(Contemporary Jazz) [CD] Nir Felder (feat. Aaron Parks, Matt Penman, Nate Smith) - Golden Age - 2014, FLAC (tracks+.cue), lossless

NIR FELDER GOLDEN AGE
Жанр: Contemporary Jazz
Страна-производитель диска: USA
Год издания: 2014
Издатель (лейбл): Okeh Records
Аудиокодек: FLAC (*.flac)
Тип рипа: tracks+.cue
Битрейт аудио: lossless
Продолжительность: 61:09
Источник (релизер): спасибо sapsap
Наличие сканов в содержимом раздачи: нет
Треклист:
01. Lights
02. Bandits
03. Ernest / Protector
04. Sketch 2
05. Code
06. Memorial
07. Lovers
08. Bandits II
09. Slower Machinery
10. Before the Tsars

Лог создания рипа

Exact Audio Copy V1.0 beta 3 from 29. August 2011
EAC extraction logfile from 1. April 2014, 21:24
Nir Felder / Golden Age
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Null samples used in CRC calculations       : Yes
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Gap handling                                : Appended to previous track
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Quality                         : High
Add ID3 tag                     : No
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TOC of the extracted CD
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       10  | 53:05.06 |  8:20.42 |    238881    |   276422
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Track  2
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Track  3
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Track  4
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Track  5
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Track  6
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Track  7
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Track  8
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Track  9
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Track 10
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All tracks accurately ripped
No errors occurred
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---- CUETools DB Plugin V2.1.3
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[be017e87] (2/2) Accurately ripped
==== Log checksum 8B7EA359AD9213353998B31A32F4DEDEA0412593669F9272BDCC294A946A0C82 ====

Содержание индексной карты (.CUE)

REM GENRE Jazz
REM DATE 2014
REM DISCID 870E650A
REM COMMENT "ExactAudioCopy v1.0b3"
CATALOG 0888837962926
PERFORMER "Nir Felder"
TITLE "Golden Age"
FILE "01 - Lights.wav" WAVE
  TRACK 01 AUDIO
    TITLE "Lights"
    PERFORMER "Nir Felder"
    ISRC USSM11305963
    FLAGS DCP
    INDEX 01 00:00:00
  TRACK 02 AUDIO
    TITLE "Bandits"
    PERFORMER "Nir Felder"
    ISRC USSM11305964
    INDEX 00 02:18:29
FILE "02 - Bandits.wav" WAVE
    INDEX 01 00:00:00
  TRACK 03 AUDIO
    TITLE "Ernest - Protector"
    PERFORMER "Nir Felder"
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    INDEX 00 07:13:59
FILE "03 - Ernest - Protector.wav" WAVE
    INDEX 01 00:00:00
  TRACK 04 AUDIO
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    PERFORMER "Nir Felder"
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FILE "04 - Sketch 2.wav" WAVE
    INDEX 01 00:00:00
  TRACK 05 AUDIO
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    PERFORMER "Nir Felder"
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FILE "05 - Code.wav" WAVE
    INDEX 01 00:00:00
  TRACK 06 AUDIO
    TITLE "Memorial"
    PERFORMER "Nir Felder"
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    INDEX 00 09:35:07
FILE "06 - Memorial.wav" WAVE
    INDEX 01 00:00:00
  TRACK 07 AUDIO
    TITLE "Lovers"
    PERFORMER "Nir Felder"
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    INDEX 00 05:04:16
FILE "07 - Lovers.wav" WAVE
    INDEX 01 00:00:00
  TRACK 08 AUDIO
    TITLE "Bandits II"
    PERFORMER "Nir Felder"
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    INDEX 00 03:55:29
FILE "08 - Bandits II.wav" WAVE
    INDEX 01 00:00:00
  TRACK 09 AUDIO
    TITLE "Slower Machinery"
    PERFORMER "Nir Felder"
    ISRC USSM11305970
    INDEX 00 07:16:00
FILE "09 - Slower Machinery.wav" WAVE
    INDEX 01 00:00:00
  TRACK 10 AUDIO
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    INDEX 01 00:00:00

