2014 George Garzone, Jerry Bergonzi, Carl Winther, Johnny Aman, Anders Mogensen - Quintonic {Stunt STUCD 14072} [CD]
![2014 George Garzone, Jerry Bergonzi, Carl Winther, Johnny Aman, Anders Mogensen - Quintonic {Stunt STUCD 14072} [CD] 2014 George Garzone, Jerry Bergonzi, Carl Winther, Johnny Aman, Anders Mogensen - Quintonic {Stunt STUCD 14072} [CD]](/upload/000/u2/7f/af/post-bop-free-jazz-cd-george-garzone-jerry-bergonzi-carl.jpg)
Носитель: CD
Страна-производитель диска (релиза): Дания
Год издания: 2014
Издатель (лейбл): Stunt Records
Номер по каталогу: STUCD 14072
Аудиокодек: FLAC (*.flac)
Тип рипа: tracks+.cue
Битрейт аудио: lossless
Продолжительность: 44:26
Источник (релизер): hemminm (what)
Наличие сканов в содержимом раздачи: сетевые
Треклист:
01. Gargonzola (Winther) - 4:54
02. Crystal Ball (Winther) - 7:41
03. Idiosyncrasies (Bergonzi) - 6:29
04. Restless (Franck) - 5:50
05. Ellwood (Bergonzi) - 7:47
06. Abeid from Zanzibar (Winther-Bergonzi) - 6:08
07. The Gargoyle Returns (Winther) - 5:37
Состав:
George Garzone, Jerry Bergonzi - tenor saxophone
Carl Winther - piano
Johnny Aman - bass
Anders Mogensen - drums
Recorded at PBS Studios, Westwood, Boston, MA in July 2013.
Лог создания рипа
Содержание индексной карты (.CUE)
Отчет CUETools
Об альбоме (сборнике)
Страна-производитель диска (релиза): Дания
Год издания: 2014
Издатель (лейбл): Stunt Records
Номер по каталогу: STUCD 14072
Аудиокодек: FLAC (*.flac)
Тип рипа: tracks+.cue
Битрейт аудио: lossless
Продолжительность: 44:26
Источник (релизер): hemminm (what)
Наличие сканов в содержимом раздачи: сетевые
Треклист:
01. Gargonzola (Winther) - 4:54
02. Crystal Ball (Winther) - 7:41
03. Idiosyncrasies (Bergonzi) - 6:29
04. Restless (Franck) - 5:50
05. Ellwood (Bergonzi) - 7:47
06. Abeid from Zanzibar (Winther-Bergonzi) - 6:08
07. The Gargoyle Returns (Winther) - 5:37
Состав:
George Garzone, Jerry Bergonzi - tenor saxophone
Carl Winther - piano
Johnny Aman - bass
Anders Mogensen - drums
Recorded at PBS Studios, Westwood, Boston, MA in July 2013.
Exact Audio Copy V1.0 beta 3 from 29. August 2011 EAC extraction logfile from 21. August 2015, 9:16 George Garzone / Quintonic Used drive : HL-DT-STBDDVDRW CH12NS30 Adapter: 0 ID: 0 Read mode : Secure Utilize accurate stream : Yes Defeat audio cache : Yes Make use of C2 pointers : No Read offset correction : 6 Overread into Lead-In and Lead-Out : No Fill up missing offset samples with silence : Yes Delete leading and trailing silent blocks : No Null samples used in CRC calculations : Yes Used interface : Native Win32 interface for Win NT & 2000 Gap handling : Appended to previous track Used output format : User Defined Encoder Selected bitrate : 1024 kBit/s Quality : High Add ID3 tag : No Command line compressor : C:\Program Files (x86)\Exact Audio Copy\Flac\flac.exe Additional command line options : -8 -V -T "ARTIST=%artist%" -T "TITLE=%title%" -T "ALBUM=%albumtitle%" -T "DATE=%year%" -T "TRACKNUMBER=%tracknr%" -T "GENRE=%genre%" -T "PERFORMER=%albuminterpret%" -T "COMPOSER=%composer%" %haslyrics%--tag-from-file=LYRICS="%lyricsfile%"%haslyrics% -T "ALBUMARTIST=%albumartist%" -T "DISCNUMBER=%cdnumber%" -T "TOTALDISCS=%totalcds%" -T "TOTALTRACKS=%numtracks%" -T "COMMENT=%comment%" %source% -o %dest% TOC of the extracted CD Track | Start | Length | Start sector | End sector --------------------------------------------------------- 1 | 0:00.00 | 4:54.00 | 0 | 22049 2 | 4:54.00 | 7:40.70 | 22050 | 56619 3 | 12:34.70 | 6:28.50 | 56620 | 85769 4 | 19:03.45 | 5:49.55 | 85770 | 111999 5 | 24:53.25 | 7:46.38 | 112000 | 146987 6 | 32:39.63 | 6:07.43 | 146988 | 174555 7 | 38:47.31 | 5:37.34 | 174556 | 199864 Track 1 Filename G:\EAC Files\01 - Gargonzola.wav Pre-gap length 0:00:02.00 Peak level 96.6 % Extraction speed 3.4 X Track quality 100.0 % Test CRC 55E90616 Copy CRC 55E90616 Track not present in AccurateRip database Copy OK Track 2 Filename G:\EAC Files\02 - Crystal Ball.wav Pre-gap length 0:00:02.00 Peak level 96.6 % Extraction speed 1.3 X Track quality 100.0 % Test CRC 7519F6AE Copy CRC 7519F6AE Track not present in AccurateRip database Copy OK Track 3 Filename G:\EAC Files\03 - Idiosyncrasies.wav Pre-gap length 0:00:02.00 Peak level 96.6 % Extraction speed 1.5 X Track quality 100.0 % Test CRC 15137318 Copy CRC 15137318 Track not present in AccurateRip database Copy OK Track 4 Filename G:\EAC