[TR24][OF] Andrew Hill - Point of Departure [Blue Note] - 1964/2015 (Avant-Garde Jazz, Post-Bop)
![[TR24][OF] Andrew Hill - Point of Departure [Blue Note] - 1964/2015 (Avant-Garde Jazz, Post-Bop)](/upload/000/u2/e0/0c/2september.jpg "[TR24][OF] Andrew Hill - Point of Departure [Blue Note] - 1964/2015 (Avant-Garde Jazz, Post-Bop)")
Треклист:
Andrew Hill
Point of Departure
Год издания/переиздания диска: 1964/2015
Жанр: Avant-Garde Jazz, Post-Bop
Издатель (лейбл): Blue Note
Продолжительность: 00:39:52
Релизер: chuhonka
Наличие сканов: Sleeve
01. Refuge (12:14)
02. New Monastery (7:02)
03. Spectrum (9:45)
04. Flight 19 (4:10)
05. Dedication (6:41)
Andrew Hill, piano
Kenny Dorham, trumpet
Eric Dolphy, alto saxophone, bass clarinet, flute
Joe Henderson, tenor saxophone
Richard Davis, double bass
Tony Williams, drums
Контейнер: FLAC (*.flac)
Тип рипа: tracks
Разрядность: 24bit / 192kHz
Количество каналов: 2.0
Point Of Departure is not only one of the greatest jazz recordings of 1964, but of all time. The stellar lineup (Eric Dolphy, Kenny Dorham, Joe Henderson, Richard Davis and a teen aged Tony Williams) was given a set of challenging compositions by the brilliant pianist and composer Andrew Hill. This group created the album known as Point of Departure, an acknowledged modern day classic and one of Blue Notes most extraordinary recordings. Andrew Hill was a quiet revolutionary, but he was every bit as original in his conception as Thelonious Monk. Hill extended, twisted and turned hard bop into his own very fresh and personal music. Like Eric Dolphy, Hill spawned few imitators. His conception was so pure, and so unique, both as a player and as an arranger-composer that nearly a half century later, Point Of Departure remains a brilliant touchstone of modern jazz.
Alfred Lion considered Andrew Hill his last major discovery and rightly so. Hill's rich, rhythmic piano and utterly unique compositions stand alone. Point Of Departure is Hill's masterpiece with rich three-horn arrangements for Kenny Dorham, Eric Dolphy and Joe Henderson. Richard Davis and Tony Williams complete this high level ensemble.
'The sound is superb, with large soundstage, striking immediacy, and terrific dynamic scaling, and the range of tone colors—from Dolphy along—richly layered and gorgeous.' (Wayne Garcia, The Absolute Sound)
Recorded on March 21, 1964 at Van Gelder Studio, Englewood Cliffs, New Jersey
Engineered by Rudy Van Gelder
Produced by Alfred Lion
Digitally remastered
Point of Departure
Год издания/переиздания диска: 1964/2015
Жанр: Avant-Garde Jazz, Post-Bop
Издатель (лейбл): Blue Note
Продолжительность: 00:39:52
Релизер: chuhonka
Наличие сканов: Sleeve
01. Refuge (12:14)
02. New Monastery (7:02)
03. Spectrum (9:45)
04. Flight 19 (4:10)
05. Dedication (6:41)
Andrew Hill, piano
Kenny Dorham, trumpet
Eric Dolphy, alto saxophone, bass clarinet, flute
Joe Henderson, tenor saxophone
Richard Davis, double bass
Tony Williams, drums
Контейнер: FLAC (*.flac)
Тип рипа: tracks
Разрядность: 24bit / 192kHz
Количество каналов: 2.0
О релизе
Point Of Departure is not only one of the greatest jazz recordings of 1964, but of all time. The stellar lineup (Eric Dolphy, Kenny Dorham, Joe Henderson, Richard Davis and a teen aged Tony Williams) was given a set of challenging compositions by the brilliant pianist and composer Andrew Hill. This group created the album known as Point of Departure, an acknowledged modern day classic and one of Blue Notes most extraordinary recordings. Andrew Hill was a quiet revolutionary, but he was every bit as original in his conception as Thelonious Monk. Hill extended, twisted and turned hard bop into his own very fresh and personal music. Like Eric Dolphy, Hill spawned few imitators. His conception was so pure, and so unique, both as a player and as an arranger-composer that nearly a half century later, Point Of Departure remains a brilliant touchstone of modern jazz.
Alfred Lion considered Andrew Hill his last major discovery and rightly so. Hill's rich, rhythmic piano and utterly unique compositions stand alone. Point Of Departure is Hill's masterpiece with rich three-horn arrangements for Kenny Dorham, Eric Dolphy and Joe Henderson. Richard Davis and Tony Williams complete this high level ensemble.
'The sound is superb, with large soundstage, striking immediacy, and terrific dynamic scaling, and the range of tone colors—from Dolphy along—richly layered and gorgeous.' (Wayne Garcia, The Absolute Sound)
Recorded on March 21, 1964 at Van Gelder Studio, Englewood Cliffs, New Jersey
Engineered by Rudy Van Gelder
Produced by Alfred Lion
Digitally remastered
Отчёты
Динамический диапазон
foobar2000 1.2.2 / Dynamic Range Meter 1.1.1 log date: 2015-01-31 17:47:38 -------------------------------------------------------------------------------- Analyzed: Andrew Hill / Point Of Departure -------------------------------------------------------------------------------- DR Peak RMS Duration Track -------------------------------------------------------------------------------- DR11 -0.60 dB -16.18 dB 12:14 ?-Refuge DR11 -0.52 dB -15.57 dB 7:02 ?-New Monastery DR12 -2.35 dB -17.75 dB 9:45 ?-Spectrum DR12 -0.75 dB -15.84 dB 4:10 ?-Flight 19 DR11 -0.99 dB -17.76 dB 6:41 ?-Dedication -------------------------------------------------------------------------------- Number of tracks: 5 Official DR value: DR11 Samplerate: 192000 Hz Channels: 2 Bits per sample: 24 Bitrate: 5544 kbps Codec: FLAC ================================================================================
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