(Third Stream, Modern Jazz, Soundtrack) [CD] David Krakauer - The Big Picture - 2015, FLAC (tracks+.cue), lossless
![(Third Stream, Modern Jazz, Soundtrack) [CD] David Krakauer - The Big Picture - 2015, FLAC (tracks+.cue), lossless](/upload/000/u2/86/f7/third-stream-modern-jazz-soundtrack-cd-david-krakauer-th.jpg "(Third Stream, Modern Jazz, Soundtrack) [CD] David Krakauer - The Big Picture - 2015, FLAC (tracks+.cue), lossless")
David Krakauer / The Big Picture
Жанр: Third Stream, Modern Jazz, Soundtrack
Носитель: CD
Страна-производитель диска (релиза): France
Год издания: 2015
Издатель (лейбл): Label Bleu
Номер по каталогу: LBLC 6717
Аудиокодек: FLAC (*.flac)
Тип рипа: tracks+.cue
Битрейт аудио: lossless
Продолжительность: 47:20
Источник (релизер): nolaan
Наличие сканов в содержимом раздачи: нет
Джазовые интерпретации мелодий из знаменитых фильмов: Кабаре, Жизнь прекрасна, Полночь в Париже и т.д., являющиеся
частью мультимедийной презентации, которая проходила в нью-йоркском Музее еврейского наследия (Museum of Jewish Heritage)
Треклист:
01. Willkommen [From Bob Fosse's Cabaret] Fred Ebb / John Kander
02. La Vita E Bella [Life Is Beautiful] [From Roberto Benigni's Life Is Beautiful] Nicola Piovani
03. Si Tu Vois Ma Mère [If You See My Mother] [From Woody Allen's Midnight In Paris] Sidney Bechet
04. Body And Soul [From Woody Allen's Radio Days] Frank Eyton / Edward Heyman / Robert Sour
05. The March [From The Love For Three Oranges] [From Woody Allen's Love And Death] Sergey Prokofiev
06. Moving To The Ghetto [From Roman Polanski's The Pianist] Wojciech Kilar
07. The Family [From Barry Levinson's Avalon] Randy Newman
08. Honeycomb [From Bob Fosse's Lenny] Ralph Burns
09. Love Theme [From Alan J. Pakula's Sophie's Choice] Marvin Hamlisch
10. Keep It Gay [From Mel Brook's The Producers] Mel Brook
11. People [From William Wyler's Funny Girl] Bob Merrill / Jule Styne
12. Tradition [From Norman Jewison's Fiddler On The Roof] Jerry Brock / Sheldon Hamick
Released: 04 Dec 2015, Label Bleu, France
First release: 2014 , Table Pounding Records, USA
Другие мои раздачи на трекере
Жанр: Third Stream, Modern Jazz, Soundtrack
Носитель: CD
Страна-производитель диска (релиза): France
Год издания: 2015
Издатель (лейбл): Label Bleu
Номер по каталогу: LBLC 6717
Аудиокодек: FLAC (*.flac)
Тип рипа: tracks+.cue
Битрейт аудио: lossless
Продолжительность: 47:20
Источник (релизер): nolaan
Наличие сканов в содержимом раздачи: нет
Джазовые интерпретации мелодий из знаменитых фильмов: Кабаре, Жизнь прекрасна, Полночь в Париже и т.д., являющиеся
частью мультимедийной презентации, которая проходила в нью-йоркском Музее еврейского наследия (Museum of Jewish Heritage)
Треклист:
01. Willkommen [From Bob Fosse's Cabaret] Fred Ebb / John Kander
02. La Vita E Bella [Life Is Beautiful] [From Roberto Benigni's Life Is Beautiful] Nicola Piovani
03. Si Tu Vois Ma Mère [If You See My Mother] [From Woody Allen's Midnight In Paris] Sidney Bechet
04. Body And Soul [From Woody Allen's Radio Days] Frank Eyton / Edward Heyman / Robert Sour
05. The March [From The Love For Three Oranges] [From Woody Allen's Love And Death] Sergey Prokofiev
06. Moving To The Ghetto [From Roman Polanski's The Pianist] Wojciech Kilar
07. The Family [From Barry Levinson's Avalon] Randy Newman
08. Honeycomb [From Bob Fosse's Lenny] Ralph Burns
09. Love Theme [From Alan J. Pakula's Sophie's Choice] Marvin Hamlisch
10. Keep It Gay [From Mel Brook's The Producers] Mel Brook
