Поиск

1964 Ahmed Abdul-Malik, Ray Nance, Seldon Powell - Spellbound (2013) {Real Gone RGM-0166} [CD]

1964 Ahmed Abdul-Malik, Ray Nance, Seldon Powell - Spellbound (2013) {Real Gone RGM-0166} [CD]
Стили:

01. Spellbound (Rozsa-David) - 4:57
02. Never on Sunday (Manos-Franco) - 5:14
03. Body and Soul (Green) - 7:14
04. Song of Delilah (Young-Evans) - 7:02
05. Cinema Blues (Abdul-Malik) - 8:16

Состав:

Recorded at Rudy Van Gelder Studio, Englewood Cliffs, NJ on March 12, 1964.

Носитель: CD
Страна-производитель диска (релиза): США
Год издания: 2013
Издатель (лейбл): Real Gone Music
Номер по каталогу: RGM-0166
Аудиокодек: FLAC (*.flac)
Тип рипа: tracks+.cue
Битрейт аудио: lossless
Продолжительность: 32:43
Источник (релизер): willstring
Наличие сканов в содержимом раздачи: нет

Доп. инфо:
Лог создания рипа
Exact Audio Copy V1.3 from 2. September 2016
EAC extraction logfile from 11. November 2017, 19:24
Ahmed Abdul-Malik with Ray Nance and Seldon Powell / Spellbound
Used drive : HL-DT-STDVDRAM GU90N Adapter: 1 ID: 0
Read mode : Secure
Utilize accurate stream : Yes
Defeat audio cache : Yes
Make use of C2 pointers : No
Read offset correction : 102
Overread into Lead-In and Lead-Out : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks : No
Null samples used in CRC calculations : Yes
Used interface : Native Win32 interface for Win NT & 2000
Gap handling : Appended to previous track
Used output format : User Defined Encoder
Selected bitrate : 1024 kBit/s
Quality : High
Add ID3 tag : No
Command line compressor : C:\Program Files (x86)\Exact Audio Copy\Flac\flac.exe
Additional command line options : -8 -e -p -V -T "ARTIST=%artist%" -T "TITLE=%title%" -T "ALBUM=%albumtitle%" -T "DATE=%year%" -T "TRACKNUMBER=%tracknr%" -T "GENRE=%genre%" -T "PERFORMER=%albuminterpret%" -T "COMPOSER=%composer%" %haslyrics%--tag-from-file=LYRICS="%lyricsfile%"%haslyrics% -T "ALBUMARTIST=%albumartist%" -T "DISCNUMBER=%cdnumber%" -T "TOTALDISCS=%totalcds%" -T "TOTALTRACKS=%numtracks%" -T "COMMENT=%comment%" %source% -o %dest%
TOC of the extracted CD
Track | Start | Length | Start sector | End sector
---------------------------------------------------------
1 | 0:00.00 | 4:57.33 | 0 | 22307
2 | 4:57.33 | 5:13.38 | 22308 | 45820
3 | 10:10.71 | 7:14.14 | 45821 | 78384
4 | 17:25.10 | 7:02.16 | 78385 | 110050
5 | 24:27.26 | 8:15.52 | 110051 | 147227
Track 1
Filename D:\flacs\Ahmed Abdul-Malik - Spellbound (2013) [FLAC]\01 Spellbound.wav
Pre-gap length 0:00:02.00
Peak level 97.0 %
Extraction speed 2.5 X
Track quality 99.9 %
Test CRC 2F13967F
Copy CRC 2F13967F
Accurately ripped (confidence 5) [6348C83B] (AR v2)
Copy OK
Track 2
Filename D:\flacs\Ahmed Abdul-Malik - Spellbound (2013) [FLAC]\02 Never on Sunday.wav
Peak level 98.5 %
Extraction speed 3.3 X
Track quality 100.0 %
Test CRC E35C550F
Copy CRC E35C550F
Accurately ripped (confidence 5) [91FF6923] (AR v2)
Copy OK
Track 3
Filename D:\flacs\Ahmed Abdul-Malik - Spellbound (2013) [FLAC]\03 Body and Soul.wav
Peak level 98.1 %
Extraction speed 3.8 X
Track quality 100.0 %
Test CRC 63FC076E
Copy CRC 63FC076E
Accurately ripped (confidence 5) [CE875FF5] (AR v2)
Copy OK
Track 4
Filename D:\flacs\Ahmed Abdul-Malik - Spellbound (2013) [FLAC]\04 Song of Delilah.wav
Peak level 96.8 %
Extraction speed 4.3 X
Track quality 100.0 %
Test CRC 8A1722CE
Copy CRC 8A1722CE
Accurately ripped (confidence 5) [1B4E99C9] (AR v2)
Copy OK
Track 5
Filename D:\flacs\Ahmed Abdul-Malik - Spellbound (2013) [FLAC]\05 Cinema Blues.wav
Peak level 98.7 %
Extraction speed 4.3 X
Track quality 99.9 %
Test CRC 679E2C02
Copy CRC 679E2C02
Accurately ripped (confidence 5) [A4854B80] (AR v2)
Copy OK
All tracks accurately ripped
No errors occurred
End of status report
---- CUETools DB Plugin V2.1.6
[CTDB TOCID: gDHCiqZukgrNGpS0foIxaUu6yyM-] found
Submit result: gDHCiqZukgrNGpS0foIxaUu6yyM- has been confirmed
Track | CTDB Status
1 | (3/3) Accurately ripped
2 | (3/3) Accurately ripped
3 | (3/3) Accurately ripped
4 | (3/3) Accurately ripped
5 | (3/3) Accurately ripped
==== Log checksum 2DCE2B7283DA80CDE2F958E57CBF1247649D460CE53EA2E3DAE2E63B909D1DE3 ====
Содержание индексной карты (.CUE)
REM GENRE Jazz
REM DATE 1964
REM DISCID 3F07AB05
REM COMMENT "ExactAudioCopy v1.3"
PERFORMER "Ahmed Abdul-Malik, Ray Nance, Seldon Powell"
TITLE "Spellbound"
