(Contemporary Jazz, Chamber Jazz) [CD] Jakob Bro - Balladeering (with Paul Motian, Bill Frisell, Lee Konitz, Ben Street) - 2009, FLAC (tracks), lossless

Exact Audio Copy V1.0 beta 1 from 15. November 2010
EAC extraction logfile from 13. April 2011, 17:13
Jakob Bro / Balladeering
Used drive  : HL-DT-STDVDRAM GMA-4082N   Adapter: 0  ID: 1
Read mode               : Secure
Utilize accurate stream : Yes
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Overread into Lead-In and Lead-Out          : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks   : No
Null samples used in CRC calculations       : No
Used interface                              : Native Win32 interface for Win NT & 2000
Gap handling                                : Not detected, thus appended to previous track
Used output format              : Shorten Lossless Encoder
Selected bitrate                : Lossless Compression
Quality                         : High
Add ID3 tag                     : Yes
Command line compressor         : C:\Program Files\Illustrate\dBpoweramp\MusicConverter.exe
TOC of the extracted CD
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        7  | 34:05.14 |  3:59.50 |    153389    |   171363
        8  | 38:04.64 |  6:07.20 |    171364    |   198908
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Track  8
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All tracks accurately ripped
No errors occurred
End of status report

http://www.allmusic.com/artist/jakob-bro-mn0002326029/biography
Danish guitarist and composer Jakob Bro makes expansive, forward-thinking jazz that's atmospheric and experimental, while still being grounded in the tradition. Born in Risskov, Denmark in 1978, Bro played trumpet in his youth and first became exposed to jazz via his father's big-band and jazz record collection. Around age 12, Bro also started playing guitar, a passion that overtook trumpet and led to stints studying music at such institutions as Denmark's Rhythmic Conservatory, the Berklee College of Music in Boston, and the New School for Jazz and Contemporary Music in New York. Although he never secured a degree, his adept approach to improvisation and group interplay caught the ear of local N.Y.C. musicians including Paul Motian, who hired him to play with his Electric Bebop Band. Since the mid-2000s, Bro has worked with a bevy of artists including Lee Konitz, Bill Frisell, Paul Bley, Chris Cheek, Ben Street, Mark Turner, Chris Speed, David Virelles, and others. As a leader, Bro has released a steady stream of albums including Daydreamer (2003), Pearl River (2007), The Stars Are All New Songs (2008), White Rainbow (2008), Who Said Gay Paree (2008), Balladeering (2009), Bro/Knak (2011), and December Song (2013). In 2015, Bro made his ECM debut with Gefion, which showcased his trio with bassist Thomas Morgan and drummer Jon Christensen.

http://www.allaboutjazz.com/balladeering-jakob-bro-loveland-records-review-by-jakob-baekgaard.php
Throughout the process of recording Balladeering, Danish guitarist Jakob Bro was followed closely by filmmaker Sune Blicher, who documented the sessions, which took place at the famous Avatar studios in New York, capturing the poetry of the music in pregnant images. A recurrent motif in the movie is musicians engrossed in listening, and this particular framing also finds its way into the photos by Robert Lewis that grace the album, becoming a metaphor for the music itself and the spirit of creation.
More than anything, Bro could be termed "a listening musician." He creates his poetic compositions as open structures that invite interpretation. It is Bro's special gift that he is able to make music both melodically enchanting and not locked in predefined patterns.
The opener, "Weightless," is an example of how a simple melodic guitar figure is expanded and transcended into a translucent texture of sounds, with drummer Paul Motian's feathery touch working around the complex tapestry of guitar lines created by Bro and fellow guitarist Bill Frisell.
On "Evening Song," legendary saxophonist Lee Konitz joins the quartet and plays with a tone that seems to embody the beauty and pain of a lifetime, while "Terrace Place," with its mild dissonance and melancholy mood, finds the musicians speaking in a unified language where the guitarists' bended strings and loops are complemented by Konitz's circular blowing and Ben Street's elegant, almost invisible, bass patterns.
Balladeering is a true artwork, which brings out the best in the Participants; Konitz has not played better in some time. The album, however, is not about individual brilliance, but rather a proof of jazz as a listening art form that invites the unexpected and transcends egos. Such beauty is only possible if the compositions do not limit the potential of the music. Here, all possibilities are kept open and the result is a music that is infinitely rich in its democratic beauty.
A note: Balladeering is available both as a single CD release and as a deluxe box, which features the album in both CD and vinyl versions and adds Blicher's fascinating documentary about the making of the album, Weightless: A Recording Session with Jakob Bro.

Jakob Bro: guitar;
Bill Frisell: guitar;
Lee Konitz: alto saxophone;
Ben Street: bass;
Paul Motian: drums