(Hard Bop) Ernie Henry - Last Chorus, w. Lee Morgan, Melba Liston, Benny Golson, Wynton Kelly, feat. Dorham and Monk - 1998, FLAC (tracks+.cue), lossless
Треклист:
Ernie Henry / Last Chorus
Жанр: Hard Bop
Страна-производитель диска: USA
Год издания: 1998
Издатель (лейбл): Riverside / Fantasy OJC
Номер по каталогу: OJCCD-1906-2
Страна: USA
Аудиокодек: FLAC (*.flac)
Тип рипа: tracks+.cue
Битрейт аудио: lossless
Источник (релизер): Джаз клуб -- не исключено, что выкладывал mishka1981, хотя ориг. лог не его
Наличие сканов в содержимом раздачи: да
Треклист:
1. Autumn Leaves (Joseph Kosma / Johnny Mercer / Jacques Prévert)
2. Beauty and the Blues (Benny Golson)
3. All the Things You Are (Oscar Hammerstein II / Jerome Kern)
4. Melba's Tune (Melba Liston)
5. S'posin' (Paul Denniker / Andy Razaf) [alt tk] feat. Kenny Dorham Quartet
6. Ba-Lue Bolivar Ba-Lues-Are (Monk) [excerpt] feat. Thelonious Monk
7. Like Someone in Love (Johnny Burke / James Van Heusen) [alt tk]
8. Cleo's Chant (Ernie Henry)
Recorded at Reeves Sound Studios in New York City on August 30, 1956 (track 8), October 9, 1956 (track 6), September 15, 1957 (tracks 1-4), September 30, 1957 (track 7) and November 13, 1957 (track 5)
Жанр: Hard Bop
Страна-производитель диска: USA
Год издания: 1998
Издатель (лейбл): Riverside / Fantasy OJC
Номер по каталогу: OJCCD-1906-2
Страна: USA
Аудиокодек: FLAC (*.flac)
Тип рипа: tracks+.cue
Битрейт аудио: lossless
Источник (релизер): Джаз клуб -- не исключено, что выкладывал mishka1981, хотя ориг. лог не его
Наличие сканов в содержимом раздачи: да
Треклист:
1. Autumn Leaves (Joseph Kosma / Johnny Mercer / Jacques Prévert)
2. Beauty and the Blues (Benny Golson)
3. All the Things You Are (Oscar Hammerstein II / Jerome Kern)
4. Melba's Tune (Melba Liston)
5. S'posin' (Paul Denniker / Andy Razaf) [alt tk] feat. Kenny Dorham Quartet
6. Ba-Lue Bolivar Ba-Lues-Are (Monk) [excerpt] feat. Thelonious Monk
7. Like Someone in Love (Johnny Burke / James Van Heusen) [alt tk]
8. Cleo's Chant (Ernie Henry)
Recorded at Reeves Sound Studios in New York City on August 30, 1956 (track 8), October 9, 1956 (track 6), September 15, 1957 (tracks 1-4), September 30, 1957 (track 7) and November 13, 1957 (track 5)
Состав
Ernie Henry - alto saxophone
Kenny Dorham (tracks 5 & 8) Lee Morgan (tracks 1-4) - trumpet
Melba Liston - trombone (tracks 1, 2 & 4)
Benny Golson (tracks 1-4), Sonny Rollins (track 6) - tenor saxophone
Cecil Payne - baritone saxophone (tracks 1, 2 & 4)
Kenny Drew (track 8), Wynton Kelly (tracks 1-4 & 7), Thelonious Monk (track 6) - piano
Paul Chambers (tracks 1-4), Eddie Mathias (track 5), Oscar Pettiford (track 6), Wilbur Ware (tracks 7 & 8) - bass
G. T. Hogan (track 5), Philly Joe Jones (tracks 1-4 & 7), Max Roach (track 6), Art Taylor (track 8) - drums
http://en.wikipedia.org/wiki/Last_Chorus#Personnel
Kenny Dorham (tracks 5 & 8) Lee Morgan (tracks 1-4) - trumpet
Melba Liston - trombone (tracks 1, 2 & 4)
Benny Golson (tracks 1-4), Sonny Rollins (track 6) - tenor saxophone
Cecil Payne - baritone saxophone (tracks 1, 2 & 4)
Kenny Drew (track 8), Wynton Kelly (tracks 1-4 & 7), Thelonious Monk (track 6) - piano
Paul Chambers (tracks 1-4), Eddie Mathias (track 5), Oscar Pettiford (track 6), Wilbur Ware (tracks 7 & 8) - bass
G. T. Hogan (track 5), Philly Joe Jones (tracks 1-4 & 7), Max Roach (track 6), Art Taylor (track 8) - drums
http://en.wikipedia.org/wiki/Last_Chorus#Personnel
Об альбоме (сборнике)
review by Scott Yanow
Ernie Henry was a promising alto saxophonist who passed away prematurely on December 29, 1957, when he was only 31. He had recorded his album Seven Standards and a Blues on September 30, and four songs for an uncompleted octet date on September 23. This CD reissue has the latter tunes (which feature trumpeter Lee Morgan; trombonist Melba Liston, who contributed "Melba's Tune"; tenor saxophonist Benny Golson; and pianist Wynton Kelly), an alternate take from the Seven Standards set ("Like Someone in Love"), a leftover track from the preceding year ("Cleo's Chant"), the solos of Thelonious Monk and Henry (from the lengthy "Ba-Lue Bolivar Ba-Lues-Are"), and an alternate version of "S'posin'" taken from the altoist's final recording (a quartet outing with trumpeter Kenny Dorham). Overall, the music is fine and, surprisingly, does not have an unfinished air about it. It does make one wish that Ernie Henry had taken better care of his health, as he was just beginning to develop a sound of his own.
