(Hard Bop) [CD] Paul Chambers - 1st Bassman - 1961 (2004), FLAC (tracks+.cue), lossless

Exact Audio Copy V1.0 beta 3 from 29. August 2011
EAC extraction logfile from 2. April 2014, 5:44
Paul Chambers / 1st Bassman
Used drive  : PHILIPS DVD+-RW DVD8881   Adapter: 3  ID: 0
Read mode               : Secure
Utilize accurate stream : Yes
Defeat audio cache      : Yes
Make use of C2 pointers : No
Read offset correction                      : 618
Overread into Lead-In and Lead-Out          : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks   : No
Null samples used in CRC calculations       : Yes
Used interface                              : Native Win32 interface for Win NT & 2000
Gap handling                                : Appended to previous track
Used output format              : User Defined Encoder
Selected bitrate                : 1024 kBit/s
Quality                         : High
Add ID3 tag                     : No
Command line compressor         : C:\Program Files (x86)\Exact Audio Copy\Flac\flac.exe
Additional command line options : -8 -V -T "ARTIST=%artist%" -T "TITLE=%title%" -T "ALBUM=%albumtitle%" -T "DATE=%year%" -T "TRACKNUMBER=%tracknr%" -T "GENRE=%genre%" -T "PERFORMER=%albuminterpret%" -T "COMPOSER=%composer%" %haslyrics%--tag-from-file=LYRICS="%lyricsfile%"%haslyrics% -T "ALBUMARTIST=%albumartist%" -T "DISCNUMBER=%cdnumber%" -T "TOTALDISCS=%totalcds%" -T "TOTALTRACKS=%numtracks%" -T "COMMENT=%comment%" %source% -o %dest%
TOC of the extracted CD
     Track |   Start  |  Length  | Start sector | End sector
    ---------------------------------------------------------
        1  |  0:00.32 |  4:11.40 |        32    |    18896
        2  |  4:11.72 | 10:38.68 |     18897    |    66814
        3  | 14:50.65 |  3:33.05 |     66815    |    82794
        4  | 18:23.70 |  6:08.57 |     82795    |   110451
        5  | 24:32.52 |  7:07.10 |    110452    |   142486
        6  | 31:39.62 |  8:26.50 |    142487    |   180486
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     Test CRC 2A69EC8A
     Copy CRC 2A69EC8A
     Accurately ripped (confidence 3)  [50F55358]  (AR v2)
     Copy OK
Track  2
     Filename C:\EACrips\02 - Bass Region.wav
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     Test CRC FEECA920
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     Accurately ripped (confidence 3)  [9911505B]  (AR v2)
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Track  3
     Filename C:\EACrips\03 - Retrogress.wav
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     Copy CRC CBA84C86
     Accurately ripped (confidence 3)  [FCF247C5]  (AR v2)
     Copy OK
Track  4
     Filename C:\EACrips\04 - Mopp Shoe Blues.wav
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     Copy CRC 72D0E0C3
     Accurately ripped (confidence 3)  [FDD4F0C6]  (AR v2)
     Copy OK
Track  5
     Filename C:\EACrips\05 - Blessed.wav
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     Copy CRC 660438B6
     Accurately ripped (confidence 3)  [47BA715F]  (AR v2)
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Track  6
     Filename C:\EACrips\06 - Who's Blues.wav
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     Test CRC D339096C
     Copy CRC D339096C
     Accurately ripped (confidence 3)  [2F5B6A6A]  (AR v2)
     Copy OK
All tracks accurately ripped
No errors occurred
End of status report
==== Log checksum 804CE97EB226CE4D0FA3936801B12093903F85660E657923F6A8287D8E7CD425 ====

