(Vocal Jazz, Contemporary Jazz, Folk) [CD] Quercus - Nightfall - 2017 (ECM 2522), FLAC (tracks+.cue), lossless
Quercus - Nightfall
Жанр: Vocal Jazz, Contemporary Jazz
Носитель: CD
Страна-производитель диска (релиза): Германия
Год издания: 2017
Издатель (лейбл): ECM Records
Номер по каталогу: ECM 2522
Аудиокодек: FLAC (*.flac)
Тип рипа: tracks+.cue
Битрейт аудио: lossless
Продолжительность: 65:36
Источник (релизер): apollo
Наличие сканов в содержимом раздачи: даТреклист:
01. Auld Lang Syne (Trad.) - 5:47
02. Once I Loved You Dear (The Irish Girl) (Trad.) - 5:43
03. On Berrow Sands (Trad.) - 6:32
04. Christchurch (Warren) - 4:48
05. You Don't Know What Love Is (Raye-DePaul) - 5:04
06. The Manchester Angel (Trad.) - 6:45
07. Don't Think Twice It's Alright (Dylan) - 7:22
08. Emmeline (Ballamy) - 4:01
09. The Shepherd and His Dog (Trad.) - 7:22
10. The Cuckoo (Trad.) - 6:39
11. Somewhere (Sondheim-Bernstein) - 5:33Состав:
June Tabor - vocals
Iain Ballamy - tenor saxophone, soprano saxophone
Huw Warren - pianoRecorded at Cooper Hall, Frome in December 2015.
Лог создания рипа
Exact Audio Copy V1.0 beta 3 from 29. August 2011EAC extraction logfile from 6. May 2017, 10:36Quercus / Nightfall [ECM 2522]Used drive : ASUS DRW-24F1ST a Adapter: 0 ID: 0Read mode : SecureUtilize accurate stream : YesDefeat audio cache : YesMake use of C2 pointers : NoRead offset correction : 6Overread into Lead-In and Lead-Out : NoFill up missing offset samples with silence : YesDelete leading and trailing silent blocks : NoNull samples used in CRC calculations : YesUsed interface : Native Win32 interface for Win NT & 2000Gap handling : Appended to previous trackUsed output format : User Defined EncoderSelected bitrate : 128 kBit/sQuality : HighAdd ID3 tag : NoCommand line compressor : C:\Program Files (x86)\Exact Audio Copy\FLAC\FLAC.EXEAdditional command line options : -8 -V -T "ARTIST=%artist%" -T "TITLE=%title%" -T "ALBUM=%albumtitle%" -T "DATE=%year%" -T "TRACKNUMBER=%tracknr%" -T "TOTALTRACKS=%numtracks%" -T "GENRE=%genre%" -T "ALBUMARTIST=%albumartist%" -T "ALBUM ARTIST=%albumartist%" -T "COMMENT=EAC Secure Mode, Test & Copy, AccurateRip, FLAC -8" %source%TOC of the extracted CD Track | Start | Length | Start sector | End sector --------------------------------------------------------- 1 | 0:00.00 | 5:47.07 | 0 | 26031 2 | 5:47.07 | 5:42.73 | 26032 | 51754 3 | 11:30.05 | 6:32.32 | 51755 | 81186 4 | 18:02.37 | 4:47.61 | 81187 | 102772 5 | 22:50.23 | 5:03.44 | 102773 | 125541 6 | 27:53.67 | 6:44.62 | 125542 | 155903 7 | 34:38.54 | 7:22.37 | 155904 | 189090 8 | 42:01.16 | 4:00.71 | 189091 | 207161 9 | 46:02.12 | 7:21.68 | 207162 | 240304 10 | 53:24.05 | 6:38.53 | 240305 | 270207 11 | 60:02.58 | 5:32.44 | 270208 | 295151Track 1 Filename K:\EAC\01 - Auld Lang Syne.wav Pre-gap length 0:00:02.00 Peak level 65.9 % Extraction speed 4.7 X Track quality 100.0 % Test CRC 87A1EBD7 Copy CRC 87A1EBD7 Track not present in AccurateRip database Copy OKTrack 2 Filename K:\EAC\02 - Once I Loved You Dear (The Irish Girl).wav Peak level 74.9 % Extraction speed 5.0 X Track quality 99.9 % Test CRC 622159EC Copy CRC 622159EC Track not present in AccurateRip database Copy OKTrack 3 Filename K:\EAC\03 - On Berrow Sands.wav Peak level 49.9 % Extraction speed 5.6 X Track quality 99.9 % Test CRC 9D476E6B Copy CRC 9D476E6B Track not present in AccurateRip database Copy OKTrack 4 Filename K:\EAC\04 - Christchurch.wav Peak level 43.7 % Extraction speed 5.7 X Track quality 99.9 % Test CRC B45EAB11 Copy CRC B45EAB11 Track not present in AccurateRip database Copy OKTrack 5 Filename K:\EAC\05 - You Don't Know What Love Is.wav Peak level 46.1 % Extraction speed 6.8 X Track quality 100.0 % Test CRC E0E24A24 Copy CRC E0E24A24 Track not present in AccurateRip database Copy OKTrack 6 Filename K:\EAC\06 - The Manchester Angel.wav Peak level 53.0 % Extraction speed 7.5 X Track quality 100.0 % Test CRC 9B4D46C7 Copy CRC 9B4D46C7 Track not present in AccurateRip database Copy OKTrack 7 Filename K:\EAC\07 - Don't Think Twice It's Alright.wav Peak level 58.4 % Extraction speed 8.0 X Track quality 100.0 % Test CRC 41FB0354 Copy CRC 41FB0354 Track not present in AccurateRip database Copy OKTrack 8 Filename K:\EAC\08 - Emmeline.wav