(Bop, Hard Bop) [CD] Eddie "Lockjaw" Davis - The Chronological Classics: 1946-1947 - 1998, FLAC (tracks+.cue), lossless

Exact Audio Copy V1.0 beta 3 from 29. August 2011
EAC extraction logfile from 17. September 2014, 8:05
Eddie ´Lockjaw´ Davis / 1946 - 1947
Used drive  : HL-DT-STDVD+-RW GHA2N   Adapter: 0  ID: 0
Read mode               : Secure
Utilize accurate stream : Yes
Defeat audio cache      : Yes
Make use of C2 pointers : No
Read offset correction                      : 667
Overread into Lead-In and Lead-Out          : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks   : No
Null samples used in CRC calculations       : Yes
Used interface                              : Native Win32 interface for Win NT & 2000
Gap handling                                : Appended to previous track
Used output format              : User Defined Encoder
Selected bitrate                : 896 kBit/s
Quality                         : High
Add ID3 tag                     : No
Command line compressor         : C:\Program Files (x86)\Exact Audio Copy\Flac\flac.exe
Additional command line options : -8 -V -T "ARTIST=%artist%" -T "TITLE=%title%" -T "ALBUM=%albumtitle%" -T "DATE=%year%" -T "TRACKNUMBER=%tracknr%" -T "GENRE=%genre%" -T "PERFORMER=%albuminterpret%" -T "COMPOSER=%composer%" %haslyrics%--tag-from-file=LYRICS="%lyricsfile%"%haslyrics% -T "ALBUMARTIST=%albumartist%" -T "DISCNUMBER=%cdnumber%" -T "TOTALDISCS=%totalcds%" -T "TOTALTRACKS=%numtracks%" -T "COMMENT=%comment%" %source% -o %dest%
TOC of the extracted CD
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        1  |  0:00.32 |  3:02.09 |        32    |    13690
        2  |  3:02.41 |  2:43.62 |     13691    |    25977
        3  |  5:46.28 |  3:06.41 |     25978    |    39968
        4  |  8:52.69 |  2:54.33 |     39969    |    53051
        5  | 11:47.27 |  2:50.40 |     53052    |    65841
        6  | 14:37.67 |  2:53.05 |     65842    |    78821
        7  | 17:30.72 |  2:41.12 |     78822    |    90908
        8  | 20:12.09 |  2:48.66 |     90909    |   103574
        9  | 23:01.00 |  2:15.49 |    103575    |   113748
       10  | 25:16.49 |  3:05.10 |    113749    |   127633
       11  | 28:21.59 |  2:32.26 |    127634    |   139059
       12  | 30:54.10 |  3:03.08 |    139060    |   152792
       13  | 33:57.18 |  2:31.41 |    152793    |   164158
       14  | 36:28.59 |  2:43.43 |    164159    |   176426
       15  | 39:12.27 |  2:52.22 |    176427    |   189348
       16  | 42:04.49 |  3:08.27 |    189349    |   203475
       17  | 45:13.01 |  3:04.56 |    203476    |   217331
       18  | 48:17.57 |  3:08.34 |    217332    |   231465
       19  | 51:26.16 |  3:13.20 |    231466    |   245960
       20  | 54:39.36 |  2:26.55 |    245961    |   256965
       21  | 57:06.16 |  2:24.23 |    256966    |   267788
       22  | 59:30.39 |  3:10.27 |    267789    |   282065
       23  | 62:40.66 |  2:58.33 |    282066    |   295448
       24  | 65:39.24 |  2:40.73 |    295449    |   307521
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     Accurately ripped (confidence 2)  [5960CC98]  (AR v2)
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Track  2
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     Accurately ripped (confidence 2)  [FB126202]  (AR v2)
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Track  3
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Track  4
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Track  5
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Track  6
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     Accurately ripped (confidence 2)  [486886B4]  (AR v2)
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Track  7
     Filename C:\What CD\European Episode\07 Hollerin´And Screaming.wav
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     Accurately ripped (confidence 2)  [940BF7A5]  (AR v2)
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Track  8
     Filename C:\What CD\European Episode\08 Stealing Trash.wav
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     Accurately ripped (confidence 2)  [C791C279]  (AR v2)
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Track  9
     Filename C:\What CD\European Episode\09 Just A Mystery.wav
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     Accurately ripped (confidence 2)  [9BFCD12F]  (AR v2)
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Track 10
