(Vocal Jazz) [CD] Oscar Brown, Jr. - Between Heaven and Hell - 1962 (2010), FLAC (tracks+.cue), lossless

X Lossless Decoder version 20191004 (152.0)
XLD extraction logfile from 2019-10-11 12:40:22 -0700
Oscar Brown Jr. / Between Heaven and Hell
Used drive : PIONEER BD-RW BDR-XD05 (revision 3.10)
Media type : Pressed CD
Ripper mode : XLD Secure Ripper
Disable audio cache : OK for the drive with a cache less than 1375KiB
Make use of C2 pointers : NO
Read offset correction : 667
Max retry count : 100
Gap status : Analyzed, Appended (except HTOA)
TOC of the extracted CD
Track | Start | Length | Start sector | End sector
---------------------------------------------------------
1 | 00:00:00 | 02:22:10 | 0 | 10659
2 | 02:22:10 | 03:11:60 | 10660 | 25044
3 | 05:33:70 | 02:58:53 | 25045 | 38447
4 | 08:32:48 | 03:06:68 | 38448 | 52465
5 | 11:39:41 | 03:08:50 | 52466 | 66615
6 | 14:48:16 | 02:53:37 | 66616 | 79627
7 | 17:41:53 | 03:56:28 | 79628 | 97355
8 | 21:38:06 | 03:15:72 | 97356 | 112052
9 | 24:54:03 | 02:11:45 | 112053 | 121922
10 | 27:05:48 | 02:39:33 | 121923 | 133880
11 | 29:45:06 | 02:35:08 | 133881 | 145513
12 | 32:20:14 | 03:53:43 | 145514 | 163031
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Track 02 : OK (v2, confidence 3/3)
Track 03 : OK (v2, confidence 3/3)
Track 04 : OK (v2, confidence 3/3)
Track 05 : OK (v2, confidence 3/3)
Track 06 : OK (v2, confidence 3/3)
Track 07 : OK (v2, confidence 3/3)
Track 08 : OK (v2, confidence 3/3)
Track 09 : OK (v2, confidence 3/3)
Track 10 : OK (v2, confidence 3/3)
Track 11 : OK (v2, confidence 3/3)
Track 12 : OK (v2, confidence 3/3)
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Track 01
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TITLE "Between Heaven and Hell"
PERFORMER "Oscar Brown, Jr."
REM GENRE "Jazz"
REM DATE "1962"
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TITLE "Opportunity, Please Knock"
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TITLE "Hymn to Friday"
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TITLE "When Malindy Sings"
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[CUETools log; Date: 21.10.2019 13:32:10; Version: 2.1.6]
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4 | (5/5) Accurately ripped
5 | (5/5) Accurately ripped
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8 | (5/5) Accurately ripped
9 | (5/5) Accurately ripped
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Of the four albums Oscar Brown Jr. recorded for Columbia in the early to mid-'60s, Between Heaven & Hell is perhaps the least celebrated, in part because it was the last to get onto CD (taking until 2010 to do so). Brown did his best work during this stint for Columbia, however, and this, the second of those LPs, fits comfortably into the flow of his peak as a recording artist. It's entirely characteristic of his sound of the period, Brown delivering sly lyrics with a hipster feel to bluesy jazz arrangements with big-band verve. The most famous, and best, of the songs is the first, "Mr. Kicks," with its up-for-anything devil-may-care vibe. But it's a pretty consistent album, benefiting from some arrangements by Quincy Jones, Brown maintaining an unflappably suave posture throughout. Sometimes that stay-on-the-sunny-side charm might verge on the smug and smarmy to some listeners, and there isn't as much of the more serious social commentary you find on some of his other efforts. The seamier side of life does surface sometimes, however, if in a rather lighthearted manner on tracks like "Opportunity, Please Knock." More satisfying outings in that regard are "World in Grey" and two poems to which Brown set music, "Elegy" (by Gwendolyn Brooks) and "When Malindy Sings" (by Paul Lawrence Dunbar). Overall, it's a worthy investment for those who like Brown well enough to want more in their collections than one or two compilations.