(Modern, Free Jazz) David Murray Quintet with Ray Anderson & Anthony Davis - David Murray Quintet with Ray Anderson & Anthony Davis {DIW Records DIW-908, Japan} - 1996, APE (image+.cue) lossless

Exact Audio Copy V0.99 prebeta 5 from 4. May 2009
EAC extraction logfile from 24. November 2010, 20:28
david murray quintet ray anderson anthony davis / david murray quintet with ray anderson anthony davis
Used drive  : TSSTcorpDVD+-RW TS-U633A   Adapter: 0  ID: 1
Read mode               : Secure
Utilize accurate stream : Yes
Defeat audio cache      : Yes
Make use of C2 pointers : No
Read offset correction                      : 6
Overread into Lead-In and Lead-Out          : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks   : No
Null samples used in CRC calculations       : Yes
Used interface                              : Native Win32 interface for Win NT & 2000
Used output format : Internal WAV Routines
Sample format      : 44.100 Hz; 16 Bit; Stereo
TOC of the extracted CD
     Track |   Start  |  Length  | Start sector | End sector
    ---------------------------------------------------------
        1  |  0:00.00 |  7:57.62 |         0    |    35836
        2  |  7:57.62 |  6:18.13 |     35837    |    64199
        3  | 14:16.00 |  5:42.60 |     64200    |    89909
        4  | 19:58.60 | 10:24.30 |     89910    |   136739
        5  | 30:23.15 | 11:55.32 |    136740    |   190396
        6  | 42:18.47 |  8:53.58 |    190397    |   230429
Range status and errors
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     Filename C:\_Arc\EAC_Out\david murray quintet ray anderson anthony davis\david murray quintet ray anderson anthony davis.wav
     Peak level 100.0 %
     Range quality 100.0 %
     Copy CRC 32D94C48
     Copy OK
No errors occurred
AccurateRip summary
Track  1  accurately ripped (confidence 2)  [2121C667]
Track  2  accurately ripped (confidence 2)  [9BFF7287]
Track  3  accurately ripped (confidence 2)  [6F01E572]
Track  4  accurately ripped (confidence 2)  [824B3196]
Track  5  accurately ripped (confidence 2)  [3C41C196]
Track  6  accurately ripped (confidence 2)  [6C7EECCB]
All tracks accurately ripped
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REM GENRE Jazz
REM DATE 1994
REM DISCID 490C0006
REM COMMENT "ExactAudioCopy v0.99pb5"
PERFORMER "david murray quintet ray anderson anthony davis"
TITLE "david murray quintet with ray anderson anthony davis"
FILE "david murray quintet ray anderson anthony davis.ape" WAVE
  TRACK 01 AUDIO
    TITLE "stompin' at the savoy"
    PERFORMER "david murray quintet ray anderson anthony davis"
    INDEX 01 00:00:00
  TRACK 02 AUDIO
    TITLE "disguise the limit"
    PERFORMER "david murray quintet ray anderson anthony davis"
    INDEX 01 07:57:62
  TRACK 03 AUDIO
    TITLE "jay walking"
    PERFORMER "david murray quintet ray anderson anthony davis"
    INDEX 01 14:16:00
  TRACK 04 AUDIO
    TITLE "andrew"
    PERFORMER "david murray quintet ray anderson anthony davis"
    INDEX 01 19:58:60
  TRACK 05 AUDIO
    TITLE "kiano"
    PERFORMER "david murray quintet ray anderson anthony davis"
    INDEX 01 30:23:15
  TRACK 06 AUDIO
    TITLE "funkalific"
    PERFORMER "david murray quintet ray anderson anthony davis"
    INDEX 01 42:18:47

"Combining David Murray and Ray Anderson on a front line in the '90s is a little bit like pairing Coleman Hawkins with Jack Teagarden in the '30s. Take the leading tenor saxophonist and trombonist of the day, throw them into a pot, and bring to a rapid boil; the resulting concoction is sure to be delicious. Stylistically, Murray and Anderson have a lot in common. Both men play fast and loose with the harmonies in a conventional jazz setting, tossing dissonances against every wall in the house just to see which will stick. Most do, thanks largely to the conviction with which both men play. You can't notate a Murray or Anderson solo; they're too full of growls, wheezes, and all manner of microtonal inflections. Try to write it down and you're doomed to fail, for this music is made to be heard, not analyzed — an anomaly in the day of book-learned jazz improvisation. This is a fantastic, joyously played album. Murray and Anderson are powerful enough on their own; together, they're a juggernaut. Here they play straight-ahead, chord change/modal tunes, taking them 'out' at the drop of a tritone. Most musicians with a free jazz background can't pull this off (most shouldn't even try). Murray and Anderson, on the other hand, know the routine well enough to make it their own. Their harmonic and rhythmic abstractions never compromise the integrity of a tune like 'Stompin' at the Savoy'; they've got the form down, for one thing, and both swing as hard as the funkiest hard bopper. Anthony Davis is the perfect pianist for this band — tasteful, well-grounded in tradition, but able to twist the harmonies into knots in order to accommodate Murray and Anderson. This is a first-rate album by as heavy an ad hoc group as you'll find anywhere."