Peak level 43.2 % Extraction speed 7.7 X Track quality 100.0 % Test CRC FDE09211 Copy CRC FDE09211 Track not present in AccurateRip database Copy OKTrack 9 Filename K:\EAC\09 - The Shepherd And His Dog.wav Peak level 53.3 % Extraction speed 8.1 X Track quality 99.9 % Test CRC D41DED7E Copy CRC D41DED7E Track not present in AccurateRip database Copy OKTrack 10 Filename K:\EAC\10 - The Cuckoo.wav Peak level 45.0 % Extraction speed 8.4 X Track quality 99.9 % Test CRC F0FB15C9 Copy CRC F0FB15C9 Track not present in AccurateRip database Copy OKTrack 11 Filename K:\EAC\11 - Somewhere.wav Peak level 50.1 % Extraction speed 9.1 X Track quality 100.0 % Test CRC 53E294C0 Copy CRC 53E294C0 Track not present in AccurateRip database Copy OKNone of the tracks are present in the AccurateRip databaseNo errors occurredEnd of status report==== Log checksum B336A853EF06665E723DDA42888E4F34B7C701CD37847FE67F36EECC1E5B3204 ====
Содержание индексной карты (.CUE)
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Отчет CUETools
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AllMusic Review by Thom JurekThe trio known as Quercus took shape during the sessions for June Tabor's stellar 2005 album At the Wood's Heart. Their self-titled debut offering was cut during a concert on a 2006 tour and issued by ECM seven years later; it was celebrated across the globe. Nightfall was cut in a studio in Somerset and produced by pianist Huw Warren and saxophonist Iain Ballamy. The album's program consists of folk songs, four standards of different varieties, and a pair of original instrumentals that display Warren's and Ballamy's dialogic abilities and add to the group zeitgeist of discovery and invention.
Tabor amply lives up to her reputation for being the world's greatest living Anglo folksinger. Her manner of drawing hidden meaning from lyrics is equaled only by her canny ability to imbue melody with the ghost traces of history. Perhaps this is why the trio can get away with opening an album with the old farewell nugget "Auld Lang Syne." While nearly all English speakers from several generations know the traditional melody put to words by poet Robert Burns, it's never been heard like this: as a welcome, an offer of commitment, a portent to destiny. It remains bittersweet, but memories shared are offered as invitations to create new ones. The 19th century "Once I Loved You (The Irish Girl)" is introduced by Ballamy's mournful tenor saxophone, paving the way for Tabor's slightly smoky contralto revealing the lyric tragedy; they are both essentially vocalists exchanging phrases, underscored by Warren's dirgey embellishments. The hinge track is the jazz standard "You Don't Know What Love Is." Foreshadowed by Warren's elegant piano, Tabor's clean-throated delivery elucidates the timelessness of the romantic blues in contrast. "The Manchester Angel" reveals the trio's ability to offer a narrative. Tabor and Ballamy exchange voices, outlining the lyric's projection of hope and despair as Warren's playing unveils the simmering drama within. It's contrasted by Bob Dylan's "Don't Think Twice It's Alright." This version is less a personal manifesto than a tender but wrenching confession of resolve. Ballamy doesn't enter until two thirds of the way through with a solo that entwines with Warren's piano and exposes the sweet but affecting blues in Dylan's melody. When Tabor re-enters for the last verse, this interaction informs her utterance and a new world opens. This manner of inverting the obvious is also displayed on the trio's interpretation of the ever-mysterious folk song "Cuckoo." Here it's a haunted love song, full of unbridled eros and unquenchable want. The record turns back on itself with Stephen Sondheim's "Somewhere" from West Side Story. Like its bookend "Auld Lang Syne," it lacks the usual sadness or tragedy and is instead pregnant with possibility, as new horizons come into view. The interplay between Tabor and Ballamy is genuinely tender; when Ballamy enters, he elegantly adds the final element that points to the inevitable daybreak on the other side of Nightfall's title. This set soulfully and exponentially expands the palette and possibility displayed on the trio's debut.