(Post-Bop) [CD] Miles Davis Quintet - Miles Smiles - 1966 (1987 Japan 1st Press Edition 32DP 724), FLAC (tracks+.cue), lossless
Битрейт аудио:
lossless
Треклист:
Miles Davis Quintet - Miles Smiles
Жанр: Post-Bop
Носитель: CD
Страна-производитель диска (релиза): Япония
Год издания: 1987
Издатель (лейбл): CBS/Sony Inc.
Номер по каталогу: 32DP 724
Страна исполнителя (группы): США
Аудиокодек: FLAC (*.flac)
Тип рипа: tracks+.cue
Битрейт аудио: lossless
Продолжительность: 42:04
Источник (релизер): Faunts
Наличие сканов в содержимом раздачи: сетевые
Треклист:
01. Orbits (Shorter) - 4:41
02. Circle (Davis) - 5:57
03. Footprints (Shorter) - 9:51
04. Dolores (Shorter) - 6:25
05. Freedom Jazz Dance (Harris) - 7:17
06. Ginger Bread Boy (Heath) - 7:53
Состав:
Miles Davis - trumpet
Wayne Shorter - tenor saxophone
Herbie Hancock - piano
Ron Carter - bass
Tony Williams - drums
Recorded at Columbia 30th Street Studio, New York on October 24 (#1,2,4,5) and October 25 (#3,6), 1966.
Лог создания рипа
Содержание индексной карты (.CUE)
Отчет CUETools
AllMusic Review by Stephen Thomas Erlewine
Жанр: Post-Bop
Носитель: CD
Страна-производитель диска (релиза): Япония
Год издания: 1987
Издатель (лейбл): CBS/Sony Inc.
Номер по каталогу: 32DP 724
Страна исполнителя (группы): США
Аудиокодек: FLAC (*.flac)
Тип рипа: tracks+.cue
Битрейт аудио: lossless
Продолжительность: 42:04
Источник (релизер): Faunts
Наличие сканов в содержимом раздачи: сетевые
Треклист:
01. Orbits (Shorter) - 4:41
02. Circle (Davis) - 5:57
03. Footprints (Shorter) - 9:51
04. Dolores (Shorter) - 6:25
05. Freedom Jazz Dance (Harris) - 7:17
06. Ginger Bread Boy (Heath) - 7:53
Состав:
Miles Davis - trumpet
Wayne Shorter - tenor saxophone
Herbie Hancock - piano
Ron Carter - bass
Tony Williams - drums
Recorded at Columbia 30th Street Studio, New York on October 24 (#1,2,4,5) and October 25 (#3,6), 1966.
Exact Audio Copy V1.0 beta 4 from 7. December 2014 EAC extraction logfile from 21. May 2015, 17:48 Miles Davis Quintet, The (2nd) [5] / Miles Smiles [32DP 724] Used drive : TSSTcorpCDDVDW TS-L633J Adapter: 1 ID: 0 Read mode : Secure Utilize accurate stream : Yes Defeat audio cache : Yes Make use of C2 pointers : No Read offset correction : 6 Overread into Lead-In and Lead-Out : No Fill up missing offset samples with silence : Yes Delete leading and trailing silent blocks : No Null samples used in CRC calculations : Yes Used interface : Native Win32 interface for Win NT & 2000 Gap handling : Appended to previous track Used output format : Internal WAV Routines Sample format : 44.100 Hz; 16 Bit; Stereo TOC of the extracted CD Track | Start | Length | Start sector | End sector --------------------------------------------------------- 1 | 0:00.00 | 4:40.52 | 0 | 21051 2 | 4:40.52 | 5:57.05 | 21052 | 47831 3 | 10:37.57 | 9:50.50 | 47832 | 92131 4 | 20:28.32 | 6:24.55 | 92132 | 120986 5 | 26:53.12 | 7:16.50 | 120987 | 153736 6 | 34:09.62 | 7:53.13 | 153737 | 189224 Track 1 Filename C:\EAC\Miles Davis - Miles Smiles\01 Orbits [A].wav Pre-gap length 0:00:02.00 Peak level 100.0 % Extraction speed 1.7 X Track quality 100.0 % Test CRC 754F1026 Copy CRC 754F1026 Accurately ripped (confidence 4) [2CA10AF1] (AR