[SACD-R][OF] Miles Davis - Miles In The Sky - 1968/2015 (Jazz; Post Bop; Fusion)

foobar2000 1.3.13 / Замер динамического диапазона (DR) 1.1.1
Дата отчёта:  2016-12-13 14:02:12
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Анализ:   MILES DAVIS / Miles In The Sky
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DR         Пики         RMS           Продолжительность трека
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DR12      -0.34 дБ   -14.62 дБ     16:58 01-Stuff
DR13      -0.66 дБ   -17.83 дБ     12:39 02-Paraphernalia
DR12      -0.64 дБ   -15.69 дБ      7:26 03-Black Comedy
DR12      -0.42 дБ   -16.12 дБ     13:51 04-Country Son
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Количество треков: 4
Реальные значения DR: DR12
Частота:   2822400 Гц / Частота PCM: 88200 Гц
Каналов:   2
Разрядность:   24
Битрейт:   5645 кбит/с
Кодек:   DSD64
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Miles in the Sky is a studio album by American trumpeter and composer Miles Davis, released on July 22, 1968, by Columbia Records.
All Music Review
With the 1968 album Miles in the Sky, Miles Davis explicitly pushed his second great quintet away from conventional jazz, pushing them toward the jazz-rock hybrid that would later become known as fusion. Here, the music is still in its formative stages, and it’s a little more earth-bound than you might expect, especially following on the heels of the shape-shifting, elusive Nefertiti. On Miles in the Sky, much of the rhythms are straightforward, picking up on the direct 4/4 beats of rock, and these are illuminated by Herbie Hancock’s electric piano — one of the very first sounds on the record, as a matter of fact — and the guest appearance of guitarist George Benson on “Paraphernalia.” All of these additions are tangible and identifiable, and they do result in intriguing music, but the form of the music itself is surprisingly direct, playing as extended grooves. This meanders considerable more than Nefertiti, even if it is significantly less elliptical in its form, because it’s primarily four long jams. Intriguing, successful jams in many respects, but even with the notable additions of electric instruments, and with the deliberately noisy “Country Son,” this is less visionary than its predecessor and feels like a transitional album — and, like many transitional albums, it’s intriguing and frustrating in equal measures.