* * *
http://www.amazon.com/review/R8J0TXV262P6M/
5.0 out of 5 stars
A man of great curiosity
March 15, 2008
By trumpet mercenary
This extremely rare compilation couples a few sessions showcasing the underground talent of Ernie Henry. Henry is a cult figure among jazz fans (think of Tina Brooks, Herbie Nichols, Elmo Hope, etc.) whose playing was so effortless that it evoked the feeling of magic. The sessions are: a four-track session under the name of "Ernie Henry Octet," a track from the "Kenny Dorham Quartet," a track from the "Thelonious Monk group," a track from the "Ernie Henry Quartet," and finally a track from the "Ernie Henry Quintet." As you can see, the re-issuing of such piecemeal material under a single album will be very appealing to Henry fans.
The music of "Last Chorus" is atypical of most of jazz from 1956-1957: plenty of standards, boppish originals, highly arranged melodies (in the octet's case), and the same several musicians from Dizzy Gillespie's big band hanging out (Wynton Kelly, Henry, Benny Golson, Paul Chambers, Lee Morgan, etc). As for Henry's playing himself, his flat intonation will surely put off several listeners, but his harmonic explorations went much further than most altoists of the day, combining Bird's lines with a heightened sense of the blues.
The album receives a huge uplift from the playing of 18 year old Lee Morgan. Morgan was at his early best: a devoted worshipper of Clifford Brown, yet making up for the difference in virtuosity with sassiness and humor. On "All the Things You Are," he takes the bridge with alternate fingered notes, giving the feel and sound of a trumpet gurgling underwater (having trouble picturing that? Listen to the song!). His solo on "Autumn Leaves" sees him riding a boat of assured confidence through the song's otherwise ho-hum chord changes: those immortal triplet runs, half-valve effects, and the absolutely shimmering vibrato.
Now, this CD is probably out of print for a reason - the artist isn't famous and the music isn't groundbreaking. Hence the tragedy of beautiful album's such as "Last Chorus" - jazz albums are unpopular enough as they are, but when it comes to figures passed by in the rearview window, recordings are near impossible to locate. Henry's playing is daring and talented enough to warrant the difficulty of finding the album.
Speaking of all the members of Dizzy's band hanging out, there are other albums in this mold to check out - Lee Morgan's recently released "Dizzy Atmosphere" and "Double or Nothin,'" not to mention Dizzy's "At Newport" and "Birks' Works: The Big Band Sessions." Henry is featured on all of these, thus diminishing his legacy's shadows just a shade.
The album's most striking and inventive piece was written by the revered and original trombonist, Melba's Liston, and what a clever title - Melba's Tune! It's a ballad to showcase Henry's tone, allowing him to float among the twilit isles of the ensemble and climb a tower of pearls, pale with his inflective but robust vibrato. It's the shortest tune on the album, yet the brightest and filled with the utmost beauty.
Alas, Henry passed away just weeks after all of these sessions were recorded. Nobody knows how he died, but it is generally agreed that he was a jazz traveler - from musical realm to musical realm, never resting on his success and always pushing himself to play better, arrange more, and express his ideas even more deeply.
