[SACD-R][OF] Quincy Jones - Ultimate Collection - 2002 (R&B, Vocal Jazz, Crossover Jazz)

Quincy Jones - Ultimate Collection
Жанр: R&B, Vocal Jazz, Crossover Jazz
Год выпуска диска: 2002
Производитель диска: US - Hip-O - 314 583 565-2
Аудио кодек: DSD 2.0
Тип рипа: image (ISO)
Битрейт аудио: 2,8224 MHz
Продолжительность: 75:34
Треклист:
1. Quincy Jones featuring Minnie Riperton, Leon Ware & Al Jarreau – If I Ever Lose This Heaven (Single Version) - 3:37
2. Quincy Jones featuring Benard Ighner – Everything Must Change - 6:01
3. Quincy Jones featuring Leon Ware & Bruce Fisher – Body Heat - 3:59
4. Quincy Jones featuring The Brothers Johnson – Is It Love That We’re Missin’ (Single Version) - 3:17
5. Quincy Jones featuring Paulette McWilliams – Mellow Madness - 3:29
6. Quincy Jones featuring Nickolas Ashford, Valerie Simpson & Chaka Khan – Stuff Like That (Single Version) - 3:08
7. Quincy Jones featuring Dune & Charles May – Ai No Corrida (Single Version) - 4:21
8. Quincy Jones featuring Patti Austin – Razzamatazz (Single Version) - 4:10
9. Quincy Jones featuring James Ingram – Just Once - 4:34
10. Quincy Jones featuring Patti Austin – Betcha’ Wouldn’t Hurt Me - 3:35
11. Quincy Jones featuring James Ingram – One Hundred Ways - 4:19
12. Quincy Jones featuring Ray Charles & Chaka Khan – I’ll Be Good To You - 4:55
13. Quincy Jones featuring El DeBarge, James Ingram, Al B. Sure! & Barry White – The Secret Garden (Sweet Seduction Suite) - 6:41
14. Quincy Jones featuring Tevin Campbell – Tomorrow (A Better You, Better Me) - 4:53
15. Quincy Jones featuring Tamia – You Put A Move On My Heart - 6:13
16. Quincy Jones featuring Siedah Garrett & El DeBarge – I’m Yours - 4:15
17. Quincy Jones featuring Tevin Campbell – Everything - 4:08
Описание:
Ultimate Collection is a compilation album covering Quincy Jones’ production between the 1974 and 1999, released in 2002 for Hip-O Records.
In 1974, Quincy Jones, who already had a wide range of musical credits behind him, opted to enter the R&B mainstream by hiring vocalists and overseeing recordings in a commercial vein released under his name. The first of them was Body Heat, which went gold, and Jones followed with a series of records including 1981′s million-selling The Dude and the 1990 Album of the Year Grammy-winner Back on the Block. Meanwhile, he switched record labels, leaving A&M for his own Warner-distributed Qwest in the early ’80s. That has tended to make the assembly of a comprehensive best-of difficult, but Universal’s Hip-O reissue division specializes in licensing material from other labels to construct its Ultimate Collection releases, and this one borrows seven out of 18 tracks from Qwest to add to Jones’ A&M hits, making it the definitive one-disc compilation of Jones’ pop/R&B recordings of 1974-1999. Jones himself participated in the selection, which does not strictly follow chart rankings, since a couple of R&B Top 20 hits (“I Don’t Go for That” and “Slow Jams”) are missing, while a few non-chart items are included. To get more songs in, the singles edits have been used in many cases. But all the major hits are here. The chronological sequencing allows an appreciation of how Jones’ approach changed over the years. The ’70s stuff, which holds up surprisingly well, is tasty R&B, much of it groove-oriented, up-tempo music. By the late ’80s, however, there are a lot of big, bland ballads that showcase superstar vocalists (Ray Charles, Barry White, etc.) and sound self-important. Like his protégé, Michael Jackson, who went from the rocking “Billie Jean” to the messianic “Man in the Mirror” in the same period, Jones seems to have begun believing his press clippings, and his work suffered accordingly.
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