(Bop) Ray Brown & Laurindo Almeida - Moonlight Serenade - 1981, FLAC (image+.cue), lossless

Exact Audio Copy V1.0 beta 1 from 15. November 2010
EAC extraction logfile from 14. July 2012, 18:34
Ray Brown & Laurindo Almeida / Moonlight Serenade
Used drive  : ASUS    DRW-24B1LT   Adapter: 5  ID: 0
Read mode               : Secure
Utilize accurate stream : Yes
Defeat audio cache      : Yes
Make use of C2 pointers : No
Read offset correction                      : 6
Overread into Lead-In and Lead-Out          : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks   : No
Null samples used in CRC calculations       : Yes
Used interface                              : Native Win32 interface for Win NT & 2000
Used output format              : User Defined Encoder
Selected bitrate                : 768 kBit/s
Quality                         : High
Add ID3 tag                     : No
Command line compressor         : C:\Program Files\Exact Audio Copy\Flac\flac.exe
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        2  |  6:04.50 |  3:45.00 |     27350    |    44224
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       15  | 61:31.12 |  3:38.38 |    276837    |   293224
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       17  | 67:30.37 |  3:14.06 |    303787    |   318342
Range status and errors
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     Filename F:\audio\Ray Brown & Laurindo Almeida - Moonlight Serenade.wav
     Peak level 90.2 %
     Extraction speed 0.2 X
     Range quality 100.0 %
     Test CRC FC637D9D
     Copy CRC FC637D9D
     Copy OK
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==== Log checksum 4E0BBC481407ED9661C1D29B8A13E1040038FBBF52691E1A609292CEAE2BE778 ====

REM GENRE Jazz
REM DATE 1981
REM DISCID EF109411
REM COMMENT "ExactAudioCopy v1.0b1"
PERFORMER "Ray Brown & Laurindo Almeida"
TITLE "Moonlight Serenade"
FILE "Ray Brown & Laurindo Almeida - Moonlight Serenade.wav" WAVE
  TRACK 01 AUDIO
    TITLE "Mondscheinsonate/Round About Midnight"
    PERFORMER "Ray Brown & Laurindo Almeida"
    INDEX 01 00:00:00
  TRACK 02 AUDIO
    TITLE "Samba de Angry"
    PERFORMER "Ray Brown & Laurindo Almeida"
    INDEX 01 06:04:50
  TRACK 03 AUDIO
    TITLE "Beautiful Love"
    PERFORMER "Ray Brown & Laurindo Almeida"
    INDEX 01 09:49:50
  TRACK 04 AUDIO
    TITLE "Air on a 'G'-String"
    PERFORMER "Ray Brown & Laurindo Almeida"
    INDEX 01 16:24:00
  TRACK 05 AUDIO
    TITLE "Malaguena"
    PERFORMER "Ray Brown & Laurindo Almeida"
    INDEX 01 18:56:50
  TRACK 06 AUDIO
    TITLE "Blue Skies"
    PERFORMER "Ray Brown & Laurindo Almeida"
    INDEX 01 23:44:50
  TRACK 07 AUDIO
    TITLE "Make the Man Love You"
    PERFORMER "Ray Brown & Laurindo Almeida"
    INDEX 01 27:33:00
  TRACK 08 AUDIO
    TITLE "Inquietacao"
    PERFORMER "Ray Brown & Laurindo Almeida"
    INDEX 01 29:48:00
  TRACK 09 AUDIO
    TITLE "My Man Is Gone"
    PERFORMER "Ray Brown & Laurindo Almeida"
    INDEX 01 33:00:00
  TRACK 10 AUDIO
    TITLE "Laurindos"
    PERFORMER "Ray Brown & Laurindo Almeida"
    INDEX 01 36:44:00
  TRACK 11 AUDIO
    TITLE "Mondscheinsonate"
    PERFORMER "Ray Brown & Laurindo Almeida"
    INDEX 01 39:21:25
  TRACK 12 AUDIO
    TITLE "Beautiful Love"
    PERFORMER "Ray Brown & Laurindo Almeida"
    INDEX 01 45:31:37
  TRACK 13 AUDIO
    TITLE "Air"
    PERFORMER "Ray Brown & Laurindo Almeida"
    INDEX 01 52:22:12
  TRACK 14 AUDIO
    TITLE "Malaguena"
    PERFORMER "Ray Brown & Laurindo Almeida"
    INDEX 01 56:38:50
  TRACK 15 AUDIO
    TITLE "Blue Skies"
    PERFORMER "Ray Brown & Laurindo Almeida"
    INDEX 01 61:31:12
  TRACK 16 AUDIO
    TITLE "Mak the Man Love You"
    PERFORMER "Ray Brown & Laurindo Almeida"
    INDEX 01 65:09:50
  TRACK 17 AUDIO
    TITLE "Inquietacao"
    PERFORMER "Ray Brown & Laurindo Almeida"
    INDEX 01 67:30:37

After all these years, some jazz historians continue to lament the end of the big-band era; they continue to remind listeners how much of a thrill it can be to hear 20 or 25 seasoned jazz musicians playing together. But there is also a lot to be said for intimacy in jazz -- the sort of intimacy that serves bassist Ray Brown and Brazilian guitarist Laurindo Almeida delightfully well on Moonlight Serenade. Recorded in Germany in 1981, this session finds Brown and Almeida forming an acoustic duo -- and the two of them enjoy a consistently strong rapport on lyrical, introspective performances of material that ranges from Tin Pan Alley standards ("Blue Skies," "Beautiful Love") to Brazilian songs (Ary Barroso's "Inquietação") to European classical music (Johann Sebastian Bach's Air). One of the most ambitious tracks on the album is a medley that combines Thelonious Monk's "'Round Midnight" with Ludwig van Beethoven's Moonlight Sonata (as opposed to "Moonlight Serenade" -- although this 70-minute CD is titled Moonlight Serenade, the gem that became Glenn Miller's theme song is not part of the program). "'Round Midnight," of course, is one of those standards that has been recorded thousands of times over the years; it has been recorded so often that veteran producer Orrin Keepnews once described it as "the national anthem of jazz." But it isn't every day that one hears "'Round Midnight" successfully blended with Beethoven -- something that Brown and Almeida are able to accomplish because they obviously know one another so well musically. Moonlight Serenade, it should be stressed, wasn't the first time the two of them joined forces: Brown and Almeida had played together in the L.A. 4 in the '70s -- so they were a perfect combination when, in 1981, they recorded the cohesive guitar/bass duets on this excellent CD.