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     Accurately ripped (confidence 2)  [58AD9397]  (AR v2)
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Track 11
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Track 12
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Track 13
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     Accurately ripped (confidence 2)  [82816240]  (AR v2)
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Track 14
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Track 15
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Track 16
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Track 17
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Track 18
     Filename C:\What CD\European Episode\18 But Beautiful.wav
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     Accurately ripped (confidence 2)  [A7335798]  (AR v2)
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Track 19
     Filename C:\What CD\European Episode\19 Leapin´ On Lenox.wav
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Track 20
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Track 21
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     Accurately ripped (confidence 2)  [23389B7E]  (AR v2)
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Track 22
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Track 23
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     Accurately ripped (confidence 2)  [C8A4B9F4]  (AR v2)
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Track 24
     Filename C:\What CD\European Episode\24 Lockjaw Bounce.wav
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     Accurately ripped (confidence 2)  [E2829A03]  (AR v2)
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All tracks accurately ripped
No errors occurred
End of status report
==== Log checksum 9F02C4917437BE2EE054988C4C50FFDF278683C8ECCB3D8294334F9255ECF163 ====

REM GENRE Jazz
REM DATE 1998
REM DISCID 68100418
REM COMMENT "ExactAudioCopy v1.0b3"
PERFORMER "Eddie 'Lockjaw' Davis"
TITLE "1946-1947"
FILE "01 - Surgery.wav" WAVE
  TRACK 01 AUDIO
    TITLE "Surgery"
    PERFORMER "Eddie 'Lockjaw' Davis"
    PREGAP 00:00:32
    INDEX 01 00:00:00
FILE "02 - Lockjaw.wav" WAVE
  TRACK 02 AUDIO
    TITLE "Lockjaw"
    PERFORMER "Eddie 'Lockjaw' Davis"
    INDEX 01 00:00:00
FILE "03 - Afternoon in a Doghouse.wav" WAVE
  TRACK 03 AUDIO
    TITLE "Afternoon in a Doghouse"
    PERFORMER "Eddie 'Lockjaw' Davis"
    INDEX 01 00:00:00
FILE "04 - Athlete's Foot.wav" WAVE
  TRACK 04 AUDIO
    TITLE "Athlete's Foot"
    PERFORMER "Eddie 'Lockjaw' Davis"
    INDEX 01 00:00:00
FILE "05 - Callin' Dr. Jazz.wav" WAVE
  TRACK 05 AUDIO
    TITLE "Callin' Dr. Jazz"
    PERFORMER "Eddie 'Lockjaw' Davis"
    INDEX 01 00:00:00
FILE "06 - Fracture.wav" WAVE
  TRACK 06 AUDIO
    TITLE "Fracture"
    PERFORMER "Eddie 'Lockjaw' Davis"
    INDEX 01 00:00:00
FILE "07 - Hollerin' and Screaming.wav" WAVE
  TRACK 07 AUDIO
    TITLE "Hollerin' and Screaming"
    PERFORMER "Eddie 'Lockjaw' Davis"
    INDEX 01 00:00:00
FILE "08 - Stealing Trash.wav" WAVE
  TRACK 08 AUDIO
    TITLE "Stealing Trash"
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    INDEX 01 00:00:00
FILE "09 - Just a Mystery.wav" WAVE
  TRACK 09 AUDIO
    TITLE "Just a Mystery"
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    INDEX 01 00:00:00
FILE "10 - Red Pepper.wav" WAVE
  TRACK 10 AUDIO
    TITLE "Red Pepper"
    PERFORMER "Eddie 'Lockjaw' Davis"
    INDEX 01 00:00:00
FILE "11 - Spinal.wav" WAVE
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    INDEX 01 00:00:00
FILE "12 - Maternity.wav" WAVE
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    INDEX 01 00:00:00
FILE "13 - Lover.wav" WAVE
  TRACK 13 AUDIO
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    PERFORMER "Eddie 'Lockjaw' Davis"
    INDEX 01 00:00:00
FILE "14 - Licks a Plenty.wav" WAVE
  TRACK 14 AUDIO
    TITLE "Licks a Plenty"
    PERFORMER "Eddie 'Lockjaw' Davis"
    INDEX 01 00:00:00
FILE "15 - Foxy.wav" WAVE
  TRACK 15 AUDIO
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    INDEX 01 00:00:00
FILE "16 - Sheila.wav" WAVE
  TRACK 16 AUDIO
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    PERFORMER "Eddie 'Lockjaw' Davis"
    INDEX 01 00:00:00
FILE "17 - Real Gone Guy.wav" WAVE
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    INDEX 01 00:00:00
