(Mainstream Jazz, Cool Jazz, Post-Bop) PJ Perry & Bill Mays - This Quiet Room - 2019, MP3, 320 kbps
Треклист:
PJ Perry & Bill Mays / This Quiet Room
Жанр: Mainstream Jazz, Cool Jazz, Post-Bop
Страна исполнителя (группы): Канада / США
Год издания: 2019
Аудиокодек: MP3
Тип рипа: tracks
Битрейт аудио: 320 kbps
Продолжительность: 00:57:43
Наличие сканов в содержимом раздачи: нет
Треклист:
01. Parisian Thoroughfare
02. In My Life
03. Laird Baird
04. Medley: The Folks Who Live on the Hill / Two for the Road
05. Alice Blue Gown
06. There’s a Small Hotel
07. Beija Flor
08. East of the Sun
09. This Quiet Room
Об исполнителе (группе)
PJ Perry:
Wikipedia
AllMusic
Discogs
MusicBrainz
http://www.pjperry.com
Bill Mays:
Wikipedia
AllMusic
Discogs
MusicBrainz
https://www.billmays.net
Wikipedia
AllMusic
Discogs
MusicBrainz
http://www.pjperry.com
Bill Mays:
Wikipedia
AllMusic
Discogs
MusicBrainz
https://www.billmays.net
Об альбоме (сборнике)
Editorial Reviews
The boundless creativity of Perry and Mays demonstrates that there is much to unpack & discover by exploring these tunes.
There are, of course, great solo performances and recordings within the history of jazz music. But, whether it is Joe Pass interacting with his tapping (Barry Harris likes to say ''patting'') left foot, or Erroll Garner's vocalized growl that acts as a near-constant background hum, it is the interaction (or, in the case of Bill Evans), the ''interplay'' that occurs between musicians (or with an imagined other) that imbues jazz with its vibrancy, its conversational nature, its effervescent bounce. A simpatico musical approach is crucial to the success of any improvisational recording, of course, but perhaps especially so in the case of a duo performance. And what a good musical relationship has been established here between Canadian saxophonist PJ Perry and the California-native, pianist Bill Mays.AllMusic | bandcamp | Amazon
The boundless creativity of Perry and Mays demonstrates that there is much to unpack & discover by exploring these tunes.
There are, of course, great solo performances and recordings within the history of jazz music. But, whether it is Joe Pass interacting with his tapping (Barry Harris likes to say ''patting'') left foot, or Erroll Garner's vocalized growl that acts as a near-constant background hum, it is the interaction (or, in the case of Bill Evans), the ''interplay'' that occurs between musicians (or with an imagined other) that imbues jazz with its vibrancy, its conversational nature, its effervescent bounce. A simpatico musical approach is crucial to the success of any improvisational recording, of course, but perhaps especially so in the case of a duo performance. And what a good musical relationship has been established here between Canadian saxophonist PJ Perry and the California-native, pianist Bill Mays.AllMusic | bandcamp | Amazon