11. People [From William Wyler's Funny Girl] Bob Merrill / Jule Styne
12. Tradition [From Norman Jewison's Fiddler On The Roof] Jerry Brock / Sheldon Hamick
Released: 04 Dec 2015, Label Bleu, France
First release: 2014 , Table Pounding Records, USA
Состав
David Krakauer: clarinet and bass clarinet;
Jenny Scheinman: violin;
Adam Rogers: guitars (1, 2, 4-12);
Rob Burger: piano, celeste, pump organ, Hammond organ, accordion and vibes;
Greg Cohen: double bass (1, 2, 4-12);
Nicki Parrott: double bass (3);
Sheryl Bailey: guitar (3);
Keepalive: loops (3);
Jim Black: drums and percussion.
Jenny Scheinman: violin;
Adam Rogers: guitars (1, 2, 4-12);
Rob Burger: piano, celeste, pump organ, Hammond organ, accordion and vibes;
Greg Cohen: double bass (1, 2, 4-12);
Nicki Parrott: double bass (3);
Sheryl Bailey: guitar (3);
Keepalive: loops (3);
Jim Black: drums and percussion.
allaboutjazz.com
David Krakauer: The Big Picture ****
By GLENN ASTARITA
February 9, 2014
It should come as no surprise that jazz musicians often spin some newfangled slants on compositions culled from Broadway theatrics and film. Other than renowned clarinetist David Krakauer's solo excursions for various record labels, his longtime affiliation with composer, saxophonist John Zorn, for a host of jazz- klezmer, and outside-the-box undertakings, bring quite a bit to the proverbial table. With dashes of New York City downtown-like risk- taking episodes, Jewish folk, jazz, rock and Americana, amid Krakauer's animated, vibrato-laden notes and shuddering expressionism, this agenda intimates a nouveau flavor, when correlating the old wine in new bottles adage. The Big Picture also coincides with his month-long engagement at the Museum of Jewish Heritage in downtown Manhattan. Krakauer articulates and aligns the Jewish connection from a holistic viewpoint with these famous works via his deep-rooted sensibilities and artistic foresight.
A conspicuous stylist, Krakauer's brainchild is colorful, dense and largely festive along with his astute adherence to compositional detail. On "Willkommen" from Cabaret, violinist Jenny Scheinman tenders dainty nuances via her string-plucking maneuvers. But drummer Jim Black kicks matters into an oscillating pulse, countering vocalist Liza Minnelli's original jubilance with a high-impact makeover, also accentuated by the clarinetist's stinging notes. Nonetheless, the musicians' charismatic interplay often induces aural caricatures of the original performances.
With "The March (From the Love for Three Oranges)" from Woody Allen's Love and Death film score, Krakauer directs a march progression with cinematic flair and wholehearted wit, including Rob Burger's folksy accordion lines and the band's morphing of idiosyncratic treatments with triumphant choruses. Other pieces are enamored by the leader's howling and soaring phraseology, sometimes implemented with the band's down-home, roots-oriented undertow, contrasted with melancholic passages and outlined with resonating backdrops.
"Keep It Gay" from Mel Brooks' comedy The Producers, features more of Burger's folk-driven accordion work, complemented by the musicians' oddball electronics and percussion- based background shadings that lull you into a daydream before the ensemble unleashes a rousing, celebratory gala. Yet Krakauer digs deep with his emphatic rendering of the somber ballad "People, from Funny Girl. Hence, the artist injects new and enlivening panoramas with emotive exuberance into these time-honored relics of film and stage.