FILE "18 - But Beautiful.wav" WAVE
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    PERFORMER "Eddie 'Lockjaw' Davis"
    INDEX 01 00:00:00
FILE "19 - Leapin' on Lenox.wav" WAVE
  TRACK 19 AUDIO
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    PERFORMER "Eddie 'Lockjaw' Davis"
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FILE "20 - Ravin' at the Haven.wav" WAVE
  TRACK 20 AUDIO
    TITLE "Ravin' at the Haven"
    PERFORMER "Eddie 'Lockjaw' Davis"
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FILE "21 - Minton's Madhouse.wav" WAVE
  TRACK 21 AUDIO
    TITLE "Minton's Madhouse"
    PERFORMER "Eddie 'Lockjaw' Davis"
    INDEX 01 00:00:00
FILE "22 - Huckle Bug.wav" WAVE
  TRACK 22 AUDIO
    TITLE "Huckle Bug"
    PERFORMER "Eddie 'Lockjaw' Davis"
    INDEX 01 00:00:00
FILE "23 - Music Goes Down Around.wav" WAVE
  TRACK 23 AUDIO
    TITLE "Music Goes Down Around"
    PERFORMER "Eddie 'Lockjaw' Davis"
    INDEX 01 00:00:00
FILE "24 - Lockjaw's Bounce.wav" WAVE
  TRACK 24 AUDIO
    TITLE "Lockjaw's Bounce"
    PERFORMER "Eddie 'Lockjaw' Davis"
    INDEX 01 00:00:00

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Now why do you suppose they called him '"Lockjaw"'? Just listen. Eddie Davis based much of his style on the tough extremities of Ben Webster's gritty gutbucket tenor sax. Picking up where Ben left off, Jaws would growl, shriek and rock in ways that landed him on the cusp between bebop and rhythm & blues. Over many years he developed into a mature performer who was capable of great subtleties. We are fortunate to have this opportunity to hear his earliest recordings as a leader. Some of this stuff is startling. "Surgery," a smooth, searching, walking blues, exists in the same harmonic/thematic realm as Boyd Raeburn's quirky study for big band, "Tonsillectomy." The piece called "Lockjaw" is more of a muscle tussle, and "Afternoon in a Doghouse" is a simple finger-pop bop groove. As Gene Ramey rarely took bass solos, it's good to hear him grab a few bars during "Athlete's Foot." By December of 1946 Lockjaw was ready for two full-blown Savoy bebop sessions in the company of Theodore "Fats" Navarro. This pair of characters maintained a stimulating balance as Fats blew long bop lines of exquisite ingenuity while Jaws wrestled with his own funky textural dynamics. Wildly titled, each of these three-minute records hits you hard, right between the ears. "Hollerin' and Screaming" is the most outrageous example of this band's explosive chemistry. The record starts with a hoarse shriek from the tenor sax. The melody erupts like two cans of Sterno knocking around on the hood of an overheated bright red Chevy convertible. A sudden outburst from the trumpet is repeated verbatim on the drums. Fats and Lockjaw bark back and forth, jostling each other in cycles of friendly aggression. It's like listening in on a casual exchange of good-natured insults and creative cussing, the benevolent sort of everyday rudeness that enables trust and cooperation between individuals who exist outside of the dominant social group. In April of 1947, Jaws baked four sides for the Apollo label, sharing the melodic line with guitarist John Collins and blowing an exceptionally extroverted tenor. The extreme grooviness of both the Savoy and Apollo sessions were aided and abetted by the combination of Al Haig, Gene Ramey and Denzil Best. Now for the really rare stuff -- eight sides issued on the Lenox, Plymouth and Remington labels. "Real Gone Guy," a tasty hunk of rhythm and blues, was written by Nellie Lutcher. Lockjaw puts it to the torch, and Butch Ballard's drumming fans the flames. "But Beautiful" is the earliest example we have of Lockjaw Davis the interpreter of slow ballads. He smokes the melody with long puffs, savoring every breath. "Leapin' on Lenox," to use what would have been the correct spelling, is a strut by anybody's definition. Jaws bites his tenor until it begs for mercy. The rowdy "Minton's Madhouse" includes a long sax testimonial accompanied only by handclapping. "Ravin' at the Haven" is largely composed of frantic bop lines. The saxophone howls without restraint. "Music Goes Down Around" is recognizable as a quaint Tin Pan Alley pop tune, fitted with a new set of fangs as this gang of young toughs put new meaning on an old refrain. Gripping the mouthpiece between his chops, Lockjaw squeezes extra hard "and it comes out here."