* * *
Ernie Henry was a promising alto saxophonist who passed away prematurely on December 29, 1957, when he was only 31. He had recorded his album Seven Standards and a Blues on September 30, and four songs for an uncompleted octet date on September 23. This CD reissue has the latter tunes (which feature trumpeter Lee Morgan; trombonist Melba Liston, who contributed "Melba's Tune"; tenor saxophonist Benny Golson; and pianist Wynton Kelly), an alternate take from the Seven Standards set ("Like Someone in Love"), a leftover track from the preceding year ("Cleo's Chant"), the solos of Thelonious Monk and Henry (from the lengthy "Ba-Lue Bolivar Ba-Lues-Are"), and an alternate version of "S'posin'" taken from the altoist's final recording (a quartet outing with trumpeter Kenny Dorham). Overall, the music is fine and, surprisingly, does not have an unfinished air about it. It does make one wish that Ernie Henry had taken better care of his health, as he was just beginning to develop a sound of his own.
* * *
http://www.amazon.com/review/R8J0TXV262P6M/
5.0 out of 5 stars
A man of great curiosity
March 15, 2008
By trumpet mercenary
This extremely rare compilation couples a few sessions showcasing the underground talent of Ernie Henry. Henry is a cult figure among jazz fans (think of Tina Brooks, Herbie Nichols, Elmo Hope, etc.) whose playing was so effortless that it evoked the feeling of magic. The sessions are: a four-track session under the name of "Ernie Henry Octet," a track from the "Kenny Dorham Quartet," a track from the "Thelonious Monk group," a track from the "Ernie Henry Quartet," and finally a track from the "Ernie Henry Quintet." As you can see, the re-issuing of such piecemeal material under a single album will be very appealing to Henry fans.
The music of "Last Chorus" is atypical of most of jazz from 1956-1957: plenty of standards, boppish originals, highly arranged melodies (in the octet's case), and the same several musicians from Dizzy Gillespie's big band hanging out (Wynton Kelly, Henry, Benny Golson, Paul Chambers, Lee Morgan, etc). As for Henry's playing himself, his flat intonation will surely put off several listeners, but his harmonic explorations went much further than most altoists of the day, combining Bird's lines with a heightened sense of the blues.
The album receives a huge uplift from the playing of 18 year old Lee Morgan. Morgan was at his early best: a devoted worshipper of Clifford Brown, yet making up for the difference in virtuosity with sassiness and humor. On "All the Things You Are," he takes the bridge with alternate fingered notes, giving the feel and sound of a trumpet gurgling underwater (having trouble picturing that? Listen to the song!). His solo on "Autumn Leaves" sees him riding a boat of assured confidence through the song's otherwise ho-hum chord changes: those immortal triplet runs, half-valve effects, and the absolutely shimmering vibrato.
Now, this CD is probably out of print for a reason - the artist isn't famous and the music isn't groundbreaking. Hence the tragedy of beautiful album's such as "Last Chorus" - jazz albums are unpopular enough as they are, but when it comes to figures passed by in the rearview window, recordings are near impossible to locate. Henry's playing is daring and talented enough to warrant the difficulty of finding the album.
Speaking of all the members of Dizzy's band hanging out, there are other albums in this mold to check out - Lee Morgan's recently released "Dizzy Atmosphere" and "Double or Nothin,'" not to mention Dizzy's "At Newport" and "Birks' Works: The Big Band Sessions." Henry is featured on all of these, thus diminishing his legacy's shadows just a shade.
The album's most striking and inventive piece was written by the revered and original trombonist, Melba's Liston, and what a clever title - Melba's Tune! It's a ballad to showcase Henry's tone, allowing him to float among the twilit isles of the ensemble and climb a tower of pearls, pale with his inflective but robust vibrato. It's the shortest tune on the album, yet the brightest and filled with the utmost beauty.
Alas, Henry passed away just weeks after all of these sessions were recorded. Nobody knows how he died, but it is generally agreed that he was a jazz traveler - from musical realm to musical realm, never resting on his success and always pushing himself to play better, arrange more, and express his ideas even more deeply.