Files\04 - Restless.wav Pre-gap length 0:00:02.00 Peak level 96.6 % Extraction speed 1.6 X Track quality 100.0 % Test CRC 34ADB16E Copy CRC 34ADB16E Track not present in AccurateRip database Copy OK Track 5 Filename G:\EAC Files\05 - Ellwood.wav Pre-gap length 0:00:03.01 Peak level 96.6 % Extraction speed 1.8 X Track quality 100.0 % Test CRC 4C3DB565 Copy CRC 4C3DB565 Track not present in AccurateRip database Copy OK Track 6 Filename G:\EAC Files\06 - Abeid from Zanzibar.wav Pre-gap length 0:00:01.93 Peak level 96.6 % Extraction speed 1.9 X Track quality 100.0 % Test CRC 46685D4A Copy CRC 46685D4A Track not present in AccurateRip database Copy OK Track 7 Filename G:\EAC Files\07 - The Gargoyle Returns.wav Pre-gap length 0:00:02.72 Peak level 96.6 % Extraction speed 2.0 X Track quality 100.0 % Test CRC A192FCEA Copy CRC A192FCEA Track not present in AccurateRip database Copy OK None of the tracks are present in the AccurateRip database No errors occurred End of status report ==== Log checksum 1A34E3B5106C29CB5ECF9BD5DA391630AEE8825F3CAFC130FA7DDBB30796FC73 ====
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This is an historic recording. Two saxophonists – George Garzone (born in Boston 1950) and Jerry Bergonzi (born in Boston 1947) “battle” to see who is the most influential, still active, saxophonist of their generation. This is the first time they are heard together in a studio session. There are various similarities: Both are educators – both at Berklee School of Music. Combined, they have tutored almost every important young saxophonist – Joshua Redman, Mark Turner, Donny McCaslin… you name them. But most importantly, they are both uncompromising artists and exponents of an expressionistic music influenced by among others John Coltrane. For 40 years George Garzone has explored the free improvisational aspects of Coltrane with his band The Fringe. But as a sideman with Danilo Perez, Joe Lovano, George Russell, Gunther Schuller, Tom Harrell, Rachel Z, Jack DeJohnette, Gary Peacock, Billy Hart and even Jamaaladeen Tacuma, one hears Coltrane’s spirit adjusted to the individual framework with an effortless, natural ease. Jerry Bergonzi received his first recognition in several of Dave Brubeck’s groups through the 1970’s. Since then he has appeared on countless albums as a bandleader and guest. He communicates his concise ideas brilliantly with a virile, aggressive sound and an impressive energy. Just as with Coltrane, Garzone’s and Bergonzi’s music grows out of a soulful spirituality. In their hometown of Boston they pop up at each other’s concerts to sit in. Their mutual respect is unquestionable. Now these two giants of jazz are finally together on the same studio recording. With them are pianist Carl Winther, bassist Johnny Åman, and drummer Anders Mogensen playing original material composed by Winther and Bergonzi. The dynamics are close to explosive in a muscular repertoire that doesn’t shy swinging grooves. Some might perhaps call it an aggressive recording. However, the qualities are not found in the aggressive character of the music, but in the joy of challenge and interplay and in defining each element of the music together. Carl Winther is an enterprising and original pianist and composer. He has toured all over the world, and is a representative of the high standard of Danish jazz internationally. His playing sounds by no means inexperienced – to the contrary, he is unimpressed in a session with two of the world’s greatest saxophonists playing potent jazz with a capital J. Bassist Johnny Åman comes from Finland and is one of the preferred bassists in his new home in Sweden. Since the early 1990’s, Anders Mogensen’s dynamic drumming has made him a very popular drummer with many superb recordings including albums with Bob Berg and David Liebman – and now George Garzone and Jerry Bergonzi. He is on the same wavelength with their energy and intensity. No holds are barred, everyone feels great – and this music makes it clear why jazz is better than a day job!
“…the recording was a motherfucker … You will love it…!” Best, George!
“…the recording was a motherfucker … You will love it…!” Best, George!
Any questions - [email protected]
This album is available on our DC++ hub: dchub://hub.pro-jazz.com:7777
This album is available on our DC++ hub: dchub://hub.pro-jazz.com:7777