Track Listing: Willkommen; La Vita E Bella; Si tu Vois Ma Mere (If You See My Mother); Body and Soul; Moving To The Ghetto; The Family; Honeycomb; Love Theme; Keep It Gay; People; Tradition.
Personnel: David Krakauer: clarinet and bass clarinet; Jenny Scheinman: violin; Adam Rogers: guitars (1, 2, 4-12); Rob Burger: piano, celeste, pump organ, Hammond organ, accordion and vibes; Greg Cohen: double bass (1, 2, 4-12); Nicki Parrott: double bass (3); Sheryl Bailey: guitar (3); Keepalive: loops (3); Jim Black: drums and percussion.
Year Released: 2014 | Record Label: Table Pounding Records | Style: Modern Jazz
By GLENN ASTARITA
February 9, 2014
It should come as no surprise that jazz musicians often spin some newfangled slants on compositions culled from Broadway theatrics and film. Other than renowned clarinetist David Krakauer's solo excursions for various record labels, his longtime affiliation with composer, saxophonist John Zorn, for a host of jazz- klezmer, and outside-the-box undertakings, bring quite a bit to the proverbial table. With dashes of New York City downtown-like risk- taking episodes, Jewish folk, jazz, rock and Americana, amid Krakauer's animated, vibrato-laden notes and shuddering expressionism, this agenda intimates a nouveau flavor, when correlating the old wine in new bottles adage. The Big Picture also coincides with his month-long engagement at the Museum of Jewish Heritage in downtown Manhattan. Krakauer articulates and aligns the Jewish connection from a holistic viewpoint with these famous works via his deep-rooted sensibilities and artistic foresight.
A conspicuous stylist, Krakauer's brainchild is colorful, dense and largely festive along with his astute adherence to compositional detail. On "Willkommen" from Cabaret, violinist Jenny Scheinman tenders dainty nuances via her string-plucking maneuvers. But drummer Jim Black kicks matters into an oscillating pulse, countering vocalist Liza Minnelli's original jubilance with a high-impact makeover, also accentuated by the clarinetist's stinging notes. Nonetheless, the musicians' charismatic interplay often induces aural caricatures of the original performances.
With "The March (From the Love for Three Oranges)" from Woody Allen's Love and Death film score, Krakauer directs a march progression with cinematic flair and wholehearted wit, including Rob Burger's folksy accordion lines and the band's morphing of idiosyncratic treatments with triumphant choruses. Other pieces are enamored by the leader's howling and soaring phraseology, sometimes implemented with the band's down-home, roots-oriented undertow, contrasted with melancholic passages and outlined with resonating backdrops.
"Keep It Gay" from Mel Brooks' comedy The Producers, features more of Burger's folk-driven accordion work, complemented by the musicians' oddball electronics and percussion- based background shadings that lull you into a daydream before the ensemble unleashes a rousing, celebratory gala. Yet Krakauer digs deep with his emphatic rendering of the somber ballad "People, from Funny Girl. Hence, the artist injects new and enlivening panoramas with emotive exuberance into these time-honored relics of film and stage.
Track Listing: Willkommen; La Vita E Bella; Si tu Vois Ma Mere (If You See My Mother); Body and Soul; Moving To The Ghetto; The Family; Honeycomb; Love Theme; Keep It Gay; People; Tradition.
Personnel: David Krakauer: clarinet and bass clarinet; Jenny Scheinman: violin; Adam Rogers: guitars (1, 2, 4-12); Rob Burger: piano, celeste, pump organ, Hammond organ, accordion and vibes; Greg Cohen: double bass (1, 2, 4-12); Nicki Parrott: double bass (3); Sheryl Bailey: guitar (3); Keepalive: loops (3); Jim Black: drums and percussion.
