(Post-Bop) [CD] Miles Davis Quintet - Miles Smiles - 1966 (2018 MFSL), FLAC (tracks+.cue), lossless

Exact Audio Copy V1.0 beta 3 from 29. August 2011
EAC extraction logfile from 18. December 2018, 8:29
Miles Davis / Miles Smiles
Used drive  : ATAPI   iHAS124   W   Adapter: 2  ID: 0
Read mode               : Secure
Utilize accurate stream : Yes
Defeat audio cache      : Yes
Make use of C2 pointers : No
Read offset correction                      : 48
Overread into Lead-In and Lead-Out          : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks   : No
Null samples used in CRC calculations       : Yes
Used interface                              : Native Win32 interface for Win NT & 2000
Gap handling                                : Appended to previous track
Used output format              : User Defined Encoder
Selected bitrate                : 1024 kBit/s
Quality                         : High
Add ID3 tag                     : No
Command line compressor         : C:\Program Files (x86)\Exact Audio Copy\Flac\flac.exe
Additional command line options : -8 -V -T "ARTIST=%artist%" -T "TITLE=%title%" -T "ALBUM=%albumtitle%" -T "DATE=%year%" -T "TRACKNUMBER=%tracknr%" -T "GENRE=%genre%" -T "PERFORMER=%albuminterpret%" -T "COMPOSER=%composer%" %haslyrics%--tag-from-file=LYRICS="%lyricsfile%"%haslyrics% -T "ALBUMARTIST=%albumartist%" -T "DISCNUMBER=%cdnumber%" -T "TOTALDISCS=%totalcds%" -T "TOTALTRACKS=%numtracks%" -T "COMMENT=%comment%" %source% -o %dest%
TOC of the extracted CD
     Track |   Start  |  Length  | Start sector | End sector
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        1  |  0:00.00 |  4:40.57 |         0    |    21056
        2  |  4:40.57 |  5:53.64 |     21057    |    47595
        3  | 10:34.46 |  9:52.06 |     47596    |    92001
        4  | 20:26.52 |  6:22.65 |     92002    |   120716
        5  | 26:49.42 |  7:15.57 |    120717    |   153398
        6  | 34:05.24 |  7:48.13 |    153399    |   188511
Track  1
     Filename C:\Users\Adam\Desktop\QBitTorrent Downloads\Miles Davs - (1967) Miles Smiles [2018 MFSL CD]\(01) Orbits.wav
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     Peak level 90.4 %
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     Track quality 100.0 %
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Track  2
     Filename C:\Users\Adam\Desktop\QBitTorrent Downloads\Miles Davs - (1967) Miles Smiles [2018 MFSL CD]\(02) Circle.wav
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     Extraction speed 2.9 X
     Track quality 100.0 %
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Track  3
     Filename C:\Users\Adam\Desktop\QBitTorrent Downloads\Miles Davs - (1967) Miles Smiles [2018 MFSL CD]\(03) Footprints.wav
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     Track quality 100.0 %
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Track  4
     Filename C:\Users\Adam\Desktop\QBitTorrent Downloads\Miles Davs - (1967) Miles Smiles [2018 MFSL CD]\(04) Dolores.wav
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     Extraction speed 3.8 X
     Track quality 100.0 %
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Track  5
     Filename C:\Users\Adam\Desktop\QBitTorrent Downloads\Miles Davs - (1967) Miles Smiles [2018 MFSL CD]\(05) Freedom Jazz Dance.wav
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     Track quality 100.0 %
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Track  6
     Filename C:\Users\Adam\Desktop\QBitTorrent Downloads\Miles Davs - (1967) Miles Smiles [2018 MFSL CD]\(06) Gingerbread Boy.wav
     Pre-gap length  0:00:02.58
     Peak level 96.9 %
     Extraction speed 4.5 X
     Track quality 100.0 %
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None of the tracks are present in the AccurateRip database
No errors occurred
End of status report
==== Log checksum 7E1CD972D5A1996790C6BDD34CFA62F90AA6A2A288E074E9EB7E6B8BE32644C0 ====

