(Soul, Funk) [LP] [24/96] Stevie Wonder - Innervisions (1973) - 2007, FLAC (tracks+.cue)

Stevie Wonder - Innervisions (1973) Жанр: Soul, Funk Год выпуска: 2007 Лейбл: Universal, UIJY-9021 Страна-производитель: Japan 200g LP Аудио кодек: FLAC Тип рипа: tracks+.cue Формат записи: 24/192 Формат раздачи: 24/96 Продолжительность: 00:44:04 Треклист:Side One01 - "Too High" – 4:37 02 - "Visions" – 5:17 03 - "Living for the City" – 7:26 04 - "Golden Lady" – 5:00Side Two05 - "Higher Ground" – 3:54 06 - "Jesus Children of America" – 4:04 07 - "All in Love Is Fair" – 3:45 08 - "Don't You Worry 'bout a Thing" – 4:55 09 - "He's Misstra Know-It-All" – 6:06  PersonnelSide One01 - "Too High" – 4:37 Stevie Wonder – lead vocal, Fender Rhodes, harmonica, drums, Moog bass Lani Groves – background vocal Tasha Thomas – background vocal Jim Gilstrap – background vocal02 - "Visions" – 5:17 Stevie Wonder – lead vocal, Fender Rhodes Malcolm Cecil – upright bass Dean Parks – acoustic guitar David "T" Walker – electric guitar03 - "Living for the City" – 7:26 Stevie Wonder – lead vocal, background vocals, Fender Rhodes, drums, Moog bass, T.O.N.T.O. synthesizer, handclaps04 - "Golden Lady" – 5:00 Stevie Wonder – lead vocal, piano, drums, Moog bass, T.O.N.T.O. synthesizer Clarence Bell – Hammond organ Ralph Hammer – acoustic guitar Larry "Nastyee" Latimer – congasSide Two05 - "Higher Ground" – 3:54 Stevie Wonder – lead vocal, Hohner clavinet, drums, Moog bass06 - "Jesus Children of America" – 4:04 Stevie Wonder – lead vocal, background vocal, Fender rhodes, Hohner clavinet, handclaps, drums, Moog bass07 - "All in Love Is Fair" – 3:45 Stevie Wonder – lead vocal, piano, Fender Rhodes, drums Scott Edwards – electric bass08 - "Don't You Worry 'bout a Thing" – 4:55 Stevie Wonder – lead vocal, background vocal, piano, drums, Moog bass Yusuf Roahman – shaker Sheila Wilkerson – bongos, Latin gourd09 - "He's Misstra Know-It-All" – 6:06 Stevie Wonder – lead vocal, background vocal, piano, drums, handclaps, T.O.N.T.O. synthesizer, congas Willie Weeks – electric bass Recordist - Dan Barbiero, Austin Godsey Tape Operator - Gary Olazabal Mastering - George Marino Recording Coordinators - John Harris, Ira Tucker Jr. Synthesizer Programming - Robert Margouleff, Malcolm Cecil Album Art - Efram Wolff Источник оцифровки: aksman, AvaxHome Код класса состояния винила: Ex Устройство воспроизведения: Music Hall MMF 9.1 Turntable Предварительный усилитель: Brocksieper Phonomax (Tube Phono PreAmp) АЦП: E-MU 0404 external USB 2.0 Audiointerface Программа-оцифровщик: WaveLab 6 recording software Обработка: В технической информации  Спектр, АЧХ, Уровень записи Доп. информация: Mastered by Kazumi Tezuka  Техническая информацияTechnical Log RCM Hannl 'limited' with "Rotating Brush" Music Hall MMF 9.1 Turntable Tonearm: Pro-Ject 9cc evo with Pure Silver Wires Cartridge: Nagaoka MP-500 Brocksieper Phonomax (Tube Phono PreAmp) E-MU 0404 external USB 2.0 Audiointerface Interconnections : Silent Wire NF5 WaveLab 6 recording software iZotope RX Advanced 2.00 for resampling and dithering Vacuum cleaning > TT > Brocksieper Phonomax > E-MU 0404 > WaveLab 6 (24/192) > manual click removal > analyze (no clipping, no DC Bias offset) > resampling and dithering with iZotope RX Advanced 2.00 > split into individual Tracks > FLAC encoded (Vers. 1.21) No silence been removed, please burn gapless to match original tracklayout.Personal Note (from aksman) With my vinyl transfers, I try to catch the whole beauty of vinyl records; therefore I don't use any post-processing or any sound improvement. What you get is a clear and flat transfer. For getting a clear sound, I'll do an extended washing of each record with my RCM, which can take up to 30 minutes brushing on each side. Resistant ticks and clicks I try to remove as good as possible, but the priority is not to lose any musical information in the process. Surface noises, as long they are not too high, are left in place. Only on bad pressings or on records recorded at extremely low levels do I use a fade in-/-out. As John Peel said, "Life is full of surface noises." In some cases this means that I have to make a compromise.... The result has to pass my personal quality criteria, which is IMO quite high.