[TR24][OF] Vanessa Fernandez - Use Me - 2014 (Contemporary Jazz, Vocal)
![[TR24][OF] Vanessa Fernandez - Use Me - 2014 (Contemporary Jazz, Vocal)](/upload/000/u2/67/8c/tr24-of-vanessa-fernandez-use-me-2014-contemporary-jazz.jpg "[TR24][OF] Vanessa Fernandez - Use Me - 2014 (Contemporary Jazz, Vocal)")
Vanessa Fernandez / Use Me
Формат записи/Источник записи: [TR24][OF]
Наличие водяных знаков: Нет
Год издания/переиздания диска: 2014
Жанр: Contemporary Jazz, Vocal
Издатель(лейбл): Groove Note Records
Продолжительность: 57:23
Наличие сканов в содержимом раздачи: Только обложка альбома
Треклист:
01. I Just Wanna Be With You 5:24
02. Be Thankful For What You Got 6:19
03. Distant Lover 5:33
04. Hard Times 4:15
05. That Loving Feeling 5:12
06. Simply Beautiful 4:20
07. Use Me 3:37
08. I Love You More Than You'll Ever Know 6:14
09. Cool Cat 4:48
10. Here But I'm Gone 5:10
11. Be Thankful For What You Got (Alternate Mix) 6:30
Контейнер: FLAC (*.flac)
Тип рипа: tracks
Разрядность: 24/176,4
Формат: LPCM
Количество каналов: 2.0
Доп. информация: В папке Vanessa Fernandez-USE ME-2014-flac оригинальные файлы. В папке Vanessa Fernandez - Use Me 2014 (24-176.4) редактированные файлы: в iZotope RX 5 Audio Editor выровнял громкость треков и фильтром 30 КГц обрезал шум преобразования DSD64->PCM, который присутствует на ориг. файлах. Теги заполнил.
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Источник (релизер): WEB (некто altoss2015)
Формат записи/Источник записи: [TR24][OF]
Наличие водяных знаков: Нет
Год издания/переиздания диска: 2014
Жанр: Contemporary Jazz, Vocal
Издатель(лейбл): Groove Note Records
Продолжительность: 57:23
Наличие сканов в содержимом раздачи: Только обложка альбома
Треклист:
01. I Just Wanna Be With You 5:24
02. Be Thankful For What You Got 6:19
03. Distant Lover 5:33
04. Hard Times 4:15
05. That Loving Feeling 5:12
06. Simply Beautiful 4:20
07. Use Me 3:37
08. I Love You More Than You'll Ever Know 6:14
09. Cool Cat 4:48
10. Here But I'm Gone 5:10
11. Be Thankful For What You Got (Alternate Mix) 6:30
Контейнер: FLAC (*.flac)
Тип рипа: tracks
Разрядность: 24/176,4
Формат: LPCM
Количество каналов: 2.0
Лог проверки качества: DR15
Оригинал:
foobar2000 1.3.10 / Dynamic Range Meter 1.1.1 log date: 2016-08-11 17:37:07 -------------------------------------------------------------------------------- Analyzed: Vanessa Fernandez / USE ME -------------------------------------------------------------------------------- DR Peak RMS Duration Track -------------------------------------------------------------------------------- DR13 -1.53 dB -17.20 dB 5:24 01-Just Wanna Be With You DR13 -2.63 dB -19.51 dB 6:19 02-Be Thankful For What You Got aka Diamond In The Back DR15 0.00 dB -18.28 dB 5:33 03-Distant Lover DR16 0.00 dB -17.65 dB 4:15 04-Hard Times DR13 -3.26 dB -19.43 dB 5:12 05-That Loving Feeling DR14 -2.23 dB -21.35 dB 4:20 06-Simply Beautiful DR16 0.00 dB -17.26 dB 3:37 07-Use Me DR17 0.00 dB -20.17 dB 6:14 08-I Love You More Than You'll Ever Know DR15 -1.56 dB -19.02 dB 4:48 09-Cool Cat DR16 -0.03 dB -18.63 dB 5:10 10-Here But I'm Gone DR14 -1.88 dB -19.62 dB 6:30 11-Be Thankful For What You Got aka Diamond In The Back (alt. take) -------------------------------------------------------------------------------- Number of tracks: 11 Official DR value: DR15 Samplerate: 176400 Hz Channels: 2 Bits per sample: 24 Bitrate: 6993 kbps Codec: FLAC ================================================================================Редактированная версия:
foobar2000 1.3.10 / Dynamic Range Meter 1.1.1 log date: 2016-08-11 14:09:17 -------------------------------------------------------------------------------- Analyzed: Vanessa Fernandez / Use Me -------------------------------------------------------------------------------- DR Peak RMS Duration Track -------------------------------------------------------------------------------- DR13 -0.30 dB -15.70 dB 5:24 01-Just Wanna Be With You DR13 -1.24 dB -18.09 dB 6:19 02-Be Thankful For What You Got aka Diamond In The Back DR15 -0.15 dB -18.63 dB 5:33 03-Distant Lover DR16 -0.12 dB -17.98 dB 4:15 04-Hard Times DR13 -1.17 dB -17.22 dB 5:12 05-That Loving Feeling DR14 -0.30 dB -19.23 dB 4:20 06-Simply Beautiful DR16 -0.13 dB -17.58 dB 3:37 07-Use Me DR17 -0.34 dB -20.59 dB 6:14 08-I Love You More Than You'll Ever Know DR15 -0.30 dB -17.66 dB 4:48 09-Cool Cat DR16 -0.30 dB -19.02 dB 5:10 10-Here But I'm Gone DR14 -0.30 dB -18.15 dB 6:30 11-Be Thankful For What You Got aka Diamond In The Back (alt. take) -------------------------------------------------------------------------------- Number of tracks: 11 Official DR value: DR15 Samplerate: 176400 Hz Channels: 2 Bits per sample: 24 Bitrate: 8467 kbps Codec: PCM ================================================================================
Скриншот спектра частот
Оригинал:
Редактированная версия:
Редактированная версия:
При постановке торрента на закачку выбирайте то, что Вас интересует.
Источник (релизер): WEB (некто altoss2015)
Состав
Drums – Victor Indrizzo, Electric Bass – Leland Sklar, Guitar – Tim Pierce, Harmonica – Stanley Behrens, Keyboards – Jim Cox, Percussion – Rafael Padilla, Vocals – Vanessa Fernandez, Mastered By – Bernie Grundman, Recorded By – Michael C. Ross
Об исполнителе (группе)
Vanessa Mary Fernandez (born 17 October 1982) is a singer and radio presenter from Singapore. She released several albums with the now defunct hip-hop groups, Urban Xchange and Parking Lot Pimp and is now more popularly known by her moniker, Vandetta, (sometimes Miss Vandetta) on Mediacorp Radio’s 987fm.
Fernandez started singing in the church choir at the age of 12 and at 16, while studying at CHIJ St. Joseph’s Convent, scored a leading role in her secondary school musical directed by Wendy Ng, then the Artistic Director of the Singapore Repertory Theatre Young Company. Ng asked her to join the established theatre group and she went on to perform in several musicals including Re:Mix, penned by Singapore Idol judge and music veteran, Dick Lee, as well as 24 Hours, penned by Haresh Sharma for The Necessary Stage in 1998.
In 2000, Fernandez was asked by rapper and producer, Terry Lee, to join a group that later became known as Urban Xchange. Lee had initiated the group in order to audition for a Coca-Cola commercial. The group also comprised Munir Alsagoff, Trisno Ishak, Firdaus Bahri, Michaela Therese, Humaa and Kimberly Olsen. Urban Xchange fronted Coca-Cola’s “Life Tastes Good” campaign and released two albums after being signed to Universal Music Singapore/Malaysia. Following the high profile campaign the group received limited success in the region, contributing “When I Grow Up I Wanna Be Like Jackie Chan” to the Asian edition of the Rush Hour 2 soundtrack, featured on a remix of Brian McKnight’s “When You Wanna Come” on the Asian repack of Superhero, and performing alongside American pop singer, Stacie Orrico as well as Malaysian rap group, Too Phat, at the 2003 MTV Asia Music Awards.