REM GENRE Jazz
REM DATE 1966
REM DISCID 4009D106
REM COMMENT "ExactAudioCopy v1.0b3"
PERFORMER "Miles Davis"
TITLE "Miles Smiles"
FILE "01 - Orbits.wav" WAVE
  TRACK 01 AUDIO
    TITLE "Orbits"
    PERFORMER "Miles Davis"
    INDEX 01 00:00:00
  TRACK 02 AUDIO
    TITLE "Circle"
    PERFORMER "Miles Davis"
    INDEX 00 04:37:74
FILE "02 - Circle.wav" WAVE
    INDEX 01 00:00:00
  TRACK 03 AUDIO
    TITLE "Footprints"
    PERFORMER "Miles Davis"
    INDEX 00 05:51:06
FILE "03 - Footprints.wav" WAVE
    INDEX 01 00:00:00
  TRACK 04 AUDIO
    TITLE "Dolores"
    PERFORMER "Miles Davis"
    INDEX 00 09:47:23
FILE "04 - Dolores.wav" WAVE
    INDEX 01 00:00:00
  TRACK 05 AUDIO
    TITLE "Freedom Jazz Dance"
    PERFORMER "Miles Davis"
    INDEX 00 06:20:07
FILE "05 - Freedom Jazz Dance.wav" WAVE
    INDEX 01 00:00:00
  TRACK 06 AUDIO
    TITLE "Ginger Bread Boy"
    PERFORMER "Miles Davis"
    INDEX 00 07:12:74
FILE "06 - Ginger Bread Boy.wav" WAVE
    INDEX 01 00:00:00

Mastered from the Original Master Tapes and Strictly Limited to 3,000 Numbered Copies
The clarity afforded by history proves Miles Davis' second great quintet vying for the unofficial honor of being the finest small jazz combo to ever record to tape. Originally released in 1966, Miles Smiles is largely responsible for the feat, as it commences a series of five groundbreaking albums – chronologically rounded out by Sorcerer, Nefertiti, Miles in the Sky, and Filles de Kilimanjaro – guided not by chordal patterns but open responses to melodies. Music would never again be the same. Neither will experiencing Miles Smiles once you hear this definitive-sounding hybrid SACD reissue.
Mastered from the original master tapes and strictly limited to 3,000 numbered copies, Mobile Fidelity's numbered hybrid SACD takes the landmark effort into rarified sonic territory. Davis and company play against coal-black backgrounds that serve to illuminate every detail, texture, and nuance. Superb separation and plentiful air allow instruments to fully blossom, effectively taking you into Columbia's 30th Street Studio to watch the legendary combo transpire before your eyes.
Like the other iconic Davis titles in Mobile Fidelity's reissue series, this analog version also puts a premium on tonality and preservation of individual notes, which arc and decay with uncanny realism. The brilliance of Ted Macero's original production springs forth from every passage. Never before has this standard-setting record burst with as much palpable verve, energy, spirit. Davis and Wayne Shorter's horns crackle with electricity. Ron Carter's bass attains unprecedented fluidity and dimensionality. Tony Williams' drums burst, splash, and swing with terrific fervor. Herbie Hancock's 88s dance with a communal dynamic.
Even with all the headway the ensemble made on its subsequent albums together, many jazz cognoscenti and Davis diehards strongly feel Miles Smiles remains the apex of their vast accomplishments. The piles of evidence lay within the thrills, adventurousness, and curiosities staked to every composition. At once accessible and unpredictable, songs reflect an ever-changing mentality, an edgy moodiness, and a triumphant will – with each corner the band rounds a new opportunity to integrate and interact, anticipate and respond, investigate open spaces and establish if not fully lock into contagious, broad, striding grooves.
For Davis – and the music world at large – the significance of Miles Smiles cannot be overstated. "The synthesis of complete abstraction with more or less straightforward blues-playing was to sustain [Davis] right through the darkness of the 1970s bands to the later period," write experts Richard Cook and Brian Morton. To their point, everyone from DownBeat to Q to TIME have deemed "Footprints" as one of the greatest compositions of the latter 20th century.
Everywhere you turn, genius abounds. Right out of the starting gates, "Orbits" swirls with hard-driving rhythms and Davis' untethered soloing. "Delores" likewise steams and cooks, retaining a tuneful allure all the while speaking with a streetwise swagger. Anchored in part by Hancock's radiant piano lines, the ballad "Circle" moves gently and expresses a romantic elegance via its superb lyrical poise. On Miles Smiles, the band simply has and does it all. This is a record you want to feel as much as hear.