* * *
Лог создания рипа
EAC extraction logfile from 20. June 2007, 0:15 for CD Ernie Henry / Last Chorus Used drive : HL-DT-STDVDRAM GSA-4163B Adapter: 1 ID: 1 Read mode : Secure with NO C2, accurate stream, disable cache Read offset correction : 667 Overread into Lead-In and Lead-Out : No Used output format : Internal WAV Routines 44.100 Hz; 16 Bit; Stereo Other options : Fill up missing offset samples with silence : Yes Delete leading and trailing silent blocks : No Installed external ASPI interface Track 1 Filename D:\Ernie Henry - Last Chorus (1956)[FLAC]{OJC}\01 - Autumn Leaves.wav Pre-gap length 0:00:02.00 Peak level 100.0 % Track quality 99.9 % Test CRC E038F98B Copy CRC E038F98B Copy OK Track 2 Filename D:\Ernie Henry - Last Chorus (1956)[FLAC]{OJC}\02 - Beauty And The Beast.wav Pre-gap length 0:00:02.56 Peak level 100.0 % Track quality 100.0 % Test CRC 87233012 Copy CRC 87233012 Copy OK Track 3 Filename D:\Ernie Henry - Last Chorus (1956)[FLAC]{OJC}\03 - All The Things You Are.wav Pre-gap length 0:00:02.16 Peak level 100.0 % Track quality 100.0 % Test CRC 104A8BA5 Copy CRC 104A8BA5 Copy OK Track 4 Filename D:\Ernie Henry - Last Chorus (1956)[FLAC]{OJC}\04 - Melba's Tune.wav Pre-gap length 0:00:02.71 Peak level 99.9 % Track quality 100.0 % Test CRC 925B6368 Copy CRC 925B6368 Copy OK Track 5 Filename D:\Ernie Henry - Last Chorus (1956)[FLAC]{OJC}\05 - S'Poisin'.wav Pre-gap length 0:00:02.23 Peak level 100.0 % Track quality 100.0 % Test CRC AB962F6C Copy CRC AB962F6C Copy OK Track 6 Filename D:\Ernie Henry - Last Chorus (1956)[FLAC]{OJC}\06 - Ba-Lue Bolivar Ba-Lues-Are.wav Pre-gap length 0:00:02.32 Peak level 100.0 % Track quality 100.0 % Test CRC 6A66FD0B Copy CRC 6A66FD0B Copy OK Track 7 Filename D:\Ernie Henry - Last Chorus (1956)[FLAC]{OJC}\07 - Like Someone In Love.wav Pre-gap length 0:00:02.51 Peak level 87.7 % Track quality 100.0 % Test CRC 4CEE3A22 Copy CRC 4CEE3A22 Copy OK Track 8 Filename D:\Ernie Henry - Last Chorus (1956)[FLAC]{OJC}\08 - Cleo's Chant.wav Pre-gap length 0:00:02.49 Peak level 100.0 % Track quality 100.0 % Test CRC 16EAD63F Copy CRC 16EAD63F Copy OK No errors occured End of status report
Содержание индексной карты (.CUE)
REM GENRE Jazz
REM DATE 1957
REM DISCID 580AA008
REM COMMENT "ExactAudioCopy v0.95b2"
PERFORMER "Ernie Henry"
TITLE "Last Chorus"
FILE "01 - Autumn Leaves.wav" WAVE
TRACK 01 AUDIO
TITLE "Autumn Leaves"
PERFORMER "Ernie Henry"
INDEX 01 00:00:00
TRACK 02 AUDIO
TITLE "Beauty And The Beast"
PERFORMER "Ernie Henry"
INDEX 00 03:12:61
FILE "02 - Beauty And The Beast.wav" WAVE
INDEX 01 00:00:00
TRACK 03 AUDIO
TITLE "All The Things You Are"
PERFORMER "Ernie Henry"
INDEX 00 06:26:44
FILE "03 - All The Things You Are.wav" WAVE
INDEX 01 00:00:00
TRACK 04 AUDIO
TITLE "Melba's Tune"
PERFORMER "Ernie Henry"
INDEX 00 07:46:04
FILE "04 - Melba's Tune.wav" WAVE
INDEX 01 00:00:00
TRACK 05 AUDIO
TITLE "S'Poisin'"
PERFORMER "Ernie Henry"
INDEX 00 02:39:42
FILE "05 - S'Poisin'.wav" WAVE
INDEX 01 00:00:00
TRACK 06 AUDIO
TITLE "Ba-Lue Bolivar Ba-Lues-Are"
PERFORMER "Ernie Henry"
INDEX 00 04:52:28
FILE "06 - Ba-Lue Bolivar Ba-Lues-Are.wav" WAVE
INDEX 01 00:00:00
TRACK 07 AUDIO
TITLE "Like Someone In Love"
PERFORMER "Ernie Henry"
INDEX 00 06:55:69
FILE "07 - Like Someone In Love.wav" WAVE
INDEX 01 00:00:00
TRACK 08 AUDIO
TITLE "Cleo's Chant"
PERFORMER "Ernie Henry"
INDEX 00 04:37:54
FILE "08 - Cleo's Chant.wav" WAVE
INDEX 01 00:00:00
Лог проверки качества
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отчёт CUETools
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