Об альбоме

AllAboutJazz

There were a few strong reactions when Nir Felder was donned "The Next Big Jazz Guitarist" in a 2010 NPR article. The in-demand New York based musician is seemingly unfazed by the headline and continues grinding out a stream of constant gigs and sessions associated with the likes of Greg Osby, Terri Lyne Carrington, and more recently, drummer Rudy Royston's debut 303( Greenleaf Music, 2014). In spite of frenzied scheduling Felder has cultivated his music in the long overdue debut, Golden Age, on the historic and newly resurrected OKeh Records.
Felder's idiosyncratic and open style has garnered the ears and respect of musicians and listeners alike with attributes that include a unique tone and phrasing and the ability to intuitively adapt in idioms ranging from straight-ahead post-bop with David Weiss's Point of Departure to exotic South Asian modes in drummer Sunny Jain's 2010's Taboo (Brooklyn Jazz Underground Records).
Felder could have come out with a blistering guitar-centric set but for the most part Golden Age exudes a more pensive vibe. It's a reflection of interests not only rooted in jazz but also his formative exposure to rock and pop music culminating with engaging but thought-provoking program delivered with gifted band members that include pianist Aaron Parks, bassist Matt Penman, and combustible drumming from Nate Smith.
The compositions are fueled by Felder's contemplations on the turbulent social and economic changes of the past few years. Sampled speeches from civil rights and political leaders sprinkle "Lights" and "Sketch 2" where Smith's propulsive drumming is featured against the backdrop of a repeating theme. The sense of spacious isolation found in the "Code" and rural-appealing flavor in "Bandit II" provide not only infectious hooks but also spotlights Parks' melodious piano and Felder on acoustic guitar.
There are a few upbeat pieces such as "Slower Machinery" where Penman and Smith tightly navigate the pocket as Felder lays down groovy chords and complex harmonies with Parks. But if you want to get a sense for the warranted attention Felder's been getting then the smoldering "Ernest / Protector" provides total proof which showcases the guitarist's mind-boggling soloing decorated with staccato accents, creative exploration, and enough twists and spirals to cause roller coaster-induced nausea.
Yet Golden Age is not just about Felder's skill as a jazz guitarist but reveals an artist and emerging leader whose varied interests seek to express a singular voice. (Mark F. Turner)

AMG

Guitarist Nir Felder is a graduate of the Berklee College of Music who is well known among musicians. He has played with Greg Osby, Esperanza Spalding, Jack DeJohnette, and Terri Lynne Carrington, among numerous others. Golden Age is his debut as a leader, released by Sony's resurrected Okeh imprint. Felder's band here includes pianist Aaron Parks, bassist Matt Penman, and drummer Nate Smith. Felder wrote all ten tunes and produced the album. It's a loosely conceptual set that circles around the title: Did it exist? Does it? Will it ever? Are we past it? Samples of historic voices from Malcolm X, Mario Cuomo, Barbara Jordan, Elie Wiesel, Lou Gehrig, and Richard Nixon are threaded through several tunes, underscoring these open questions. Despite the heady premise, this set is actually more subtle. These pieces play to his ensemble's strengths, as well as his own. Thankfully, there is precious little blistering fever, though when it does reveal itself, it is impressive. Check the knotty "Ernest/Protector," with its striking arpeggios and swinging rhythm section amid the complexity. A smoking single-string solo and colorful chord shapes abound amid the contrapuntal interplay in "Memorial." Felder's tone contains an unmistakable rock patina: he uses the same $250 Stratocaster as when he began playing. (His first guitar idol was Stevie Ray Vaughan.) Smith's playing throughout is exceptional: check his skittery authority on "Sketch 2," the fluid grooves he deals out in "Memorial," and the double-time invention on "Slower Machinery" -- perhaps the most satisfying improvisational work by the entire quartet on this date. Parks has a couple of fine showcases too. His solo on the Latin-tinged "Bandits II" once more displays his ability to thread chord voicings and ostinato to bridge gaps in styles: in this case, bolero to post-bop to Americana, the last of which is made manifest in Felder's spirited solo. The pairing of styles and solos makes for a euphoric consideration that recalls -- in feel, not tone or melody -- '70s Pat Metheny. Golden Age is an auspicious debut. Felder is indeed a fine guitarist, and more importantly, a jazz composer of taste and originality. (Thom Jurek)

Состав

Nir Felder
guitars
Aaron Parks
piano
Matt Penman
bass
Nate Smith
drums

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(Contemporary Jazz) [CD] Nir Felder (feat. Aaron Parks, Matt Penman, Nate Smith) - Golden Age - 2014, FLAC (tracks+.cue), lossless