw-] found, Submit result: dGvEnIpf.xdgcMVzPpJ2oSqAEpw- has been confirmed
[2bb4ecdf] (12/12) Accurately ripped
==== Log checksum 6CA6EA2721F6DF9B3E3E28678FD3484473E29BB61CFB6594FB89EC8D9CC52CDA ====

REM GENRE Jazz
REM DATE 2014
REM DISCID AA0D690D
REM COMMENT "ExactAudioCopy v1.0b3"
PERFORMER "Philip Catherine & Martin Wind"
TITLE "Old Folks"
FILE "01 - Old Folks.wav" WAVE
  TRACK 01 AUDIO
    TITLE "Old Folks"
    PERFORMER "Philip Catherine & Martin Wind"
    INDEX 01 00:00:00
FILE "02 - Fried Bananas.wav" WAVE
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    TITLE "Fried Bananas"
    PERFORMER "Philip Catherine & Martin Wind"
    INDEX 01 00:00:00
FILE "03 - Hello George (for G. Shearing).wav" WAVE
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    TITLE "Hello George (for G. Shearing)"
    PERFORMER "Philip Catherine & Martin Wind"
    INDEX 01 00:00:00
FILE "04 - Blues In The Closet.wav" WAVE
  TRACK 04 AUDIO
    TITLE "Blues In The Closet"
    PERFORMER "Philip Catherine & Martin Wind"
    INDEX 01 00:00:00
FILE "05 - How Deep Is The Ocean.wav" WAVE
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    PERFORMER "Philip Catherine & Martin Wind"
    INDEX 01 00:00:00
FILE "06 - Jenny Wren.wav" WAVE
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    INDEX 01 00:00:00
FILE "10 - L'Eternel Desir.wav" WAVE
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FILE "11 - Standing At The Window Waving Goodbye.wav" WAVE
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FILE "12 - Toscane.wav" WAVE
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    INDEX 01 00:00:00
FILE "13 - Winter Moon.wav" WAVE
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The Belgian guitarist Philip Catherine is a European jazz legend. The now 71-year-old Catherine started playing professionally when he was only 17 and toured with artists such as Lou Bennett, Dexter Gordon, Jean-Luc Ponty, Chet Baker (with whom he recorded 6 albums), Tom Harrell and many others. In 1978 he received the “Artist of the year” award by the German Phono-Academy, and Charles Mingus gave him the nickname “Young Django”. This is also a result of his impeccable time feel, which allows him to sound relaxed and loose even while playing the most breathtaking up-tempo passages. But it is not mainly his technique and dexterity that sets him apart; furthermore what made him so unique is his acoustic guitar sound, as well as an improvisational style, which is based not on other guitarists, but on some of the great horn players in jazz.
When Martin Wind was studying bass in his hometown of Flensburg/Germany in the 80s one day his teacher gave him a copy of Philip Catherine’s duo recording “The Viking” (1983) with the Danish bass legend Niels-Henning Oersted Pedersen. “That was the first jazz recording that I listened to over and over again and as a result of that had a big influence me,” remembers Wind. He ended up pursuing a professional career in music following Catherine’s example, who at that time was already considered one of the most important European jazz musicians, and about who the South German Newspaper in Munich just recently wrote that he “plays things that cannot be heard by any other guitarist in the world today”.
Martin Wind also made his way: he studied classical bass at the Conservatory in Cologne, Germany, was a founding member of the National Youth Jazz Orchestra and ended up with a scholarship to study at New York University. In 1996 he moved to New York City, but unlike many others he was meant to stay and has since then become an integral part of the scene working with the trios of Bill Mays, Don Friedman, Dena DeRose, Jim McNeely, Matt Wilson’s “Arts and Crafts”, the Vanguard Jazz Orchestra and many others.
While touring in Germany about two years ago ACT label boss Siggi Loch heard Wind perform in Berlin. Siggi had Wind on his radar for some time already, was impressed by his tasteful bass playing again and offered to do a duo recording together with – you guessed it: Philip Catherine!
It took a while before the slightly surprised 71-year-old Belgian was able to make himself available for this project. However, in the spring of 2013 Catherine and Wind finally met for a short tour through German Clubs to get musically and personally acquainted for their first ACT – album “New Folks”. Martin Wind apparently came prepared for the musical encounter with his longtime hero, which seemed to inspire the veteran Catherine.
You can pick any given song on the album from “Blues in the Closet” with its almost rock-like, electric facets and archaic Blues phrases, over the 1932 Irving-Berlin-Standard “How deep is the ocean”, from a homage to George Shearing “Hello George” to the melancholic finger style adaptation of Paul McCartney’s later work “Jenny Wren” – at all times these two complement each other perfectly: Catherine’s playing that is technically unique and never seems to stop discovering new lyrical guitar sounds, and Martin Wind’s bass, that is always strong, yet at the same time elegant and lush.
Both are esthetes that love melodic jazz with Swing roots. Probably the best example of how Wind and Catherine tap into the tradition is the old standard “Old Folks”: without any haste or superficial virtuosity, but instead with complete mutual trust they find the ideal tone, the right timbre for each note, lining up sound and space perfectly.
This is the key to the encounter of Martin Wind and Philip Catherine: in the spirit of the Old Folks from Swanee River the New Folks create jazz in the club and in the studio – a meeting of generations marked by harmony and respect.

Philip Catherine - guitar
Martin Wind - bass