In 2004, Urban Xchange regrouped as Parking Lot Pimp and signed with EMI Music Southeast Asia who released their album, Welcome To Our Frequency. After a year, Fernandez, along with Munir Alsagoff and Trisno Ishak, left Parking Lot Pimp.
At the end of 2010, Fernandez became part of audio-visual collective, Syndicate, performing with veteran hip-hop producer/DJ, Kiat, at the opening day of the infamous Gilles Peterson Worldwide Festival 2011 in Sete, France. In September that same year, she performed with veteran producer Jason Tan at the Singapore leg of the Worldwide Festival. The duo, known as Octover, released their album on the Syndicate imprint in January 2013.
In 2014, Fernandez released the album Use Me on the Groove Note record label that has also released albums of another Singapore singer, Jacintha Abisheganaden. Recorded in Los Angeles at the famous Ocean Way recording studio, Use Me consists of covers of songs by Curtis Mayfield, Bill Withers and Al Green, among others. Fernandez also performed at the Singapore leg of the St Jerome's Laneway Festival, alongside James Blake, Syndicate's Gema and The Observatory.
In 2015, Fernandez plans to release a new EP under her Vandetta moniker.
Fernandez started singing in the church choir at the age of 12 and at 16, while studying at CHIJ St. Joseph’s Convent, scored a leading role in her secondary school musical directed by Wendy Ng, then the Artistic Director of the Singapore Repertory Theatre Young Company. Ng asked her to join the established theatre group and she went on to perform in several musicals including Re:Mix, penned by Singapore Idol judge and music veteran, Dick Lee, as well as 24 Hours, penned by Haresh Sharma for The Necessary Stage in 1998.
In 2000, Fernandez was asked by rapper and producer, Terry Lee, to join a group that later became known as Urban Xchange. Lee had initiated the group in order to audition for a Coca-Cola commercial. The group also comprised Munir Alsagoff, Trisno Ishak, Firdaus Bahri, Michaela Therese, Humaa and Kimberly Olsen. Urban Xchange fronted Coca-Cola’s “Life Tastes Good” campaign and released two albums after being signed to Universal Music Singapore/Malaysia. Following the high profile campaign the group received limited success in the region, contributing “When I Grow Up I Wanna Be Like Jackie Chan” to the Asian edition of the Rush Hour 2 soundtrack, featured on a remix of Brian McKnight’s “When You Wanna Come” on the Asian repack of Superhero, and performing alongside American pop singer, Stacie Orrico as well as Malaysian rap group, Too Phat, at the 2003 MTV Asia Music Awards.
In 2004, Urban Xchange regrouped as Parking Lot Pimp and signed with EMI Music Southeast Asia who released their album, Welcome To Our Frequency. After a year, Fernandez, along with Munir Alsagoff and Trisno Ishak, left Parking Lot Pimp.
At the end of 2010, Fernandez became part of audio-visual collective, Syndicate, performing with veteran hip-hop producer/DJ, Kiat, at the opening day of the infamous Gilles Peterson Worldwide Festival 2011 in Sete, France. In September that same year, she performed with veteran producer Jason Tan at the Singapore leg of the Worldwide Festival. The duo, known as Octover, released their album on the Syndicate imprint in January 2013.
In 2014, Fernandez released the album Use Me on the Groove Note record label that has also released albums of another Singapore singer, Jacintha Abisheganaden. Recorded in Los Angeles at the famous Ocean Way recording studio, Use Me consists of covers of songs by Curtis Mayfield, Bill Withers and Al Green, among others. Fernandez also performed at the Singapore leg of the St Jerome's Laneway Festival, alongside James Blake, Syndicate's Gema and The Observatory.
In 2015, Fernandez plans to release a new EP under her Vandetta moniker.
