(Hard Bop) Art Blakey - Holiday for Skins - 1958, FLAC (tracks+.cue), lossless
Треклист:
Art Blakey - Holiday for Skins
Жанр: Hard Bop
Страна-производитель диска: США
Год издания: 2006
Издатель (лейбл): Blue Note Connoisseur Series
Номер по каталогу: 0946 3 58290 2 0
Аудиокодек: FLAC (*.flac)
Тип рипа: tracks+.cue
Битрейт аудио: lossless
Продолжительность: 67:05
Источник (релизер): yowlz
Наличие сканов в содержимом раздачи: да
Треклист:
01. The Feast (Blakey) - 8:54
02. Aghano (Blakey) - 6:05
03. Lamento Africano (Blakey) - 8:24
04. Mirage (Blakey) - 10:29
05. O'Tinde (Blakey) - 6:16
06. Swingin' Kilts (Bryant) - 8:51
07. Dinga (Blakey) - 8:59
08. Reflection (Bryant) - 9:07
Состав:
Art Blakey - drums, chants
Philly Joe Jones - drums, tympani, chants
Art Taylor - drums, gong
Sabu Martinez - bongos, congas, chants
Ray Barretto, Chonguito Vicente - congas
Victor Gonzalez - bongos
Andy Delannoy - maracas, cencerro
Julio Martinez - congas, tree log
Fred Pagan, Jr. - timbales
Donald Byrd - trumpet
Ray Bryant - piano
Wendell Marshall - bass
Austin Cromer, Hal Rasheed - chants
Recorded at the Manhattan Towers, New York on November 9, 1958.
Лог создания рипа
Содержание индексной карты (.CUE)
Отчет CUETools
Review by Steve Leggett
Взамен ушедшей в архив.
Жанр: Hard Bop
Страна-производитель диска: США
Год издания: 2006
Издатель (лейбл): Blue Note Connoisseur Series
Номер по каталогу: 0946 3 58290 2 0
Аудиокодек: FLAC (*.flac)
Тип рипа: tracks+.cue
Битрейт аудио: lossless
Продолжительность: 67:05
Источник (релизер): yowlz
Наличие сканов в содержимом раздачи: да
Треклист:
01. The Feast (Blakey) - 8:54
02. Aghano (Blakey) - 6:05
03. Lamento Africano (Blakey) - 8:24
04. Mirage (Blakey) - 10:29
05. O'Tinde (Blakey) - 6:16
06. Swingin' Kilts (Bryant) - 8:51
07. Dinga (Blakey) - 8:59
08. Reflection (Bryant) - 9:07
Состав:
Art Blakey - drums, chants
Philly Joe Jones - drums, tympani, chants
Art Taylor - drums, gong
Sabu Martinez - bongos, congas, chants
Ray Barretto, Chonguito Vicente - congas
Victor Gonzalez - bongos
Andy Delannoy - maracas, cencerro
Julio Martinez - congas, tree log
Fred Pagan, Jr. - timbales
Donald Byrd - trumpet
Ray Bryant - piano
Wendell Marshall - bass
Austin Cromer, Hal Rasheed - chants
Recorded at the Manhattan Towers, New York on November 9, 1958.
