(Vocal Jazz) Madeleine Peyroux - Careless Love - 2004, FLAC (image+.cue), lossless

EAC extraction logfile from 18. July 2006, 11:49 for CD
Madeleine Peyroux / Careless Love
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Read mode   : Secure with NO C2, accurate stream, disable cache
Read offset correction : 30
Overread into Lead-In and Lead-Out : Yes
Used output format : Internal WAV Routines
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Other options      :
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Range status and errors
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     Filename C:\Careless Love.wav
     Peak level 98.8 %
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     CRC BD344C4E
     Copy OK
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CATALOG 0602498235836
PERFORMER "Madeleine Peyroux"
TITLE "Careless Love"
FILE "Madeleine Peyroux - Careless Love.wav" WAVE
  TRACK 01 AUDIO
    TITLE "Dance Me to the End of Love"
    PERFORMER "Madeleine Peyroux"
    ISRC USRO20419201
    INDEX 01 00:00:00
  TRACK 02 AUDIO
    TITLE "Don't Wait Too Long"
    PERFORMER "Madeleine Peyroux"
    ISRC USRO20419202
    INDEX 00 03:55:48
    INDEX 01 03:57:48
  TRACK 03 AUDIO
    TITLE "Don't Cry Baby"
    PERFORMER "Madeleine Peyroux"
    ISRC USRO20419203
    INDEX 00 07:07:24
    INDEX 01 07:09:44
  TRACK 04 AUDIO
    TITLE "You're Gonna Make Me Lonesome When You Go"
    PERFORMER "Madeleine Peyroux"
    ISRC USRO20419204
    INDEX 00 10:25:70
    INDEX 01 10:27:70
  TRACK 05 AUDIO
    TITLE "Between the Bars"
    PERFORMER "Madeleine Peyroux"
    ISRC USRO20419205
    INDEX 00 13:53:42
    INDEX 01 13:55:62
  TRACK 06 AUDIO
    TITLE "No More"
    PERFORMER "Madeleine Peyroux"
    ISRC USRO20419206
    INDEX 00 17:37:60
    INDEX 01 17:40:60
  TRACK 07 AUDIO
    TITLE "Lonesome Road"
    PERFORMER "Madeleine Peyroux"
    ISRC USRO20419207
    INDEX 00 21:11:72
    INDEX 01 21:14:07
  TRACK 08 AUDIO
    TITLE "J'ai Deux Amours"
    PERFORMER "Madeleine Peyroux"
    ISRC USRO20419208
    INDEX 00 24:23:49
    INDEX 01 24:25:69
  TRACK 09 AUDIO
    TITLE "Weary Blues"
    PERFORMER "Madeleine Peyroux"
    ISRC USRO20419209
    INDEX 00 27:20:04
    INDEX 01 27:22:04
  TRACK 10 AUDIO
    TITLE "I'll Look Around"
    PERFORMER "Madeleine Peyroux"
    ISRC USRO20419210
    INDEX 00 31:00:54
    INDEX 01 31:02:54
  TRACK 11 AUDIO
    TITLE "Careless Love"
    PERFORMER "Madeleine Peyroux"
    ISRC USRO20419211
    INDEX 00 35:49:17
    INDEX 01 35:51:27
  TRACK 12 AUDIO
    TITLE "This Is Heaven to Me"
    PERFORMER "Madeleine Peyroux"
    ISRC USRO20419212
    INDEX 00 39:40:66
    INDEX 01 39:43:11

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Why it took vocalist Madeleine Peyroux eight years to follow up her acclaimed Dreamland album is anybody's guess. The explanation from her website bio claims, "I could have kept running with it, but I took a breather." Really it hardly matters, since there have been plenty of capable singers to fill that void. Produced by Larry Klein, Careless Love is essentially Dreamland part deux. She lost Yves Beauvais and Atlantic Records, as well as a stellar cast of edgy jazz and rock session players, but she did gain Larry Klein. There are some fine players on this album, including Larry Goldings, Scott Amendola, David Piltch, and Dean Parks, and it's a much more focused set than Dreamland. That she's on Rounder is just an "oh well." Since Klein is not reined in by having to be a "jazz" producer, his sense of restrained and subtle adventure is a perfect foil for Peyroux's voice and phrasing, which is still too close to the Billie Holiday model for comfort. The material is a curious collection of modern pop songs, country tunes, and old nuggets. There's an original as well in "Don't Wait Too Long," co-written with Jesse Harris and Klein. Peyroux's reading of Leonard Cohen's "Dance Me to the End of Love" that opens the disc is radical, sung like a German cabaret song, and lacks the drama of the original, which is on purpose but it's questionable as to whether it works.
Her cover of Bob Dylan's "You're Gonna Make Me Lonesome When You Go" works much better. It keeps the breeziness of the original but focuses on the object of the song still being very present to the protagonist -- delighting in the presence of the Beloved. Parks' guitars play sparely and pronouncedly in the mix, as Amendola's brushwork complements the spare cymbal and tom-tom work of Jay Bellerose as well as Goldings' in-the-groove organ and piano. The hinge track on this record is the empathic and moving version of Elliott Smith's "Between the Bars." With tense sound effects whispering in the backdrop and Goldings' celeste setting the atmosphere, once again Amendola's brushes whisper and shimmer, giving the singer an anchor in the depth of the song's melancholy. It's simply awesome. The sparse haunted treatment of Hank Williams' "Weary Blues" is devoid of its country trappings and rooted firmly in the uptown blues tradition of Holiday's 1940s. Likewise, the title track, a classic standard by W.C. Handy, is turned inside out and made a gospel-flavored R&B tune, driven by Goldings on the organ and a Rhodes piano -- an instrument that makes a frequent appearance here. Parks' subtle yet dirty guitar gives the singer a platform and she swims inside the lyric, letting it fall from her mouth. The tune's swing quotient is formidable. In all, this is a stronger record than Dreamland, in part because Klein is obviously sympathetic to singers and because Peyroux is a more confident and commanding singer. It's a welcome addition to the shelf, but if she waits another eight years, that space reserved for her may disappear.

Madeleine Peyroux - vocals, acoustic guitar
Dean Parks - guitars
Larry Goldings - piano, Wurlitzer piano, Estey organ, Hammond organ, celeste
David Piltch - bass
Jay Bellerose - drums, percussion
Lee Thornburg - trumpet (#6,12)
Scott Amendola - brushes (#10)
Recorded at Market Street, Venice and Paramount Recording Studios, Hollywood.