2010 Eple Trio, Jonas Sjøvaag, Andreas Ulvo, Sigurd Hole - In the Clearing, In the Cavern {Shipwreckords} [2CD]
![2010 Eple Trio, Jonas Sjøvaag, Andreas Ulvo, Sigurd Hole - In the Clearing, In the Cavern {Shipwreckords} [2CD]](/upload/000/u2/55/f7/7f86b4dd.jpg "2010 Eple Trio, Jonas Sjøvaag, Andreas Ulvo, Sigurd Hole - In the Clearing, In the Cavern {Shipwreckords} [2CD]")
Год издания: 2011
Издатель (лейбл): NORCD
Номер по каталогу: NORCD1099
Страна: Norway
Аудиокодек: FLAC (*.flac)
Тип рипа: tracks+.cue
Битрейт аудио: lossless
Продолжительность: 00:32:17 + 00:33:44
Источник (релизер): zopaista
Наличие сканов в содержимом раздачи: нет
Andreas Ulvo: piano, Casio MT65 (CD1#2, CD1#4), Fender Rhodes (CD1#3), harmonium (CD1#2), synth (CD1#3-4)
Sigurd Hole: bass
Jonas Howden Sjøvaag: drums, woodblocks (C1#2), Casio MT65 (CD1#3, CD2#1, CD2#4), glockenspiel (CD1#4), Grendel Drone Commander (CD2#2).
Издатель (лейбл): NORCD
Номер по каталогу: NORCD1099
Страна: Norway
Аудиокодек: FLAC (*.flac)
Тип рипа: tracks+.cue
Битрейт аудио: lossless
Продолжительность: 00:32:17 + 00:33:44
Источник (релизер): zopaista
Наличие сканов в содержимом раздачи: нет
Andreas Ulvo: piano, Casio MT65 (CD1#2, CD1#4), Fender Rhodes (CD1#3), harmonium (CD1#2), synth (CD1#3-4)
Sigurd Hole: bass
Jonas Howden Sjøvaag: drums, woodblocks (C1#2), Casio MT65 (CD1#3, CD2#1, CD2#4), glockenspiel (CD1#4), Grendel Drone Commander (CD2#2).
In the Clearing
1. Preludium
2. Greatest Joy on Earth
3. Circle Song
4. River Song II
5. In the Clearing
2. Greatest Joy on Earth
3. Circle Song
4. River Song II
5. In the Clearing
Лог создания рипа
X Lossless Decoder version 20111113 (137.1)
XLD extraction logfile from 2011-12-08 21:34:52 +0000
Eple Trio / In the Clearing
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Max retry count : 100
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TOC of the extracted CD
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2 | 05:20:73 | 07:13:69 | 24073 | 56616
3 | 12:34:67 | 07:34:12 | 56617 | 90678
4 | 20:09:04 | 09:53:24 | 90679 | 135177
5 | 30:02:28 | 02:27:08 | 135178 | 146210
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Track 03
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Track 04
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Содержание индексной карты (.CUE)
TITLE "In the Clearing"
PERFORMER "Eple Trio"
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INDEX 01 00:00:00
TRACK 02 AUDIO
TITLE "Greatest Joy on Earth"
ISRC NOLCA1099102
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INDEX 00 05:17:44
FILE "02 - Greatest Joy on Earth.flac" WAVE
INDEX 01 00:00:00
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ISRC NOLCA1099103
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INDEX 01 00:00:00
TRACK 04 AUDIO
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ISRC NOLCA1099104
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FILE "04 - River Song II.flac" WAVE
INDEX 01 00:00:00
FILE "05 - In the Clearing.flac" WAVE
TRACK 05 AUDIO
TITLE "In the Clearing"
ISRC NOLCA1099105
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In the Cavern
Disc 2
1. Birds of India
2. Kölviken
3. In the Cavern
4. The Sinking Ship
1. Birds of India
2. Kölviken
3. In the Cavern
4. The Sinking Ship
Лог создания рипа
X Lossless Decoder version 20111113 (137.1)
XLD extraction logfile from 2011-12-08 21:23:28 +0000
Eple Trio / In the Cavern
Used drive : MATSHITA DVD-R UJ-868 (revision KB19)
Ripper mode : XLD Secure Ripper
Disable audio cache : OK for the drive with a cache less than 1375KiB
Make use of C2 pointers : NO
Read offset correction : 102
Max retry count : 100
Gap status : Analyzed, Appended
TOC of the extracted CD
Track | Start | Length | Start sector | End sector
---------------------------------------------------------
1 | 00:00:00 | 11:28:74 | 0 | 51673
2 | 11:28:74 | 09:07:61 | 51674 | 92759
3 | 20:36:60 | 06:29:05 | 92760 | 121939
4 | 27:05:65 | 06:48:08 | 121940 | 152547
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Содержание индексной карты (.CUE)
TITLE "In the Cavern"
PERFORMER "Eple Trio"
REM DATE "2011-11-22"
REM DISCID 2F07F104
REM REPLAYGAIN_ALBUM_GAIN 0.01 dB
REM REPLAYGAIN_ALBUM_PEAK 0.975433
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TRACK 01 AUDIO
TITLE "Birds of India"
ISRC NOLCA1099201
FLAGS DCP
REM REPLAYGAIN_TRACK_GAIN -3.96 dB
REM REPLAYGAIN_TRACK_PEAK 0.975433
INDEX 01 00:00:00
TRACK 02 AUDIO
TITLE "Kölviken"
ISRC NOLCA1099202
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INDEX 01 00:00:00
FILE "03 - In the Cavern.flac" WAVE
TRACK 03 AUDIO
TITLE "In the Cavern"
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INDEX 01 00:00:00
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about
With all the controversy over what jazz is—and, more to the point, what it isn't—proprietary ownership often seems more about seemingly insurmountable cultural concerns. It's difficult for those living in the relative hustle and bustle of North American cities to appreciate a different pace, a different vibe—the effect, for example, of winters where daylight diminishes to a few short hours in the south of a country, to the far north, where polar winter imposes darkness for upwards of four months. Equally, the impact of living in a country where nature, rather than being something escaped to, is ever-present, cannot be denied. If music is a reflection of who we are, of where we are, then surely the environment, and the resulting culture, has to enter into any discussion of how music is made manifest.
