[TR24][OF] Billie Holiday - All Or Nothing At All - 1958/2014 (Jazz, Swing, Blues, Traditional Pop, Vocal Jazz)
![[TR24][OF] Billie Holiday - All Or Nothing At All - 1958/2014 (Jazz, Swing, Blues, Traditional Pop, Vocal Jazz)](/upload/000/u2/11/6f/2014-j.jpg "[TR24][OF] Billie Holiday - All Or Nothing At All - 1958/2014 (Jazz, Swing, Blues, Traditional Pop, Vocal Jazz)")
Треклист:
Billie Holiday
All Or Nothing At All
Год издания/переиздания диска: 1958/2014
Жанр: Jazz, Swing, Blues, Traditional Pop, Vocal Jazz
Издатель (лейбл): Verve Records
Продолжительность: 00:51:16
Наличие сканов: Sleeve
01. Do Nothing Till You Hear From Me (4:16)
02. Cheek To Cheek (3:38)
03. Ill Wind (6:18)
04. Speak Low (4:29)
05. I Wished On The Moon (3:29)
06. But Not For Me (3:52)
07. All Or Nothing At All (5:43)
08. We'll Be Together Again (4:27)
09. Sophisticated Lad (4:53)
10. April In Paris (3:06)
11. Say It Isn't So (3:19)
12. Love Is Here To Stay (3:47)
Billie Holiday, vocals
Barney Kessel, guitar
Ben Webster, tenor saxophone
Harry 'Sweets' Edison, trumpet
Jimmy Rowles, piano
Larry Bunker, drums
Alvin Stoller, drums
Контейнер: FLAC (*.flac)
Тип рипа: tracks
Разрядность: 24bit / 192kHz
Количество каналов: 2.0
„All Or Nothing At All“ is actually a compilation of three albums worth of material recorded in 1956 and 1957, near the end of Holiday's life. The satisfactions here are numerous. Producer Norman Granz presented one of jazz's definitive vocalists sitting in with a stellar combo of swing-style all stars. Granz assembled a wonderful band for Holiday. Hearing musicians like Ben Webster, Jimmy Rowles, Harry 'Sweets' Edison and Barney Kessel constructing sixteen and thirty-two bar statements on some of the finest standards to ever come out of Tin Pan Alley is reason enough to listen. Holiday is featured by virtue of being the singer, and she includes the introductory verses on several of the tunes. But the band passes around the introductions and obbligatos with the ease and generosity of old familiar colleagues, and everyone makes enthusiastic use of the room they're given, occasionally taking up to a chorus apiece before taking it back to the top. Holiday is one of those artists whose work tends to get divided into 'early' and 'late' periods. These recordings offer an expansive view of her late work in perhaps the most sympathetic, inspiring and swinging context possible.
Recorded at Radio Recorders and Capitol Studios, Hollywood, California on August 14 & 18, 1956 and from January 3-9, 1957
Produced by Norman Granz
Digitally remastered
Billie Holiday Hi-Res
All Or Nothing At All
Год издания/переиздания диска: 1958/2014
Жанр: Jazz, Swing, Blues, Traditional Pop, Vocal Jazz
Издатель (лейбл): Verve Records
Продолжительность: 00:51:16
Наличие сканов: Sleeve
01. Do Nothing Till You Hear From Me (4:16)
02. Cheek To Cheek (3:38)
03. Ill Wind (6:18)
04. Speak Low (4:29)
05. I Wished On The Moon (3:29)
06. But Not For Me (3:52)
07. All Or Nothing At All (5:43)
08. We'll Be Together Again (4:27)
09. Sophisticated Lad (4:53)
10. April In Paris (3:06)
11. Say It Isn't So (3:19)
12. Love Is Here To Stay (3:47)
Billie Holiday, vocals
Barney Kessel, guitar
Ben Webster, tenor saxophone
Harry 'Sweets' Edison, trumpet
Jimmy Rowles, piano
Larry Bunker, drums
Alvin Stoller, drums
Контейнер: FLAC (*.flac)
Тип рипа: tracks
Разрядность: 24bit / 192kHz
Количество каналов: 2.0
О релизе
„All Or Nothing At All“ is actually a compilation of three albums worth of material recorded in 1956 and 1957, near the end of Holiday's life. The satisfactions here are numerous. Producer Norman Granz presented one of jazz's definitive vocalists sitting in with a stellar combo of swing-style all stars. Granz assembled a wonderful band for Holiday. Hearing musicians like Ben Webster, Jimmy Rowles, Harry 'Sweets' Edison and Barney Kessel constructing sixteen and thirty-two bar statements on some of the finest standards to ever come out of Tin Pan Alley is reason enough to listen. Holiday is featured by virtue of being the singer, and she includes the introductory verses on several of the tunes. But the band passes around the introductions and obbligatos with the ease and generosity of old familiar colleagues, and everyone makes enthusiastic use of the room they're given, occasionally taking up to a chorus apiece before taking it back to the top. Holiday is one of those artists whose work tends to get divided into 'early' and 'late' periods. These recordings offer an expansive view of her late work in perhaps the most sympathetic, inspiring and swinging context possible.
Recorded at Radio Recorders and Capitol Studios, Hollywood, California on August 14 & 18, 1956 and from January 3-9, 1957
Produced by Norman Granz
Digitally remastered
Отчёты
Динамический диапазон
foobar2000 1.2.2 / Dynamic Range Meter 1.1.1 log date: 2015-01-08 01:10:37 -------------------------------------------------------------------------------- Analyzed: Billie Holiday / All Or Nothing At All -------------------------------------------------------------------------------- DR Peak RMS Duration Track -------------------------------------------------------------------------------- DR14 -1.15 dB -17.73 dB 4:16 ?-Do Nothing Till You Hear From Me DR13 -2.08 dB -18.03 dB 3:38 ?-Cheek To Cheek DR16 -0.04 dB -19.84 dB 6:18 ?-Ill Wind DR12 -2.76 dB -17.00 dB 4:29 ?-Speak Low DR12 -3.72 dB -18.19 dB 3:29 ?-I Wished On The Moon DR12 -3.66 dB -18.07 dB 3:52 ?-But Not For Me DR12 -3.61 dB -17.97 dB 5:43 ?-All Or Nothing At All DR13 -2.60 dB -18.09 dB 4:27 ?-We'll Be Together Again DR14 -4.23 dB -21.62 dB 4:53 ?-Sophisticated Lad DR12 -4.41 dB -19.78 dB 3:06 ?-April In Paris DR12 -3.10 dB -18.65 dB 3:19 ?-Say It Isn't So DR12 -3.45 dB -17.43 dB 3:47 ?-Love Is Here To Stay -------------------------------------------------------------------------------- Number of tracks: 12 Official DR value: DR13 Samplerate: 192000 Hz Channels: 2 Bits per sample: 24 Bitrate: 5602 kbps Codec: FLAC ================================================================================
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