Об альбоме (сборнике)
"The sound quality of this album is truly reference quality ...a must purchase!" - www.thehighnote.com
Use Me introduces and throws the spotlight on the fantastic voice of Singaporean vocalist Vanessa Fernandez. This album of audiophile quality covers of soul and R&B classics from the 70s and 80s was done in an 'unplugged' style with acoustic instruments and arrangements used on all of the tracks. Vocals are tremendously dynamic (no compression or limiting used), with superb presence and detail for all other instruments including the drum set. Resolution is of the highest order and this is an LP that rewards for both musical performance and outstanding audio quality. The song selection includes tunes by Marvin Gaye, Curtis Mayfield, Isaac Hayes, Earth Wind & Fire, Bill Withers, Al Green and others. Top musicians playing on the album include the great bassist Lee Sklar (Phil Collins, Rita Coolidge, Bonnie Raitt, Linda Ronstadt, Lyle Lovett), acoustic guitars - Tim Pierce (Bruce Springsteen, Michael Jackson, Celine Dion, Roger Waters, Tina Turner, Eric Clapton), electric piano - Jim Cox (Willie Nelson, BB King, Aaron Neville, Ringo Starr, Lyle Lovett), drums - Victor Indrizzo (Macy Grey, Marianne Faithfull, Meatloaf, Emmylou Harris), percussion - Rafael Padillo (Julio Iglesias, Celine Dion, Pavarotti, Gloria Estefan), and harmonica - Stanley Behrens (Willie Dixon, Canned Heat, Ruth Brown). There are many records and labels who declare themselves to be of 'audiophile quality'. Groove Note records all of our albums at the best studios in Hollywood (Oceanway, Record One, Cello, Sunset Sound) using a top Grammy nominated recording engineer, Michael C. Ross. All of our albums are recorded 100% analogue and the production masters are also mixed by 100% analogue by MC Ross. All albums are cut by one of the greatest mastering engineers in the world, Bernie Grundman, on an all analogue tube cutting system using all upgraded and modified vintage Sculley cutting lathes. Also available as a Hybrid SACD.
Use Me introduces and throws the spotlight on the fantastic voice of Singaporean vocalist Vanessa Fernandez. This album of audiophile quality covers of soul and R&B classics from the 70s and 80s was done in an 'unplugged' style with acoustic instruments and arrangements used on all of the tracks. Vocals are tremendously dynamic (no compression or limiting used), with superb presence and detail for all other instruments including the drum set. Resolution is of the highest order and this is an LP that rewards for both musical performance and outstanding audio quality. The song selection includes tunes by Marvin Gaye, Curtis Mayfield, Isaac Hayes, Earth Wind & Fire, Bill Withers, Al Green and others. Top musicians playing on the album include the great bassist Lee Sklar (Phil Collins, Rita Coolidge, Bonnie Raitt, Linda Ronstadt, Lyle Lovett), acoustic guitars - Tim Pierce (Bruce Springsteen, Michael Jackson, Celine Dion, Roger Waters, Tina Turner, Eric Clapton), electric piano - Jim Cox (Willie Nelson, BB King, Aaron Neville, Ringo Starr, Lyle Lovett), drums - Victor Indrizzo (Macy Grey, Marianne Faithfull, Meatloaf, Emmylou Harris), percussion - Rafael Padillo (Julio Iglesias, Celine Dion, Pavarotti, Gloria Estefan), and harmonica - Stanley Behrens (Willie Dixon, Canned Heat, Ruth Brown). There are many records and labels who declare themselves to be of 'audiophile quality'. Groove Note records all of our albums at the best studios in Hollywood (Oceanway, Record One, Cello, Sunset Sound) using a top Grammy nominated recording engineer, Michael C. Ross. All of our albums are recorded 100% analogue and the production masters are also mixed by 100% analogue by MC Ross. All albums are cut by one of the greatest mastering engineers in the world, Bernie Grundman, on an all analogue tube cutting system using all upgraded and modified vintage Sculley cutting lathes. Also available as a Hybrid SACD.