EAC extraction logfile from 30. July 2006, 10:05 for CD Art Blakey / Holiday For Skins Used drive : PLEXTOR CD-R PX-W4824A Adapter: 1 ID: 0 Read mode : Secure with NO C2, accurate stream, disable cache Read offset correction : 98 Overread into Lead-In and Lead-Out : Yes Used output format : C:\Program Files\Exact Audio Copy\flac.exe (User Defined Encoder) 320 kBit/s Additional command line options : -8 -V -T "artist=%a" -T "title=%t" -T "album=%g" -T "date=%y" -T "tracknumber=%n" -T "genre=%m" -T "comment=EAC Flac 1.1.2a -8" %s Other options : Fill up missing offset samples with silence : Yes Delete leading and trailing silent blocks : No Native Win32 interface for Win NT & 2000 Track 1 Filename E:\05_NEW RIPS\Art Blakey - Holiday For Skins\01 - The Feast (Art Blakey - Holiday For Skins).wav Pre-gap length 0:00:02.00 Peak level 92.0 % Track quality 100.0 % Test CRC 658F26C0 Copy CRC 658F26C0 Copy OK Track 2 Filename E:\05_NEW RIPS\Art Blakey - Holiday For Skins\02 - Aghano (Art Blakey - Holiday For Skins).wav Pre-gap length 0:00:01.74 Peak level 83.3 % Track quality 99.9 % Test CRC 1073C756 Copy CRC 1073C756 Copy OK Track 3 Filename E:\05_NEW RIPS\Art Blakey - Holiday For Skins\03 - Lamento Africano (Art Blakey - Holiday For Skins).wav Pre-gap length 0:00:01.17 Peak level 100.0 % Track quality 99.9 % Test CRC E97018F1 Copy CRC E97018F1 Copy OK Track 4 Filename E:\05_NEW RIPS\Art Blakey - Holiday For Skins\04 - Mirage (Art Blakey - Holiday For Skins).wav Pre-gap length 0:00:01.16 Peak level 89.8 % Track quality 99.9 % Test CRC 8A393353 Copy CRC 8A393353 Copy OK Track 5 Filename E:\05_NEW RIPS\Art Blakey - Holiday For Skins\05 - O'Tinde (Art Blakey - Holiday For Skins).wav Pre-gap length 0:00:01.17 Peak level 95.3 % Track quality 100.0 % Test CRC 9B19CD8E Copy CRC 9B19CD8E Copy OK Track 6 Filename E:\05_NEW RIPS\Art Blakey - Holiday For Skins\06 - Swingin' Kilts (Art Blakey - Holiday For Skins).wav Pre-gap length 0:00:01.74 Peak level 97.8 % Track quality 99.9 % Test CRC 42971F7B Copy CRC 42971F7B Copy OK Track 7 Filename E:\05_NEW RIPS\Art Blakey - Holiday For Skins\07 - Dinga (Art Blakey - Holiday For Skins).wav Pre-gap length 0:00:02.24 Peak level 89.1 % Track quality 100.0 % Test CRC 7BFC5CFD Copy CRC 7BFC5CFD Copy OK Track 8 Filename E:\05_NEW RIPS\Art Blakey - Holiday For Skins\08 - Reflection (Art Blakey - Holiday For Skins).wav Pre-gap length 0:00:01.18 Peak level 97.8 % Track quality 100.0 % Test CRC 2AE3995E Copy CRC 2AE3995E Copy OK No errors occured End of status report
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Art Blakey, who visited Africa several times, has been cited as saying jazz couldn't have happened there, that it could only have happened in America when and where it did, but Blakey was also fully aware of where those polyphonic rhythms and call-and-response patterns that underscore all of jazz came from. In the mid-'50s he began experimenting with large drum ensembles that slid African and Latin rhythms beneath hard bop horn and piano structures, resulting in a kind of worldbeat jazz hybrid years before the idea of worldbeat became codified as a musical concept. Holiday for Skins has an even larger drum ensemble than the one that Blakey used for 1956's similar Drum Suite, consisting this time around of three jazz drummers (Philly Joe Jones, Art Taylor, and Blakey himself) and a host of Latin and African percussionists, including Ray Barretto and Sabú Martínez, as well as Donald Byrd on trumpet and Ray Bryant on piano. With the exception of Bryant's two compositions, "Swingin' Kilts" and "Reflection," all the tracks were worked out during one long studio session which ran from 11 p.m. until 5 a.m. the next morning. The end result sounds very joyous, tribal, and ceremonial, helped along in that regard by interspersed vocal chants, yelps, howls, and whistles with occasional bursts of straight jazz texture from Byrd or Bryant. [The lengthy session was originally released by Blue Note as two separate LPs labeled Volume 1 and Volume 2, and this CD reissue combines both into one seamless sequence running a little over an hour in length. As one might suspect, there isn't a whole lot of melody or harmony being worked on here, but the rhythms are extraordinarily interesting, with the various bongos, congas, and trap kit formations constantly responding to each other in ever expanding and overlapping circles. It may not be everyone's idea of jazz, but jazz it most certainly is, and many of the rhythm experiments Blakey was trying out at the time in albums like this one, Drum Suite, and 1962's African Beat are now standard approaches in contemporary jazz and pop, which is why all three of these drum-centric releases sound so eerily current years later.]