[TR24][OF] Louis Hayes (with Steve Nelson, Abraham Burton, David Bryant, Dezron Douglas) - Return Of The Jazz Communicators - 2014 (Hard Bop)
Louis Hayes
Return Of The Jazz Communicators
Год издания: 2014
Жанр: Hard Bop
Издатель: Smoke Sessions Records
Продолжительность: 01:15:32
Наличие сканов: Sleeve
01. Soul-Leo (8:08)
02. Shape Shifting (6:58)
03. Lush Life (8:57)
04. Groovin' for Nat (6:53)
05. It's to You (4:40)
06. Without a Song (6:43)
07. Simple Pleasure (5:18)
08. Vagabond Ron (5:31)
09. Portrait of Jennie (8:43)
10. Lou's Idea (7:29)
11. Village Greene (6:13)
Контейнер: FLAC (*.flac)
Тип рипа: tracks
Разрядность: 24bit / 48kHz
Количество каналов: 2.0
О релизе
Drummer Louis Hayes, one of the chief architects of modern jazz drumming, was the rhythmic drive for historic recordings by Horace Silver, Cannonball Adderley, Oscar Peterson, Joe Henderson, Dexter Gordon, and McCoy Tyner. His playing has a rhythmic intensity that is as subtle as it is complex creating a musical feel and vibe on every track that is unmistakably Louis Hayes. When he reformed this band that he co-founded in the late ’60s with Freddie Hubbard and Joe Henderson—which Freddie dubbed the Jazz Communicators—Louis purposefully deviated from a conventional quintet lineup by featuring a vibraphone / tenor saxophone out front. It’s the esteemed pair of Steve Nelson and Abraham Burton, respectively, and their chemistry with Louis, pianist David Bryant and bassist Dezron Douglas makes The Return of the Jazz Communicators an inspired and rewarding set of music. The selections include a nice balance of standards and originals such as a ballad-feature for Nelson, Lush Life, and one for Burton, A Portrait of Jennie as well as the deep, loose groove of Mulgrew Miller’s Soul-Leo, which opens the record. Return of the Jazz Communicators captures this important jazz quintet in front of an enthusiastic and appreciative live audience. In the words of Louis Hayes, “I try to do what I do best and what makes me feel good…I guess I might as well keep on swinging. And, that’s basically what I’m going to do.” Return of the Jazz Communicators is available for purchase as a 8-panel CD-Deluxe Album complete with liner notes, interview and additional photos or as a high resolution download mastered for iTunes.
Much like what has happened with Smalls Records, the cottage industry that Smoke jazz club started when they debuted their own record label last fall has continued to grow into a viable commodity. So too, there is common ground to the look and feel of each release, even as the color scheme and the music itself changes. For the label's 5th full release, they have documented a November 2013 set led by the mighty Detroit drummer Louis Hayes and his quintet.
As the story goes, the original Jazz Communicators were formed back in 1967 when Hayes put together a group featuring Freddie Hubbard, Joe Henderson, and Kenny Barron. This new edition was formed out of Hayes' desire to use the vibes in a quintet setting. It is fabulous to hear Steve Nelson in this ensemble, being that his recorded appearances are rare these days. A veteran of other Hayes ensembles over the years and another gifted musician we hear from too rarely, Abraham Burton first made a name for himself playing alto with Art Taylor back in the '90s. Lately, he's been heard on tenor and the tart sound he used to get on the smaller horn transfers exceedingly well to the bigger horn.
The set kicks off with Mulgrew Miller's classic vibe tune, "Soul-Leo" and everyone seems to be inspired by a form that shifts between a straight eight feel for the verses and a bridge that goes into swing. That inspiration is also to be heard on the ballad numbers that feature both Nelson and Burton, the former on a classy rendering of "Lush Life" and the latter on a commanding version of "A Portrait of Jenny."
The more upbeat numbers, like "Shape Shifting," "Simple Pleasures," and "Village Greene" hit a synergistic highpoint with Hayes at the helm, his large cymbal beat and crackling snare at the center of the vortex. It's also worth noting how Hayes interjects his comments within the context of the melody on the Ernie Wilkins chestnut "Groovin' for Nat." Never too flashy, Hayes has honed his fills to the highest sense of musicality, and it's this supportive role that makes him one of the drum legends.
Over the course of the album's generous selection of twelve tracks, the contributions of pianist David Bryant and bassist Dezron Douglas are not to be underestimated. Bryant knows how to play with a vibraphonist, never getting in the way, but complementing what is happening chordally. As for Douglas, his solos are few, but he makes each one of them count.
Although Hayes has made many albums over the years as a leader, this one securely holds a place as one of his best. The live setting inspires his musical muse and his drums have never sounded better. --C. Andrew Hovan, All About Jazz
Personnel:
Louis Hayes - drums
David Bryant - piano
Dezron Douglas - bass
Steve Nelson - vibraphone
Abraham Burton - tenor sax
Recorded live at Smoke Jazz Club, New York City, November 16, 2013
Отчёты
Динамический диапазон
foobar2000 1.3.8 / Dynamic Range Meter 1.1.1
log date: 2015-08-07 09:15:37
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Analyzed: Louis Hayes, Steve Nelson, Abraham Burton, David Bryant, Dezron Douglas / Return of the Jazz Communicators
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DR Peak RMS Duration Track
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DR9 -0.70 dB -11.92 dB 8:08 01-Soul-Leo
DR10 -0.70 dB -12.87 dB 6:58 02-Shape Shifting
DR11 -0.70 dB -15.02 dB 8:57 03-Lush Life
DR9 -0.70 dB -12.78 dB 6:53 04-Groovin' for Nat
DR8 -0.70 dB -11.02 dB 4:40 05-It's to You
DR10 -0.70 dB -12.29 dB 6:43 06-Without a Song
DR9 -0.70 dB -12.00 dB 5:18 07-Simple Pleasure
DR9 -0.70 dB -12.01 dB 5:31 08-Vagabond Ron
DR9 -0.70 dB -12.93 dB 8:43 09-Portrait of Jennie
DR9 -0.70 dB -12.74 dB 7:29 10-Lou's Idea
DR11 -0.70 dB -13.53 dB 6:13 11-Village Greene
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Number of tracks: 11
Official DR value: DR10
Samplerate: 48000 Hz
Channels: 2
Bits per sample: 24
Bitrate: 1779 kbps
Codec: FLAC
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