Soul-Jazz, Bossa Nova) [LP][24/96] Jon Lucien - Rashida - 1973 (Original US pressing), FLAC (tracks)
Jon Lucien - Rashida
Жанр: Soul-Jazz, Bossa Nova
Год выпуска: 1973
Лейбл: RCA – APL1-0161 (Original pressing)
Страна-производитель: USA
Аудио кодек: FLAC
Тип рипа: tracks
Формат записи: 32/192
Формат раздачи: 24/96
Продолжительность: 44:14
Треклист:
Side One:
A1 Kuenda (03:10)
A2 Would You Believe In Me (02:35)
A3Lady Love (04:58)
A4 Luella (03:50)
A5 Shana (03:16)
A6 Satan (03:37)
Side Two:
B1Rashida (06:08)
B2 The War Song (03:18)
B3 Esperanza (04:06)
B4Love Everlasting (03:13)
B5 Zenzile (05:32)
Personnel:
– Jon Lucien - vocals, guitar & bass
– Noel Pointer - solo violin
– Eric Harrigan, Jr. - drums
– Frank Malabe - conga, percussion
– Dave Grusin - electric piano, chimes, percussion, orchestra arranged & conducted
– Annette Sanders - backing vocals (7)
– Marvin Stamm, Burt Collins, Joe Shepley, Lloyd Michels - trumpets
– Garnett Brown, Bill Watrous, Wayne Andre - trombones
– Paul Faulise - bass trombone
– Morty Lewis - tenor sax, flute & piccolo
– Pepper Adams - baritone sax
– Lew Del Gatto - oboe
– Dave Tofani - clarinet
– Norman Carr - violin concertmaster
– Gerald Tarack, Harry Glickman, Ray Kunicki, Alvin Rogers, Doris Carr, Guy Lumia, John Pintavalle, Joseph Goodman, Max Hollander, Ruth Buffington, Fred Buldrini - violins
– Julien C. Barber, Jean Dupouy, Ann Barak, Harry Zaratzian - violas
– George Ricci, Gloria Lanzerone, Seymour Barab, Charles McCracken, Harvey Shapiro - celli
– Corky Hale - harp
Recorded at RCA's Studios "D" and "B", New York City
Originally released in 1973 by RCA Records (US), LP - APL1-0161
Джазовый певец Джо Люсьен прославился своим глубоким красивым баритоном и душевными песнями о любви.
Он родился и вырос на Британских Виргинских островах, а в середине 1960-х годов перебрался в Нью-Йорк, где и начал свою музыкальную карьеру. Его гладкий баритон зачастую сравнивали с Нэт Кинг Коулом и Лу Роулзом...
Источник оцифровки: Рип взят из сети. Автор: Euripides
Код класса состояния винила: Неизвестно
Жанр: Soul-Jazz, Bossa Nova
Год выпуска: 1973
Лейбл: RCA – APL1-0161 (Original pressing)
Страна-производитель: USA
Аудио кодек: FLAC
Тип рипа: tracks
Формат записи: 32/192
Формат раздачи: 24/96
Продолжительность: 44:14
Треклист:
Side One:
A1 Kuenda (03:10)
A2 Would You Believe In Me (02:35)
A3Lady Love (04:58)
A4 Luella (03:50)
A5 Shana (03:16)
A6 Satan (03:37)
Side Two:
B1Rashida (06:08)
B2 The War Song (03:18)
B3 Esperanza (04:06)
B4Love Everlasting (03:13)
B5 Zenzile (05:32)
Personnel:
– Jon Lucien - vocals, guitar & bass
– Noel Pointer - solo violin
– Eric Harrigan, Jr. - drums
– Frank Malabe - conga, percussion
– Dave Grusin - electric piano, chimes, percussion, orchestra arranged & conducted
– Annette Sanders - backing vocals (7)
– Marvin Stamm, Burt Collins, Joe Shepley, Lloyd Michels - trumpets
– Garnett Brown, Bill Watrous, Wayne Andre - trombones
– Paul Faulise - bass trombone
– Morty Lewis - tenor sax, flute & piccolo
– Pepper Adams - baritone sax
– Lew Del Gatto - oboe
– Dave Tofani - clarinet
– Norman Carr - violin concertmaster
– Gerald Tarack, Harry Glickman, Ray Kunicki, Alvin Rogers, Doris Carr, Guy Lumia, John Pintavalle, Joseph Goodman, Max Hollander, Ruth Buffington, Fred Buldrini - violins
– Julien C. Barber, Jean Dupouy, Ann Barak, Harry Zaratzian - violas
– George Ricci, Gloria Lanzerone, Seymour Barab, Charles McCracken, Harvey Shapiro - celli
– Corky Hale - harp
Recorded at RCA's Studios "D" and "B", New York City
Originally released in 1973 by RCA Records (US), LP - APL1-0161
Джазовый певец Джо Люсьен прославился своим глубоким красивым баритоном и душевными песнями о любви.