Year Released: 2014 | Record Label: Table Pounding Records | Style: Modern Jazz
jazztimes.com/
David Krakauer
The Big Picture
By Jeff Tamarkin
The Big Picture is clarinetist David Krakauer’s companion piece to a multimedia presentation that ran for a month at New York’s Museum of Jewish Heritage. Its dozen tracks are drawn from a variety of films ranging from Bob Fosse’s Cabaret and Lenny to Roman Polanski’s The Pianist to a trio of Woody Allen hits, Krakauer’s intention, he writes in the liner notes, to “explore the inseparable relationship between music and movies.”
Of course this has been done before—many, many times. But there’s a bigger picture, if you will. Each of these films in some way connects to Jewish life and culture, always a core element of Krakauer’s work. In most instances the link is obvious (Fiddler on the Roof’s “Tradition,” a cover of “People,” made famous by Barbra Streisand) and sometimes it isn’t. But ultimately, The Big Picture would be a rewarding listen even if one had no idea what its creators were going for.
All of Krakauer’s cohorts on The Big Picture are in tune with the concept, none so much as Jenny Scheinman, whose masterful violin work serves throughout as close companion to Krakauer’s clarinets. Like him, Scheinman is an articulate, expressive musician whose lines ring with warmth and soul, even at the music’s most dissonant. “Willkomen,” the first number, opens as a slightly warped waltz, rocks determinedly in its mid-section, skips along then rocks again, Rob Burger’s piano supporting the lead instruments stealthily but sturdily. Burger, in fact, is the recording’s other secret weapon, his accordion on “Keep It Gay,” from Mel Brooks’ The Producers, giving the piece a surreal old-country carnival music vibe.
Other numbers, including “The Family” from Barry Levinson’s Avalon, are performed without flourish, arranged in a more straight-ahead fashion. Each approach works equally well; The Big Picture takes soundtrack music out of its comfort zone for a welcome reconsideration.
The Big Picture
By Jeff Tamarkin
The Big Picture is clarinetist David Krakauer’s companion piece to a multimedia presentation that ran for a month at New York’s Museum of Jewish Heritage. Its dozen tracks are drawn from a variety of films ranging from Bob Fosse’s Cabaret and Lenny to Roman Polanski’s The Pianist to a trio of Woody Allen hits, Krakauer’s intention, he writes in the liner notes, to “explore the inseparable relationship between music and movies.”
Of course this has been done before—many, many times. But there’s a bigger picture, if you will. Each of these films in some way connects to Jewish life and culture, always a core element of Krakauer’s work. In most instances the link is obvious (Fiddler on the Roof’s “Tradition,” a cover of “People,” made famous by Barbra Streisand) and sometimes it isn’t. But ultimately, The Big Picture would be a rewarding listen even if one had no idea what its creators were going for.
All of Krakauer’s cohorts on The Big Picture are in tune with the concept, none so much as Jenny Scheinman, whose masterful violin work serves throughout as close companion to Krakauer’s clarinets. Like him, Scheinman is an articulate, expressive musician whose lines ring with warmth and soul, even at the music’s most dissonant. “Willkomen,” the first number, opens as a slightly warped waltz, rocks determinedly in its mid-section, skips along then rocks again, Rob Burger’s piano supporting the lead instruments stealthily but sturdily. Burger, in fact, is the recording’s other secret weapon, his accordion on “Keep It Gay,” from Mel Brooks’ The Producers, giving the piece a surreal old-country carnival music vibe.
Other numbers, including “The Family” from Barry Levinson’s Avalon, are performed without flourish, arranged in a more straight-ahead fashion. Each approach works equally well; The Big Picture takes soundtrack music out of its comfort zone for a welcome reconsideration.
Лог создания рипа
Exact Audio Copy V1.1 from 23. June 2015
EAC extraction logfile from 20. August 2016, 18:55
David Krakauer / The Big Picture
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Track 1
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Содержание индексной карты (.CUE)
REM GENRE Jazz
REM DATE 2015
REM DISCID A70B180C
REM COMMENT "ExactAudioCopy v1.1"
PERFORMER "David Krakauer"
TITLE "The Big Picture"
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