FILE "01 - Spellbound.wav" WAVE
TRACK 01 AUDIO
TITLE "Spellbound"
PERFORMER "Ahmed Abdul-Malik, Ray Nance, Seldon Powell"
ISRC USC4R1301695
INDEX 01 00:00:00
FILE "02 - Never on Sunday.wav" WAVE
TRACK 02 AUDIO
TITLE "Never on Sunday"
PERFORMER "Ahmed Abdul-Malik, Ray Nance, Seldon Powell"
ISRC USC4R1301696
INDEX 01 00:00:00
FILE "03 - Body and Soul.wav" WAVE
TRACK 03 AUDIO
TITLE "Body and Soul"
PERFORMER "Ahmed Abdul-Malik, Ray Nance, Seldon Powell"
ISRC USC4R1301697
INDEX 01 00:00:00
FILE "04 - Song of Delilah.wav" WAVE
TRACK 04 AUDIO
TITLE "Song of Delilah"
PERFORMER "Ahmed Abdul-Malik, Ray Nance, Seldon Powell"
ISRC USC4R1301698
INDEX 01 00:00:00
FILE "05 - Cinema Blues.wav" WAVE
TRACK 05 AUDIO
TITLE "Cinema Blues"
PERFORMER "Ahmed Abdul-Malik, Ray Nance, Seldon Powell"
ISRC USC4R1301699
INDEX 01 00:00:00
Отчет CUETools
[CUETools log; Date: 14.09.2018 21:06:47; Version: 2.1.5]
[CTDB TOCID: gDHCiqZukgrNGpS0foIxaUu6yyM-] found.
Track | CTDB Status
1 | (4/4) Accurately ripped
2 | (4/4) Accurately ripped
3 | (4/4) Accurately ripped
4 | (4/4) Accurately ripped
5 | (4/4) Accurately ripped
[AccurateRip ID: 00062951-001d701b-3f07ab05] found.
Track [ CRC | V2 ] Status
01 [690f517d|6348c83b] (0+6/6) Accurately ripped
02 [7bed953b|91ff6923] (0+6/6) Accurately ripped
03 [70c41f75|ce875ff5] (0+6/6) Accurately ripped
04 [3da6116f|1b4e99c9] (0+6/6) Accurately ripped
05 [d20e51f6|a4854b80] (0+6/6) Accurately ripped
Track Peak [ CRC32 ] [W/O NULL] [ LOG ]
-- 98,7 [D0B0A1CA] [CAAD1A86]
01 97,0 [2F13967F] [B76FC3E3] CRC32
02 98,5 [E35C550F] [FAED7437] CRC32
03 98,1 [63FC076E] [A59F2453] CRC32
04 96,8 [8A1722CE] [C8F101F6] CRC32
05 98,7 [679E2C02] [65BDA378] CRC32
AllMusic Review by Thom Jurek
Spellbound, recorded in 1964, is double bassist and oud player Ahmed Abdul-Malik's final date as a leader, though given its contents, it shouldn't have been. Abdul-Malik, an American born musician of Sudanese descent, helped to bring the sounds of the Middle East to jazz in the '50s, incorporating oud and a different set of scales in his own recordings. His sidemen for this date are ubiquitous Duke Ellington Orchestra cornetist Ray Nance, who also plays violin here, drummer Walter Perkins, saxophonist/flutist Seldon Powell, the little known pianist Paul Neves, and oud player -- on two tracks -- Sudanese musician Hamza Aldeen (not to be confused with the Egyptian composer, oud and tar player Hamza el Din). The program on this date is unusual: three of the five tunes here come from movie soundtracks. The opening title track is from the Alfred Hitchcock film of the same name and features a fine, gently swinging solo from Neves, and some excellent frontline and violin from Nance. "Never on Sunday," from the Greek film of the same name, is a showcase for Aldeen, who twins his lines with Nance's plucked violin, anchored by Abdul-Malik and Perkins. Powell's flute moves off into a solo before the piano and oud restate the theme followed by a saxophone, piano, and second flute break. It's breezy, easy, and it swings. The interplay between Nance's cornet break and Powell's tenor solo registers its emotion as Neves fills the melody with wonderful, spacious, right-hand arpeggios. Abdul-Malik's bass opens "Song of Delilah" from the film Samson & Delilah. He's followed in a complex melodic statement by flute, a gypsy jazz solo by Nance on violin, and finally, a gorgeous oud break based on a single chord -- with deep, responsorial bass from Abdul-Malik -- that eventually moves the tune into a grooving flute break. Closer "Cinema Blues" isn't from a film. Instead, it's a straight-ahead hard bop blues, with some fine muted cornet work, killer comps from Neves, and a fluid, mid-register solo by Powell, with a driving rhythm section. Spellbound isn't as groundbreaking as some of Abdul-Malik's earlier work, but it doesn't need to be: by this point, he had successfully melded jazz with Middle Eastern sounds into a seamless -- if somewhat exotically textural -- whole. The band fires on all cylinders under his inspired direction, making this a fitting sendoff to him as a bandleader. Musically, he saved one of his best for last.
Any questions - projazzclub@gmail.com
This album is available on our DC++ hub: dchub://hub.pro-jazz.com:7777
02:03
718
Нет комментариев. Ваш будет первым!