Take Norway's Eple Trio. Its last recording, the aptly titled The Widening Sphere of Influence (NORCD, 2008), was a sublime and, even more, subliminal recording that meshed impressionists concerns from composers like Erik Satie and the more modernistic tintinnabuli of Arvo Pärt, with the Northeastern improvisational ambience of musicians like pianist Misha Alperin, rather than a North American tradition that simply cannot figure in the trio's collective DNA. Even the group's extracurricular activities, of which there are many, form a larger, overarching aesthetic that can't be anything but informed by the societal and geographic environment in which these three young musicians live—and the improvised music they make, within the context of clear structural movement.
Perhaps it helps to experience the country and its culture directly, but equally, the music of In the Clearing / In the Cavern can be a window into a world that many will never encounter; a slow trip into the stillness of a forest clearing or a deep cavern, with Eple's music evolving at the same slow pace, and opening unexpectedly into new vistas with a similar sense of quiet awe and wonder. A double-disc set that could have fit on a single disc but is, instead, broken into the two titular suites, each a little over 30 minutes in length, it's paradoxically Eple's most ambitious and most tranquil recording yet, as the trio breaks away from its simple, all-acoustic beginnings and—with pianist Andreas Ulvo and drummer Jonas Howden Sjøvaag expanding their arsenals to include harmonium, glockenspiel, synths and samplers—expanding into subtle orchestrations to create music of largely meditative calm. Even when Sjøvaag takes a drum solo, as he does on "In the Cavern," it's less an exercise in virtuosity and power, and more a thematic segue between Ulvo's quietly majestic chords and bassist Sigurd Hole's gentle arco.
Touch and dynamic, space and decay, simple melody over complex muscle: all qualities of a selfless collective approach that places the end over the means, but equally—and paradoxically—the journey, as paramount over the destination. In the Clearing / In the Cavern is Eple Trio's most quietly moving record to date, evoking landscapes hard to imagine for urban dwellers, but for those who can, a welcome respite from the stresses and energetic pace of modern life.
Take Norway's Eple Trio. Its last recording, the aptly titled The Widening Sphere of Influence (NORCD, 2008), was a sublime and, even more, subliminal recording that meshed impressionists concerns from composers like Erik Satie and the more modernistic tintinnabuli of Arvo Pärt, with the Northeastern improvisational ambience of musicians like pianist Misha Alperin, rather than a North American tradition that simply cannot figure in the trio's collective DNA. Even the group's extracurricular activities, of which there are many, form a larger, overarching aesthetic that can't be anything but informed by the societal and geographic environment in which these three young musicians live—and the improvised music they make, within the context of clear structural movement.
Perhaps it helps to experience the country and its culture directly, but equally, the music of In the Clearing / In the Cavern can be a window into a world that many will never encounter; a slow trip into the stillness of a forest clearing or a deep cavern, with Eple's music evolving at the same slow pace, and opening unexpectedly into new vistas with a similar sense of quiet awe and wonder. A double-disc set that could have fit on a single disc but is, instead, broken into the two titular suites, each a little over 30 minutes in length, it's paradoxically Eple's most ambitious and most tranquil recording yet, as the trio breaks away from its simple, all-acoustic beginnings and—with pianist Andreas Ulvo and drummer Jonas Howden Sjøvaag expanding their arsenals to include harmonium, glockenspiel, synths and samplers—expanding into subtle orchestrations to create music of largely meditative calm. Even when Sjøvaag takes a drum solo, as he does on "In the Cavern," it's less an exercise in virtuosity and power, and more a thematic segue between Ulvo's quietly majestic chords and bassist Sigurd Hole's gentle arco.
Touch and dynamic, space and decay, simple melody over complex muscle: all qualities of a selfless collective approach that places the end over the means, but equally—and paradoxically—the journey, as paramount over the destination. In the Clearing / In the Cavern is Eple Trio's most quietly moving record to date, evoking landscapes hard to imagine for urban dwellers, but for those who can, a welcome respite from the stresses and energetic pace of modern life.
Any questions - projazzclub@gmail.com
This album is available on our DC++ hub: dchub://hub.pro-jazz.com:7777
This album is available on our DC++ hub: dchub://hub.pro-jazz.com:7777