(Vocal Jazz) Beverly Kenney - Sings For Johnny Smith (1955) {EMI / Roulette TOCJ-5384, Japan} - 1991, APE (image+.cue) lossless

Exact Audio Copy V0.99 prebeta 5 from 4. May 2009
EAC extraction logfile from 20. April 2011, 20:39
Beverly Kenney / Sings For Johnny Smith
Used drive  : TSSTcorpDVD+-RW TS-U633A   Adapter: 0  ID: 1
Read mode               : Secure
Utilize accurate stream : Yes
Defeat audio cache      : Yes
Make use of C2 pointers : No
Read offset correction                      : 6
Overread into Lead-In and Lead-Out          : No
Fill up missing offset samples with silence : Yes
Delete leading and trailing silent blocks   : No
Null samples used in CRC calculations       : Yes
Used interface                              : Native Win32 interface for Win NT & 2000
Used output format : Internal WAV Routines
Sample format      : 44.100 Hz; 16 Bit; Stereo
TOC of the extracted CD
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        1  |  0:00.00 |  2:13.20 |         0    |     9994
        2  |  2:13.20 |  2:32.55 |      9995    |    21449
        3  |  4:46.00 |  2:22.42 |     21450    |    32141
        4  |  7:08.42 |  2:37.03 |     32142    |    43919
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        7  | 15:15.25 |  2:12.02 |     68650    |    78551
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        9  | 20:16.72 |  2:15.38 |     91272    |   101434
       10  | 22:32.35 |  3:12.52 |    101435    |   115886
       11  | 25:45.12 |  2:20.05 |    115887    |   126391
       12  | 28:05.17 |  2:29.20 |    126392    |   137586
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     Filename C:\_Arc\BARIN99\Beverly Kenney - Sings For Johnny Smith\Beverly Kenney - Sings For Johnny Smith.wav
     Peak level 99.4 %
     Range quality 100.0 %
     Copy CRC 038ABC91
     Copy OK
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REM GENRE Jazz
REM DATE 1989
REM DISCID A2072A0C
REM COMMENT "ExactAudioCopy v0.99pb5"
PERFORMER "Beverly Kenney"
TITLE "Sings For Johnny Smith"
FILE "Beverly Kenney - Sings For Johnny Smith.ape" WAVE
  TRACK 01 AUDIO
    TITLE "Surrey With The Fringe On Top"
    PERFORMER "Beverly Kenney"
    INDEX 01 00:00:00
  TRACK 02 AUDIO
    TITLE "Tis' Autumn"
    PERFORMER "Beverly Kenney"
    INDEX 00 02:10:57
    INDEX 01 02:13:20
  TRACK 03 AUDIO
    TITLE "Looking For A Boy"
    PERFORMER "Beverly Kenney"
    INDEX 00 04:43:37
    INDEX 01 04:46:00
  TRACK 04 AUDIO
    TITLE "I'll Know My Love"
    PERFORMER "Beverly Kenney"
    INDEX 00 07:06:05
    INDEX 01 07:08:42
  TRACK 05 AUDIO
    TITLE "Destination Moon"
    PERFORMER "Beverly Kenney"
    INDEX 00 09:43:07
    INDEX 01 09:45:45
  TRACK 06 AUDIO
    TITLE "Ball And Chain (Sweet Lorraine)"
    PERFORMER "Beverly Kenney"
    INDEX 00 12:07:07
    INDEX 01 12:09:45
  TRACK 07 AUDIO
    TITLE "Almost Like Being In Love"
    PERFORMER "Beverly Kenney"
    INDEX 00 15:12:62
    INDEX 01 15:15:25
  TRACK 08 AUDIO
    TITLE "Stairway To The Stars"
    PERFORMER "Beverly Kenney"
    INDEX 00 17:24:65
    INDEX 01 17:27:27
  TRACK 09 AUDIO
    TITLE "There Will Never Be Another You"
    PERFORMER "Beverly Kenney"
    INDEX 00 20:14:35
    INDEX 01 20:16:72
  TRACK 10 AUDIO
    TITLE "This Little Town Is Paris"
    PERFORMER "Beverly Kenney"
    INDEX 00 22:29:72
    INDEX 01 22:32:35
  TRACK 11 AUDIO
    TITLE "Moe's Blues"
    PERFORMER "Beverly Kenney"
    INDEX 00 25:42:50
    INDEX 01 25:45:12
  TRACK 12 AUDIO
    TITLE "Snuggled On Your Shoulder"
    PERFORMER "Beverly Kenney"
    INDEX 00 28:02:55
    INDEX 01 28:05:17

Singer Beverly Kenney remains one of jazz's great tragedies — an exquisitely nuanced stylist whose sophisticated phrasing perfectly complemented the cool jazz sensibilities of the late '50s, she committed suicide at the peak of her career and awaits rediscovery by the vast majority of the listening public.
Born in Harrison, NJ, on January 29, 1932, Kenney began her career singing birthday greetings via telephone for Western Union. Ultimately she relocated to New York City, and in 1954 cut her first demo session with pianist Tony Tamburello (finally issued in 2006 under the title Snuggled on Your Shoulder). By year's end Kenney relocated to Miami, soon securing an agent and appearing at the Black Magic Room. There she was discovered by the Dorsey Brothers, spending several months on tour with their orchestra before creative differences prompted her exit. From there Kenney returned to New York, working clubs in the company of George Shearing, Don Elliott, and Kai Winding in addition to briefly touring the Midwest with the Larry Sonn Band before signing to the Roost label, which in early 1956 issued her debut LP, Beverly Kenny Sings for Johnny Smith. Come Swing with Me, a pairing with arranger Ralph Burns, followed later that same year, and in the spring of 1957 she teamed with Jimmy Jones & the Basie-Ites for her final effort for the label.
Kenney resurfaced on Decca in 1958 with Sings for Playboys — her masterpiece, Born to Be Blue, soon followed, and a year later she issued her swan song, Like Yesterday. Critics and fellow artists were virtually unanimous in their praise of Kenney's artistry, but the emergence of rock & roll virtually guaranteed she would remain anonymous to the public at large. Tellingly, during a May 18, 1958, appearance on NBC's The Steve Allen Show, she performed an original composition titled 'I Hate Rock and Roll.' Friends and colleagues generally cite Kenney as a melancholy, distant figure in the final months of her life, but her suicide at age 28 on April 13, 1960, still raises myriad questions: by most accounts, she spent her last hours writing each of her parents long, heartbreaking letters at the desk in her Greenwich Village flat before consuming a lethal overdose of alcohol and Seconal, but her motivations are unknown. A 1992 GQ magazine profile by Jonathan Schwartz suggests Kenney was despondent over the dissolution of her romance with Beat Generation guru Milton Klonsky, but a subsequent investigation by fan and journalist Bill Reed casts serious doubt on this theory. While a virtual footnote in her native U.S., Kenney boasts an ever-growing cult following in Japan, where all six of her LPs have remained in print.