Он родился и вырос на Британских Виргинских островах, а в середине 1960-х годов перебрался в Нью-Йорк, где и начал свою музыкальную карьеру. Его гладкий баритон зачастую сравнивали с Нэт Кинг Коулом и Лу Роулзом...
Об исполнителе:
Web Site: http://www.jonlucien.com/
Источник оцифровки: Рип взят из сети. Автор: Euripides
Код класса состояния винила: Неизвестно
Ripping Info:
Media:
Original US UK LP, RCA, APL1-0161, Matrix numbers A: APL1-0161-1E, B: APL1-0161-1E
Equipment:
* Vpi HW-17F Record Cleaning Machine
* Heybrook TT2 with Origin Live! power supply and DC motor
* Rega RB 300 tonearm (Origin Live! mod)
* Lyra Helikon M/C Cartridge
* Denon PMA 8500 (M/C phono section)
* ESI Systems Juli@ A/D
* Adobe Audition 1.5 / 3.0
Method:
- Record cleaned on Vpi machine.
- Audio sampled at 192/32 float. (This was an archived recording I made some 5 years ago, stored on DVD data disc until restoration in the last month.)
- Adobe Audition 3.0 Scientific Filter roll-off frequencies below 20 HZ (this doesn't 'sound' of anything, it merely flattens out the waveform for easier editing).
Audio restoration:
- Manual declick and deglitch.
- Denoising treatments were not necessary.
- Fades were treated with a noise 'footprint' based 'mono'(sum) greatly reducing it's audibility while maintaining 100% musical frequency content).
- All whole sides normalized to 100% NEVER using compression or limiting.
- Tracks seperated at 0.5 seconds before start of next song or at natural breaks in seguйed songs.
Synopsis:
I was lucky enough to find an unplayed copy. Some say these Dynaflex RCA pressings are not all they could be but I can't see anything wrong at all. A curious mix this, with some of the drum sounds close-miked yet down in the mix, lush stereo orchestrations fill the spaces at the sides and several percussion elements form 'hooks' throughout. Thankfully I had the Lyra Helikon M/C to make sense of it all. Enjoy!
Original US UK LP, RCA, APL1-0161, Matrix numbers A: APL1-0161-1E, B: APL1-0161-1E
Equipment:
* Vpi HW-17F Record Cleaning Machine
* Heybrook TT2 with Origin Live! power supply and DC motor
* Rega RB 300 tonearm (Origin Live! mod)
* Lyra Helikon M/C Cartridge
* Denon PMA 8500 (M/C phono section)
* ESI Systems Juli@ A/D
* Adobe Audition 1.5 / 3.0
Method:
- Record cleaned on Vpi machine.
- Audio sampled at 192/32 float. (This was an archived recording I made some 5 years ago, stored on DVD data disc until restoration in the last month.)
- Adobe Audition 3.0 Scientific Filter roll-off frequencies below 20 HZ (this doesn't 'sound' of anything, it merely flattens out the waveform for easier editing).
Audio restoration:
- Manual declick and deglitch.
- Denoising treatments were not necessary.
- Fades were treated with a noise 'footprint' based 'mono'(sum) greatly reducing it's audibility while maintaining 100% musical frequency content).
- All whole sides normalized to 100% NEVER using compression or limiting.
- Tracks seperated at 0.5 seconds before start of next song or at natural breaks in seguйed songs.
Synopsis:
I was lucky enough to find an unplayed copy. Some say these Dynaflex RCA pressings are not all they could be but I can't see anything wrong at all. A curious mix this, with some of the drum sounds close-miked yet down in the mix, lush stereo orchestrations fill the spaces at the sides and several percussion elements form 'hooks' throughout. Thankfully I had the Lyra Helikon M/C to make sense of it all. Enjoy!