REM GENRE Jazz
REM DATE 1961
REM DISCID 41096606
REM COMMENT "ExactAudioCopy v1.0b3"
PERFORMER "Paul Chambers"
TITLE "1st Bassman"
FILE "01 - Melody.wav" WAVE
  TRACK 01 AUDIO
    TITLE "Melody"
    PERFORMER "Paul Chambers"
    PREGAP 00:00:32
    INDEX 01 00:00:00
  TRACK 02 AUDIO
    TITLE "Bass Region"
    PERFORMER "Paul Chambers"
    INDEX 00 04:09:35
FILE "02 - Bass Region.wav" WAVE
    INDEX 01 00:00:00
  TRACK 03 AUDIO
    TITLE "Retrogress"
    PERFORMER "Paul Chambers"
    INDEX 00 10:36:53
FILE "03 - Retrogress.wav" WAVE
    INDEX 01 00:00:00
  TRACK 04 AUDIO
    TITLE "Mopp Shoe Blues"
    PERFORMER "Paul Chambers"
    INDEX 00 03:30:05
FILE "04 - Mopp Shoe Blues.wav" WAVE
    INDEX 01 00:00:00
  TRACK 05 AUDIO
    TITLE "Blessed"
    PERFORMER "Paul Chambers"
    INDEX 00 06:05:65
FILE "05 - Blessed.wav" WAVE
    INDEX 01 00:00:00
  TRACK 06 AUDIO
    TITLE "Who's Blues"
    PERFORMER "Paul Chambers"
    INDEX 00 07:04:25
FILE "06 - Who's Blues.wav" WAVE
    INDEX 01 00:00:00

[CUETools log; Date: 02.04.2014 21:37:07; Version: 2.1.4]
Pregap length 00:00:32.
[CTDB TOCID: DcHjz8emsdpwWuce7qnbeCG82vM-] found.
Track | CTDB Status
  1   | (1/1) Accurately ripped
  2   | (1/1) Accurately ripped
  3   | (1/1) Accurately ripped
  4   | (1/1) Accurately ripped
  5   | (1/1) Accurately ripped
  6   | (1/1) Accurately ripped
[AccurateRip ID: 00092f6d-0031706a-41096606] found.
Track   [  CRC   |   V2   ] Status
 01     [5c6a40ee|50f55358] (0+3/3) Accurately ripped
 02     [6ff4f7f9|9911505b] (0+3/3) Accurately ripped
 03     [e57d8ac3|fcf247c5] (0+3/3) Accurately ripped
 04     [36b7aa7e|fdd4f0c6] (0+3/3) Accurately ripped
 05     [14465a51|47ba715f] (0+3/3) Accurately ripped
 06     [ee70e533|2f5b6a6a] (0+3/3) Accurately ripped
Track Peak [ CRC32  ] [W/O NULL] [  LOG   ]
 --   99,3 [C1F7B66A] [2EFF1D45]
 01   89,6 [2A69EC8A] [93B60166]   CRC32
 02   99,3 [FEECA920] [3A061659]   CRC32
 03   97,6 [CBA84C86] [53098619]   CRC32
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 05   54,4 [660438B6] [0F4F6E65]   CRC32
 06   98,7 [D339096C] [798F48DD]   CRC32

As a lead instrument in jazz, the acoustic bass was in many ways liberated by Paul Chambers, and paved the way for many others to follow. Though Pops Foster, Jimmy Blanton and Ray Brown also deserve credit, Chambers was allowed to put his bass on top, become a leader in his own right, and play lead melodies with a clear, ringing, well enunciated tone. 1st Bassman is anchored by rising stars from Detroit such as Yusef Lateef, Curtis Fuller, and adopted (from Pittsburgh) car city resident Chambers, with trumpeter Tommy Turrentine, pianist Wynton Kelly, and drummer Lex Humphries evenly balancing the session. Interestingly enough, it was recorded not in New York or the Motor City, but Chicago. Lateef wrote all of the material, save for Cannonball Adderley's slow jam "Who's Blues?" which was included only on the CD re-release. The emphasis on the compositions of Lateef all display a spare construct, rearing the horns to a marginal level except for solos, allowing Chambers to take care of business and control the shaping of the melodies, with little unison play involved. The small horn inserts of "Melody" give sway to the big bass strut of Chambers, with solos from Turrentine's stoic trumpet, Lateef's advanced tenor, and Fuller's wanton but mushy trombone included. "Bass Region" is even more spare, a one note horn punctuation setting up lengthy solos. The slightly dour post-bopper "Retrogress" gives Kelly's piano his due diligence, "Mopp Shoe Blues" completely offers Chambers his freedom to work out, and the ballad "Blessed" features the arco bowed bass of the leader in a mournful mood, brightened up by the effervescent and hopeful flute of the brilliant Lateef. This CD and its companion piece Go complement the preceding Blue Note sessions, comprising a small but potent body of work that few bassists have produced in modern jazz. If you are a student or lover of jazz bass, the complete Paul Chambers Vee Jay sessions, of which this is one, belongs in your home.