v1) Copy OK Track 2 Filename C:\EAC\Miles Davis - Miles Smiles\02 Circle [A].wav Pre-gap length 0:00:02.00 Peak level 87.3 % Extraction speed 2.0 X Track quality 100.0 % Test CRC 2FC07366 Copy CRC 2FC07366 Accurately ripped (confidence 4) [1079EADD] (AR v1) Copy OK Track 3 Filename C:\EAC\Miles Davis - Miles Smiles\03 Footprints [B].wav Pre-gap length 0:00:02.00 Peak level 100.0 % Extraction speed 2.4 X Track quality 100.0 % Test CRC C7A3CCE2 Copy CRC C7A3CCE2 Accurately ripped (confidence 4) [8006BFC4] (AR v1) Copy OK Track 4 Filename C:\EAC\Miles Davis - Miles Smiles\04 Dolores [A].wav Pre-gap length 0:00:02.00 Peak level 98.6 % Extraction speed 2.6 X Track quality 100.0 % Test CRC 3FB2BFF8 Copy CRC 3FB2BFF8 Accurately ripped (confidence 4) [2533B286] (AR v1) Copy OK Track 5 Filename C:\EAC\Miles Davis - Miles Smiles\05 Freedom Jazz Dance [A].wav Pre-gap length 0:00:02.00 Peak level 100.0 % Extraction speed 2.9 X Track quality 100.0 % Test CRC 285C54E1 Copy CRC 285C54E1 Accurately ripped (confidence 4) [D2BAD35C] (AR v1) Copy OK Track 6 Filename C:\EAC\Miles Davis - Miles Smiles\06 Gingerbread Boy [B].wav Pre-gap length 0:00:02.00 Peak level 100.0 % Extraction speed 3.1 X Track quality 100.0 % Test CRC 15E3DF22 Copy CRC 15E3DF22 Accurately ripped (confidence 4) [4995F0CF] (AR v1) Copy OK All tracks accurately ripped No errors occurred End of status report ---- CUETools DB Plugin V2.1.4 [CTDB TOCID: CDmcgDz1mA19s1kGxK.Ho9EDxYk-] found Submit result: CDmcgDz1mA19s1kGxK.Ho9EDxYk- has been confirmed Track | CTDB Status 1 | (3/3) Accurately ripped 2 | (3/3) Accurately ripped 3 | (3/3) Accurately ripped 4 | (3/3) Accurately ripped 5 | (3/3) Accurately ripped 6 | (3/3) Accurately ripped ==== Log checksum AAD3DD0B43F3385E8059683C0BB67987F496B9C7EEF0739035435325537195CE ====
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With their second album, Miles Smiles, the second Miles Davis Quintet really began to hit their stride, delving deeper into the more adventurous, exploratory side of their signature sound. This is clear as soon as "Orbits" comes crashing out the gate, but it's not just the fast, manic material that has an edge -- slower, quieter numbers are mercurial, not just in how they shift melodies and chords, but how the voicing and phrasing never settles into a comfortable groove. This is music that demands attention, never taking predictable paths or easy choices. Its greatest triumph is that it masks this adventurousness within music that is warm and accessible -- it just never acts that way. No matter how accessible this is, what's so utterly brilliant about it is that the group never brings it forth to the audience. They're playing for each other, pushing and prodding each other in an effort to discover new territory. As such, this crackles with vitality, sounding fresh decades after its release. And, like its predecessor, ESP, this freshness informs the writing as well, as the originals are memorable, yet open-ended and nervy, setting (and creating) standards for modern bop that were emulated well into the new century. Arguably, this quintet was never better than they are here, when all their strengths are in full bloom.